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▓ █ ▀▓▀[ snakkelfatz ]▀▓▀ ▐████▌▀▓▀ ▐█████▓ ▄ ▄▄█
▒ █ ░ [ Entertainment ] ░ ▓████ ░ ▄█████▓▀ ▀▓▀ █ █
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░ ▒ █ Louis Armstrong - Swing, You Cats █ █ ░
▒ ░ █ █ ▓ ░
▓ ▒ █ Supplier : sfE Date : Jun-09-2002 █ ▒ ▓
█ ░ █ Ripper : bossaking Style : Jazz █ ░ █
█ ▓ w/ help of : EAC/lame Trax : 20 ▓ █
█▄▄ ▒ Bitrate : 192kbps / 44,1kHz / full stereo ▒ ▄▄█
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▒ █ █ [ informations ] █ █ ▒
░ █ █ █ █ ░
█ █ label : tim █ █
█ █ code : 204534-202 █ █
█ █ █ █
█ █ comments : █ █
█ █ louis armstrong was the first important █ █
█ █ soloist to emerge in jazz, and he became █ █
█ █ the most influential musician in the █ █
█ █ music's history. as a trumpet virtuoso, █ █
█ █ his playing, beginning with the 1920s █ █
█ █ studio recordings made with his hot five █ █
█ █ and hot seven ensembles, charted a █ █
█ █ future for jazz in highly imaginative, █ █
█ █ emotionally charged improvisation. for █ █
█ █ this, he is revered by jazz fans. but █ █
█ █ armstrong also became an enduring figure █ █
█ █ in popular music, due to his █ █
█ █ distinctively phrased bass singing and █ █
█ █ engaging personality, which were on █ █
█ █ display in a series of vocal recordings █ █
█ █ and film roles. armstrong had a █ █
█ █ difficult childhood. william armstrong, █ █
█ █ his father, was a factory worker who █ █
█ █ abandoned the family soon after the █ █
█ █ boy's birth. armstrong was brought up by █ █
█ █ his mother, mary (albert) armstrong, and █ █
█ █ his maternal grandmother. he showed an █ █
█ █ early interest in music, and a junk █ █
█ █ dealer for whom he worked as a █ █
█ █ grade-school student helped him buy a █ █
█ █ cornet, which he taught himself to play. █ █
█ █ he dropped out of school at 11 to join █ █
█ █ an informal group, but on december 31, █ █
█ █ 1912, he fired a gun during a new year's █ █
█ █ eve celebration, for which he was sent █ █
█ █ to reform school. he studied music there █ █
█ █ and played cornet and bugle in the █ █
█ █ school band, eventually becoming its █ █
█ █ leader. he was released on june 16, █ █
█ █ 1914, and did manual labor while trying █ █
█ █ to establish himself as a musician. he █ █
█ █ was taken under the wing of cornetist █ █
█ █ joe "king" oliver, and when oliver moved █ █
█ █ to chicago in june 1918, he replaced him █ █
█ █ in the kid ory band. he moved to the █ █
█ █ fate marable band in the spring of 1919, █ █
█ █ staying with marable until the fall of █ █
█ █ 1921. armstrong moved to chicago to join █ █
█ █ oliver's band in august 1922 and made █ █
█ █ his first recordings as a member of the █ █
█ █ group in the spring of 1923. he married █ █
█ █ lillian harden, the pianist in the █ █
█ █ oliver band, on february 5, 1924. (she █ █
█ █ was the second of his four wives.) on █ █
█ █ her encouragement, he left oliver and █ █
█ █ joined fletcher henderson's band in new █ █
█ █ york, staying for a year and then going █ █
█ █ back to chicago in november 1925 to join █ █
█ █ the dreamland syncopators, his wife's █ █
█ █ group. during this period, he switched █ █
█ █ from cornet to trumpet. armstrong had █ █
█ █ gained sufficient individual notice to █ █
█ █ make his recording debut as a leader on █ █
█ █ november 12, 1925. contracted to okeh █ █
█ █ records, he began to make a series of █ █
█ █ recordings with studio-only groups █ █
█ █ called the hot fives or the hot sevens. █ █
█ █ for live dates, he appeared with the █ █
█ █ orchestras led by erskine tate and █ █
█ █ carroll dickerson. the hot fives' █ █
█ █ recording of "muskrat ramble" gave █ █
█ █ armstrong a top ten hit in july 1926, █ █
█ █ the band for the track featuring kid ory █ █
█ █ on trombone, johnny dodds on clarinet, █ █
█ █ lillian harden armstrong on piano, and █ █
█ █ johnny st. cyr on banjo. █ █
█ █ by february 1927, armstrong was █ █
█ █ well-enough known to front his own █ █
█ █ group, louis armstrong and his stompers, █ █
█ █ at the sunset cafΘ in chicago. █ █
█ █ (armstrong did not function as a █ █
█ █ bandleader in the usual sense, but █ █
█ █ instead typically lent his name to █ █
█ █ established groups.) in april, he █ █
█ █ reached the charts with his first vocal █ █
█ █ recording, "big butter and egg man," a █ █
█ █ duet with may alix. he took a position █ █
█ █ as star soloist in carroll dickerson's █ █
█ █ band at the savoy ballroom in chicago in █ █
█ █ march 1928, later taking over as the █ █
█ █ band's frontman. "hotter than that" was █ █
█ █ in the top ten in may 1928, followed in █ █
█ █ september by "west end blues," which █ █
█ █ later became one of the first recordings █ █
█ █ named to the grammy hall of fame. █ █
█ █ armstrong returned to new york with his █ █
█ █ band for an engagement at connie's inn █ █
█ █ in harlem in may 1929. he also began █ █
█ █ appearing in the orchestra of hot █ █
█ █ chocolates, a broadway revue, given a █ █
█ █ featured spot singing "ain't █ █
█ █ misbehavin'." in september, his █ █
█ █ recording of the song entered the █ █
█ █ charts, becoming a top ten hit. █ █
█ █ armstrong fronted the luis russell █ █
█ █ orchestra for a tour of the south in █ █
█ █ february 1930, then in may went to los █ █
█ █ angeles, where he led a band at █ █
█ █ sebastian's cotton club for the next ten █ █
█ █ months. he made his film debut in █ █
█ █ ex-flame, released at the end of 1931. █ █
█ █ by the start of 1932, he had switched █ █
█ █ from the "race"-oriented okeh label to █ █
█ █ its pop-oriented big sister columbia █ █
█ █ records, for which he recorded two top █ █
█ █ five hits, "chinatown, my chinatown" and █ █
█ █ "you can depend on me" before scoring a █ █
█ █ number one hit with "all of me" in march █ █
█ █ 1932; another top five hit, "love, you █ █
█ █ funny thing," hit the charts the same █ █
█ █ month. he returned to chicago in the █ █
█ █ spring of 1932 to front a band led by █ █
█ █ zilner randolph; the group toured around █ █
█ █ the country. in july, armstrong sailed █ █
█ █ to england for a tour. he spent the next █ █
█ █ several years in europe, his american █ █
█ █ career maintained by a series of █ █
█ █ archival recordings, including the top █ █
█ █ ten hits "sweethearts on parade" (august █ █
█ █ 1932; recorded december 1930) and "body █ █
█ █ and soul" (october 1932; recorded █ █
█ █ october 1930). his top ten version of █ █
█ █ "hobo, you can't ride this train," in █ █
█ █ the charts in early 1933, was on victor █ █
█ █ records; when he returned to the u.s. in █ █
█ █ 1935, he signed to recently formed decca █ █
█ █ records and quickly scored a █ █
█ █ double-sided top ten hit, "i'm in the █ █
█ █ mood for love"/"you are my lucky star." █ █
█ █ armstrong's new manager, joe glaser, █ █
█ █ organized a big band for him that had █ █
█ █ its premiere in indianapolis on july 1, █ █
█ █ 1935; for the next several years, he █ █
█ █ toured regularly. he also took a series █ █
█ █ of small parts in motion pictures, █ █
█ █ beginning with pennies from heaven in █ █
█ █ december 1936, and he continued to █ █
█ █ record for decca, resulting in the top █ █
█ █ ten hits "public melody number one" █ █
█ █ (august 1937), "when the saints go █ █
█ █ marching in" (april 1939), and "you █ █
█ █ won't be satisfied (until you break my █ █
█ █ heart)" (april 1946), the last a duet █ █
█ █ with ella fitzgerald. he returned to █ █
█ █ broadway in the short-lived musical █ █
█ █ swingin' the dream in november 1939. █ █
█ █ with the decline of swing music in the █ █
█ █ post-world war ii years, armstrong broke █ █
█ █ up his big band and put together a small █ █
█ █ group dubbed the all stars, which made █ █
█ █ its debut in los angeles on august 13, █ █
█ █ 1947. he embarked on his first european █ █
█ █ tour since 1935 in february 1948, and █ █
█ █ thereafter toured regularly around the █ █
█ █ world. in june 1951 he reached the top █ █
█ █ ten of the lp charts with satchmo at █ █
█ █ symphony hall ("satchmo" being his █ █
█ █ nickname), and he scored his first top █ █
█ █ ten single in five years with "(when we █ █
█ █ are dancing) i get ideas" later in the █ █
█ █ year. the single's b-side, and also a █ █
█ █ chart entry, was "a kiss to build a █ █
█ █ dream on," sung by armstrong in the film █ █
█ █ the strip. in 1993, it gained renewed █ █
