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█ This Morn' Omina - The Roots of Saraswati
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│██ Artist : This Morn' Omina
██ Album : The Roots of Saraswati
██ Year : 2021
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│██
│██ Genre : Industrial Quality : 789kbps avg/441kHz/2 channels
│██ Source : CD Size : 446.62Mb
│██ Encoder : FLAC 1.3.1 Language : English
:██ Cat. Nr : mind 356 Label : Dependent Records
│██
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│██
│▓█ Release date: 2021-04-09 Retail date: 2021-03-26
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1. Nadistuti Sukta 4:09 ██
2. The Mongoose King 7:02 ██
3. Nao·s 6:57 ██
4. Vadavigni (The All Consuming Fire) 6:24 ██
5. People of the Serpent 7:46 ██
6. 1000 Cuts (Lingh Chi) 10:02 ██
7. The Nothing Space 6:05 ██
8. Blood Oath 6:04 ██
9. Nepenthe 7:58 ██
10. (A) Song of Eloi'im 13:15 ██
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Total Runtime: 75:42 █▓
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██ ░▄
██│ This MornÆ OminaÆs 2021 album is a rebirth of sorts for the long
██│ running Belgian project. The basis of founder Mika GoedrijkÆs vision
██│ for ôritual musikö are still here in quantity; dark synthetic
██│ atmospheres, extensive use of Hindustani, Middle Eastern, Northern and
██│ Western African percussion instruments and extensive references to
██│ buddhism and Hinduism in track titles and samples have long been TMOÆs
██│ calling cards. Where The Roots of Saraswati departs from the bandÆs
██│ most recent catalogue is in the de-emphasis of electronic dance music
██│ tropes û gone are most of the overt rhythmic noise and trance markers
██│ they often dabbled with û in favour of a more ornate, cinematic
██│ orchestral sound.
██│
██│ Which is not to say that the album abandons danceability, more that
██│ its structures and ideas seem less beholden to those of DJ friendly
██│ dance music. Listen to the construction of ôNao·sö; distant drums and
██│ bass drones provide a foundation for an arrangement of hand percussion
██│ which after an extensive two and a half minute build eventually
██│ coalesces into synthetic 4/4 beat, which itself breaks down into a
██│ swarm of analogue synth tones that cut apart the trackÆs ominous vocal
██│ sample. ItÆs a song that contains no end of rhythm and movement, but
██│ whose arrangement has a complexity and intent that separates it from
██│ many comparable compositions from TMOÆs past.
██│
██│ Some of this change must be due to the influence of Scott Fox, the
██│ Canadian producer who has long cited TMO as a major influence on his
██│ work as iVardensphere. He and Goedrijk are the credited
██│ writer-producers on the record, and Fox is also credited with the mix
██│ and master, meaning that his touch is felt in basically every moment
██│ of The Roots of Saraswati. You can hear the sort of delicate sampled
██│ instrumentation that has informed contemporary iVs releases on the
██│ string-laden ôVadavigni (The All Consuming Fire)ö, or in the deep
██│ synth tones that form the basis of ôNepentheö. That latter number
██│ might be the most instructive in understanding Goedrijk and FoxÆs
██│ approach to making the record; in withholding big payoffs and
██│ concentrating instead on slow builds towards melodies which it then
██│ deconstructs, it has a remarkable subtlety that belies its bursts of
██│ percussive bombast.
██│
██│ Truthfully, itÆs those moments of vast, soundtrack like construction
██│ that offer the best and most interesting ideas that This MornÆ Omina
██│ have to offer on The Roots of Saraswati. While technically perfectly
██│ executed and designed, the albums major concessions to giving the
██│ listener a traditional banging TMO tribal industrial experience û ôThe
██│ Mongoose Kingö and ôBlood Oathö û are simply less interesting than
██│ songs like ô1000 Cuts (Lingh Chi)ö which takes their kick-drum-first
██│ approach and creates vast, organic waves of accompaniment and
██│ counterpoint using it as a foundation. The recordÆs sound is less of
██│ reinvention than expansion, taking what we know and understand of This
██│ MornÆ Omina and building it out to sometimes meditative, sometimes
██│ awesome proportions.
██
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██│ URL:
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