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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ GHLOW - Slash and Burn ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ GHLOW ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Slash and Burn ▓▓▓▓█
████ GENRE...[ Rock CAT#....[ PNKSLM087 ████
████ LABEL...[ PNKSLM Recordings ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 33:53 REL.DATE[ 04.01.2021 ████
████ TRACKS..[ 08 RiPPER..[ TEAM OMA ████
████ SiZE....[ 77,66 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Not Fit For This 03:27 ████
████ 02 Mess With Me 04:02 ████
████ 03 Take It 04:12 ████
████ 04 Sleep 04:33 ████
████ 05 Slash and Burn 04:49 ████
████ 06 Hollow 04:48 ████
████ 07 Hold On 04:05 ████
████ 08 Spit 03:57 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 33:53 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
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████ https://ghlow.bandcamp.com/album/slash-and- ████
████ burn-lp ████
████ ████
████ For Emille de Blanche and Nikolay Evdokimov, ████
████ their first album as GHLOW represents a ████
████ rebirth. Both are multidisciplinary creatives; ████
████ de Blanche works primarily in sculpture, whilst ████
████ Evdokimov is a tattoo artist. Both have ████
████ colourful musical backgrounds stretching back ████
████ decades; de Blanche is a former child prodigy ████
████ violinist who took up the instrument at the age ████
████ of two, while Evdokimov, a Russian native, ████
████ formed his first, politically-charged bands in ████
████ the early nineties, against the back-drop of ████
████ the fall of the Soviet Union. One of those, ████
████ Scang, would eventually see him playing stadi- ████
████ ums. Neither of GHLOWÆs members, though, have ████
████ ever been involved in anything quite like Slash ████
████ and Burn, a thrilling clash of punk and ████
████ electronica that fizzes with a furious energy. ████
████ ████
████ The band were formed in 2017, after a chance ████
████ encounter; although familiar with each other, ████
████ mov-ing in similar circles in StockholmÆs ████
████ underground art world, it wasnÆt until de ████
████ Blanche bumped into Evdokimov on her way to ████
████ collect supplies for her latest sculptural work ████
████ that they got talking. Their ensuing ████
████ conversations suggested that they were each ████
████ looking for a way to move on from their ████
████ individual pasts as musicians, and they were ████
████ quickly commissioned to work on a film score. ████
████ If the results - which soundtracked Kalle ████
████ AltinÆs short Dom - suggested a deeper bond, ████
████ then their first EP, released months later, ████
████ confirmed it: the four tracks on Crystal ████
████ Memoriz combined stuttering beats with brooding ████
████ synths to create an imposing atmosphere. ████
████ ████
████ ôWe came up with a lot of ideas we wanted to ████
████ develop,ö explains de Blanche, whose previous ████
████ bands had seen her turn her hand to everything ████
████ from post-rock to hip hop. ôWe realised that, ████
████ together, we could pursue them. We both wanted ████
████ to experiment. There had always been weird, ████
████ genre-bending stuff weÆd wanted to try out in ████
████ previous bands, but we couldnÆt get whoever ████
████ weÆd been working with to go with it. Now, we ████
████ could just put all of that away and follow our ████
████ instincts.ö The division of labour is equal ████
████ across the board; de Blanche handles vocals, ████
████ bass and the bandÆs art direction, with ████
████ Evdokimov on guitar, synths, drum machines and ████
████ production duties. ████
████ ████
████ They share influences too, running the gamut ████
████ from Dead Kennedys to The Prodigy, as well as ████
████ fel-low Swedes like revered post-hardcore ████
████ outfit Breach and doom metallers Switchblade. ████
████ They agree, though, that their joint outlook on ████
████ music runs deeper than that: ôItÆs always been ████
████ about emotion and passion, for me,ö says ████
████ Evdokimov. ôThatÆs more important to me than ████
████ genre. I have to understand the outlook of the ████
████ artist; I need to be burned by it a little bit, ████
████ almost.ö ████
████ ████
████ That perhaps explains why Slash and Burn is ████
████ such a searing listen; the duo have taken ████
████ every-thing that signified their potential on ████
████ Crystal Memoriz and cranked things up several ████
████ notches on every front. The pace has been upped ████
████ significantly, with tracks like towering opener ████
████ æNot Fit for ThisÆ and the chaotic æTake ItÆ ████
████ both cut from the same cloth - punk thrashes ████
████ that cut along at breakneck speed. Where ████
████ EvdokimovÆs beats were murky on Crystal ████
████ Memoriz, theyÆre piercingly polished this time ████
████ around, setting up dramatic juxtapositions of ████
████ sound when paired with scuzzy, effects-drenched ████
████ guitar that recalls the alt-rock of the ████
████ nineties, a decade crucially formative for both ████
████ members. ████
████ ████
████ ItÆs not just that GHLOW are refusing to ████
████ respect genre boundaries on Slash and Burn, ████
████ itÆs that theyÆre doing so with such swagger ████
████ and verve; see the epic title track for a case ████
████ in point, on which de BlancheÆs commanding ████
████ vocals drip with genuine menace. ôAfter the EP, ████
████ we realised we wanted the album to be harder,ö ████
████ reflects de Blanche. ôWhen we play live, itÆs a ████
████ physical experi-ence - in the early days, we ████
████ blew a lot of sound systems because the ████
████ loudness was so important to us. ThereÆs an ████
████ intensity to that - a feeling of just wanting ████
████ to be this vehicle speeding at 110 kil-ometres ████
████ per hour - and we think weÆve captured it.ö ████
████ ████
████ de BlancheÆs razor-sharp lyricism blends the ████
████ personal and political to stirring effect, and ████
████ Slash and Burn could be read as a cutting ████
████ treatise on Sweden in 2020. SheÆs keen to leave ████
████ the inter-pretation to the listener, though, ████
████ and the pair insist that her words are only one ████
████ part of what is a scorched-earth mission ████
████ statement - a manifesto announcing a powerful ████
████ new moment both for themselves and for rock ████
████ music. ôThereÆs a rawness and a violence to ████
████ Slash and Burn, but thatÆs not necessarily a ████
████ bad thing,ö says Evdokimov. ôItÆs about ████
████ starting again. You might be chopping things ████
████ down, or setting fire to something, but thatÆs ████
████ a reset - something positive comes out of the ████
████ flames.ö ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
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████▀ The only thing that really matters is music!!! ▀████
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▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .