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────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | A Tribe Called Quest
Title | The Low End Theory
Genre | Hip-Hop Format | Album
Source | Vinyl Time | 47:59
Label | Jive Records Store | 1996
Catalog | 01241-41490-1 Rip | 2021
Bitrate | 2799 kbps Size | 1010.57 MB
Freq | 96.0 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
A1. Excursions 3:53
A2. Buggin' Out 3:37
A3. Rap Promoter 2:13
A4. Butter 3:39
B1. Verses From The Abstract 3:58
B2. Show Business (Feat. Lord Jamar, Sadat X & Diamond D) 3:53
B3. Vibes And Stuff 4:18
C1. The Infamous Date Rape 2:53
C2. Check The Rhime 3:36
C3. Everything Is Fair 2:59
D1. Jazz (We've Got) 4:10
D2. Skypager 2:12
D3. What 2:28
D4. Scenario (Feat. Dinco D, Charlie Brown & Busta Rhymes) 4:10
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Without question the most intelligent, artistic rap group during the
1990s, A Tribe Called Quest jump-started and perfected the hip-hop
alternative to hardcore and gangsta rap. In essence, they abandoned
the macho posturing rap music had been constructed upon, and focused
instead on abstract philosophy and message tracks. The sucka MC
theme had never been completely ignored in hip-hop, but Tribe
confronted numerous black issues - date rape, use of the word
nigger, the trials and tribulations of the rap industry - all of
which overpowered the occasional game of the dozens.
While most of the players in the jazz-rap movement never quite
escaped the pasted-on qualities of their vintage samples, with "The
Low End Theory", A Tribe Called Quest created one of the closest and
most brilliant fusions of jazz atmosphere and hip-hop attitude ever
recorded. The rapping by Q-Tip and Phife Dawg could be the smoothest
of any rap record ever heard; the pair are so in tune with each
other, they sound like flip sides of the same personality, fluidly
trading off on rhymes, with the former earning his nickname (The
Abstract) and Phife concerning himself with the more concrete issues
of being young, gifted, and black.
The trio also takes on the rap game with a pair of hard-hitting
tracks: "Rap Promoter" and "Show Business", the latter a lyrical
soundclash with Q-Tip and Phife plus Brand Nubian's Diamond D, Lord
Jamar, and Sadat X. The woman problem gets investigated as well, on
two realistic yet sensitive tracks, "Butter" and "The Infamous Date
Rape". The productions behind these tracks aren't quite skeletal,
but they're certainly not complex.
Instead, Tribe weaves little more than a stand-up bass (sampled or,
on one track, jazz luminary Ron Carter) and crisp, live-sounding
drum programs with a few deftly placed samples or electric
keyboards. It's a tribute to their unerring production sense that,
with just those few tools, Tribe produced one of the best hip-hop
albums in history, a record that sounds better with each listen.
"The Low End Theory" is an unqualified success, the perfect marriage
of intelligent, flowing raps to nuanced, groove-centered
productions.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