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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Old 97's
Album : Twelfth
Label : ATO Records
Genre : Country
Street Date : 2020-08-21
Quality : 272 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.100 -V0
Size : 87.44 MB
Time : 42:37 min
Url : http://allmusic.com/album/release/twelfth-mr0005235756
[Tracks]
1. The Dropouts 3:44
2. This House Got Ghosts 3:46
3. Turn Off The TV 2:44
4. I Like You Better 4:41
5. Happy Hour 4:10
6. Belmont Hotel 2:46
7. Confessional Boxing 3:12
8. Diamonds On Neptune 3:07
9. Our Year 4:03
10. Bottle Rocket Baby 3:27
11. Absence (What We've Got) 3:21
12. Why Don't We Ever Say We're Sorry 3:36
[Notes]
Rock & roll often has an unfortunate habit of locking musicians into an
extended adolescence, not surprising in a medium where plenty of foolish
behavior is not just acceptable but encouraged. Though the Old 97's were
hardly known for their bad habits, the fact they were still singing songs
about chasing women and getting drunk decades into their career suggested
that at least creatively, they had a flexible attitude regarding maturity.
However, in the late 2010s fate gave the bandmembers a few reminders that
they weren't as young as they once were. Drummer Philip Peeples had a brush
with death following a skull fracture, guitarist Ken Bethea started
experiencing numbness and loss of motor function in his hands that required
spinal surgery, and lead singer and main songwriter Rhett Miller faced up to
a drinking problem and gave up alcohol. (Bassist Murry Hammond managed to
escape unscathed.) 2020's Twelfth, a fitting title for their 12th album, is
the sound of a band who haven't given up on the raucous mix of rock & roll
and country accents that they've made their own since their first LP arrived
in 1994. Lyrically, though, this music often deals with facing up to
responsibility and looking back at past mistakes with a new level of
clarity. "Vices make you hungry/And you never can get full," from "Our
Year," is a pithy rejoinder to the cheerful reprobate Miller impersonated on
2014's Most Messed Up, while "The Dropouts" is an uncharitable portrait of a
man-child's lot in life, and the buzzy guitars and pitiless self-examination
of "Confessional Boxing" is as candid as anything this band has ever
recorded. (Even if Miller is pursuing a one-night stand on "Diamonds on
Neptune," he leaves no doubt it won't go well and that she won't speak well
of him.) "I Like You Better," meanwhile, is the testimony of a man who wants
to be a better man for the woman he loves, and "Why Don't We Ever Say We're
Sorry," written and sung by Hammond, is a simple but powerful statement of
what's gone wrong and what he needs to do right. There's plenty of great,
satisfying twangy rock on Twelfth, which is what we've come to expect from
the Old 97's. There's also a level of self-awareness and maturity that's new
to them, and that makes Twelfth a brave and valuable release from this great
band.