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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Lydmor - Capacity ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Lydmor ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Capacity ▓▓▓▓█
████ GENRE...[ Pop CAT#....[ ████
████ LABEL...[ HFN Music ENCODER.[ Lame 3.100 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 57:26 REL.DATE[ 03.13.2021 ████
████ TRACKS..[ 14 RiPPER..[ TEAM OMA ████
████ SiZE....[ 131,76 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Amandas Lullaby 03:36 ████
████ 02 Nevada feat. Eivoer 03:57 ████
████ 03 Diamond Breeze 04:11 ████
████ 04 Labyrinth Faced Man 01:55 ████
████ 05 Emma Spins 05:19 ████
████ 06 Someone We Used to Love 04:40 ████
████ 07 LSD Heart 03:40 ████
████ 08 Guilty (Kill Me) 04:12 ████
████ 09 The Gadget Song 04:48 ████
████ 10 Amandas Dream 03:03 ████
████ 11 Go Slow but Go 04:26 ████
████ 12 Heavier in Life feat. Lasse Ziegler 03:19 ████
████ 13 If You Want Capacity 06:01 ████
████ 14 Hotel Ads 04:19 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 57:26 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://lydmor.bandcamp.com/album/capacity ████
████ ████
████ Lydmor's new album 'CAPACITY' is a musical maze ████
████ full of alluring mysteries. At the same time, ████
████ it is part of a process of liberation, which is ████
████ about opening oneself up and discovering one's ████
████ capacity. ████
████ ████
████ For her previous album, Lydmor travelled to ████
████ Shanghai. But on her new album, Lydmor has ████
████ mostly travelled deep into herself. 'CAPACITY' ████
████ is a contrasting musical work where fiction and ████
████ reality merge into a multifaceted sound ████
████ universe. It is the electronic pop artist's ████
████ most personal, complex and conceptual album to ████
████ date. ████
████ ████
████ There is almost a David Lynch'ish cut about ████
████ 'CAPACITY'. The album is like a winding maze ████
████ where it is difficult to decipher what is real ████
████ and what is an illusion. Like a book with ████
████ countless narratives. Without conclusions. ████
████ Ambiguous. Full of alluring mysteries, dreams, ████
████ reflections and messages about gender, ████
████ identity, love, guilt and liberation. Rich in ████
████ contrasts: Black/white. Silence/noise. ████
████ Weakness/strength. Fiction/reality. ████
████ Labyrinth/compass. ████
████ ████
████ ôI am interested in delving into issues where ████
████ something interesting is happening ████
████ psychologically, anthropologically and ████
████ sociologically, where you can see what is ████
████ happening and how a fight is escalating. The ████
████ album is a process of liberation, which is very ████
████ much about romantic liberation and emotional ████
████ intelligence in the modern world, where I see a ████
████ new generation that deals with gender, identity ████
████ and relationships in a different way than in ████
████ the past. There was the sexual revolution in ████
████ the 1960s and 1970s, where it seemed that there ████
████ was little focus on emotional intelligence. ████
████ When I look around now, I feel that the way ████
████ people treat their love life, their identity ████
████ and their gender is much more interesting and ████
████ responsible. A revolution has happened, and I ████
████ think this is really exciting.ö explains ████
████ Lydmor. ████
████ Lydmor dives fearlessly into the problems of ████
████ 'CAPACITY', resulting in a myriad of ████
████ expressions and stories. The insisting and ████
████ beat-heavy 'LSD Heart' sharply criticizes the ████
████ dominance of patriarchy in modern art. 'Someone ████
████ We Used To Love' frames the fragility we ████
████ experience when confronted by a former lover, ████
████ who now exhibits feelings for another, and ████
████ Lydmor looks inward at the self-reflective and ████
████ thoughtful 'Guilty (Kill Me)'. ████
████ ████
████ 'CAPACITY' also features several enigmatic ████
████ characters and places that seem to be outside ████
████ of time and space. Who is the strange man with ████
████ the labyrinth face in 'The Labyrinth Faced ████
████ Man'? What role does he play in the narrative? ████
████ What about the two women Amanda and Emma? ████
████ Amanda, appearing in 'Amanda's Lullaby' and ████
████ 'Amanda's Dream', is plagued by a terrible ████
████ nightmare about a terrorist attack in which ████
████ evil men kill women. Is it related to her fear ████
████ of patriarchy and her fascination with Chilean ████
████ author Roberto Bolano's cult novel '2666', in ████
████ which women are also killed by men? And what ████
████ about Emma appearing in 'Emma Spins'? What kind ████
████ of quarrel does 'CAPACITY's narrator have with ████
████ her? ████
████ ████
████ Central to the story of 'CAPACITY' is also the ████
████ mysterious 'Leopold Hotel', which appears on ████
████ the song 'Nevada', where Lydmor sings a duet ████
████ with Faroese artist Eivoer. The hotel is ████
████ isolated in the middle of the Nevada desert. ████