█ █ popularity when it was used in the film █ █
█ █ sleepless in seattle. armstrong █ █
█ █ completed his contract with decca in █ █
█ █ 1954, after which his manager made the █ █
█ █ unusual decision not to sign him to █ █
█ █ another exclusive contract but instead █ █
█ █ to have him freelance for different █ █
█ █ labels. satch plays fats, a tribute to █ █
█ █ fats waller, became a top ten lp for █ █
█ █ columbia in october 1955, and verve █ █
█ █ records contracted armstrong for a █ █
█ █ series of recordings with ella █ █
█ █ fitzgerald, beginning with the chart lp █ █
█ █ ella and louis in 1956. armstrong █ █
█ █ continued to tour extensively, despite a █ █
█ █ heart attack in june 1959. in 1964, he █ █
█ █ scored a surprise hit with his recording █ █
█ █ of the title song from the broadway █ █
█ █ musical hello, dolly!, which reached █ █
█ █ number one in may, followed by a █ █
█ █ gold-selling album of the same name. it █ █
█ █ won him a grammy for best vocal █ █
█ █ performance. this pop success was █ █
█ █ repeated internationally four years █ █
█ █ later with "what a wonderful world," █ █
█ █ which hit number one in the u.k. in █ █
█ █ april 1968. it did not gain as much █ █
█ █ notice in the u.s. until 1987 when it █ █
█ █ was used in the film good morning, █ █
█ █ vietnam, after which it became a top 40 █ █
█ █ hit. armstrong was featured in the 1969 █ █
█ █ film of hello, dolly!, performing the █ █
█ █ title song as a duet with barbra █ █
█ █ streisand. he performed less frequently █ █
█ █ in the late '60s and early '70s and died █ █
█ █ of a heart ailment at 69. louis █ █
█ █ armstrong was embraced by two distinctly █ █
█ █ different audiences: jazz fans who █ █
█ █ revered him for his early innovations as █ █
█ █ an instrumentalist, but were █ █
█ █ occasionally embarrassed by his lack of █ █
█ █ interest in later developments in jazz █ █
█ █ and, especially, by his willingness to █ █
█ █ serve as a light entertainer; and pop █ █
█ █ fans, who delighted in his joyous █ █
█ █ performances, particularly as a █ █
█ █ vocalist, but were largely unaware of █ █
█ █ his significance as a jazz musician. █ █
█ █ given his popularity, his long career, █ █
█ █ and the extensive label-jumping he did █ █
█ █ in his later years, as well as the █ █
█ █ differing jazz and pop sides of his █ █
█ █ work, his recordings are extensive and █ █
█ █ diverse, with parts of his catalog owned █ █
█ █ by many different companies. but many of █ █
█ █ his recorded performances are █ █
█ █ masterpieces, and none are less than █ █
█ █ entertaining. █ █
█ █ william ruhlmann █ █
█ █ █ █
░ ▓ █ █ ▓ ░
▓ ▒ █ greets : sb - amrc - kw - ftd - ube - hbz █ ▒ ▓
█ ░ ▓ iMPG - HiT - dps - rac - gF ▓ ░ █
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▒ █ █ [ tracklist ] █ █ ▒
░ █ █ █ █ ░
█ █ 01.Mahogany Hall Stomp [02:37] █ █
█ █ 02.Swing, You Cats [02:40] █ █
█ █ 03.Honey, Don't You Love Me Anymore- [03:00] █ █
█ █ 04.Mississippi Basin [03:05] █ █
█ █ 05.Laughin' Louie [03:27] █ █
█ █ 06.Tomorrow Night [03:16] █ █
█ █ 07.Dusky Stevedore [02:57] █ █
█ █ 08.There's A Cabin In The Pines [03:19] █ █
█ █ 09.Mighty River [02:39] █ █
█ █ 10.Sweet Sue, Just You [02:47] █ █
█ █ 11.I Wonder Who [03:07] █ █
█ █ 12.St. Louis Blues [02:42] █ █
█ █ 13.Don't Play Me Cheap [02:57] █ █
█ █ 14.I'm In The Mood For Love [03:13] █ █
█ █ 15.You Are My Lucky Star [03:04] █ █
█ █ 16.La Cucaracha [02:45] █ █
█ █ 17.Got A Bran' New Suit [02:56] █ █
█ █ 18.I've Got My Fingers Crossed [02:33] █ █
█ █ 19.Ol' Man Mose [02:36] █ █
█ █ 20.I'm Shooting High [02:53] █ █
█ █ ------- █ █
█ █ 58:33 min █ █
█ █ 80,70 MB █ █
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▒ █ █ [ group notes ] █ █ ▒
░ █ █ █ █ ░
█ █ Whooooha! sfE is back again in the fields of sound to █ █
█ █ make you smile. █ █
█ █ We will do our stuff as usual, expect some very rar █ █
█ █ tunes, experimental stuff, lo-fi and Psycho/Rockabilly █ █
█ █ Punk 'n Hop - Bebop 'n Teenbeat, surfin flavor and █ █
█ █ asskicking smoothies. █ █
█ █ sfE is riding again.... █ █
█ █ ...hi Mom! █ █
█ █ █ █
█ █ Positions open: Mostly ALL :> visit us to affil us. █ █
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