████ What's going on here? That remains unsaid, but ████
████ you sense that something fatal has happened. ████
████ Heavy drinking has taken place, everything ████
████ seems foggy and two people have had a violent ████
████ misunderstanding. But has this misunderstanding ████
████ been so catastrophic that it has triggered the ████
████ 'Big Bang' of oppression? A spark from which ████
████ all sexism, humiliation, all our prejudices and ████
████ all our shame originated? And why do neon-lit ████
████ advertisements for this particular hotel appear ████
████ on the closing song 'Hotel Ads'? Are the ████
████ commercials, in fact, warning lights? And is ████
████ 'The Leopold Hotel' perhaps the centre of the ████
████ labyrinth that everything points back to? The ████
████ truth lurks just around the corner. Or maybe ████
████ it's the lie. Maybe it's all a lie. Or maybe ████
████ everything here is more true than anything ████
████ you've ever heard before. ████
████ ████
████ These are some of the riddles that the album's ████
████ 14 songs contain. Lydmor presents no easy or ████
████ single answer to 'CAPACITY'. At the same time, ████
████ the album contains a message about daring to ████
████ open up. "The more that we open, the less space ████
████ they'll get" rings loud and clear on the ████
████ opening song 'Amanda's Lullaby'. The more we ████
████ open up and show who we are, the less room ████
████ there is for the intolerant, the prejudiced and ████
████ the reactionary and their narrow-minded view of ████
████ the world. When you open up you discover your ████
████ capacity. ████
████ ████
████ ôCapacity is what I want and am discovering in ████
████ myself. Mental capacity, emotional capacity, ████
████ capacity to understand others, the capacity to ████
████ change, capacity in society. It has become one ████
████ of the most important things for me: having ████
████ capacity. Also when I look at how I react in ████
████ different situations. Do I respond with ████
████ capacity or respond with a narrow mindset? If ████
████ you recognize the amount of space that you have ████
████ inside you, then you can respond in a much more ████
████ constructive way in the world. And then there's ████
████ the song where I sing "If you want capacity, ████
████ you gotta leave it to the love you breathe". ████
████ It's about the fact that if you want this, then ████
████ you also have to give it back. It is a movement ████
████ that opens up.ö sayy Lydmor. ████
████ ████
████ Lydmor has never before had so much fun and ████
████ felt so much clarity during a recording process ████
████ than she has had while working on 'CAPACITY'. ████
████ Here she has felt completely free to make the ████
████ music exactly as pop or experimental as she's ████
████ felt like. ████
████ ████
████ ôI have moved farther out towards the outer ████
████ poles, rather than constantly searching for a ████
████ unified sound. Instead, this time I've said: ████
████ "OK, I have something completely acoustic over ████
████ here, then I need something tremendously hard ████
████ and electronic over here". I've just put things ████
████ as far out on the scales as possible - and in ████
████ this way, tried to create some kind of balance ████
████ ö. she explains. ████
████ ████
████ On 'CAPACITY', Lydmor has collaborated with ████
████ several different people. Here too, Lydmor knew ████
████ exactly who she wanted to work with. Five songs ████
████ have been produced in collaboration with ████
████ Christian Vium from Go Go Berlin. Other ████
████ collaborators on 'CAPACITY' include Norwegian ████
████ producer Trond Bersu, American producer Joey ████
████ Verskotzi, Lasse Ziegler, Lasse Lyngbo and the ████
████ producer duo Pitchifters. The album is mixed in ████
████ close collaboration with Peter Kjaedegaard ████
████ (Nephew, Spleen United, The Minds of 99). ████
████ ████
████ Behind the artist name "Lydmor" is the Danish ████
████ singer, songwriter and producer Jenny ████
████ Rossander. There is an eternal unpredictability ████
████ connected to Lydmor's work. She is constantly ████
████ exploring new sides of her artistic endeavour. ████
████ ████
████ In 2020 Lydmor started running a weekly radio ████
████ program on Danish P6 called Mon Amie Complexe. ████
████ Along with her co-host and weekly guests she ████
████ explores creativity and creation. ████
████ ████
████ In 2021 Lydmor is also involved with composing ████
████ music for theatre plays (Tine at Aalborg Teater ████
████ and öMoerkt Forσrö (Dark Spring) at Betty Nansen ████
████ Teater in Copenhagen). Besides that Lydmor is ████
████ writing and composing the score for the TV- ████
████ series Fanton Foelelser (Phantom Feelings) along ████
████ with her first move score for the movie Venue ████
████ Effekten (The Venue Effect). ████
████ ████
████ Lydmor can also be experienced this year at a ████
████ number of international concert venues. ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .