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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Kevin Morby - Sundowner ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Kevin Morby ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Sundowner ▓▓▓▓█
████ GENRE...[ Indie CAT#....[ DOC231D ████
████ LABEL...[ Dead Oceans ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2020 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 52:29 REL.DATE[ 04.23.2021 ████
████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████
████ SiZE....[ 107,29 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Valley 04:04 ████
████ 02 Brother, Sister 04:37 ████
████ 03 Sundowner 05:09 ████
████ 04 Campfire 05:19 ████
████ 05 Wander 01:54 ████
████ 06 Don't Underestimate Midwest American Sun 05:21 ████
████ 07 A Night At The Little Los Angeles 07:11 ████
████ 08 Jamie 04:11 ████
████ 09 Velvet Highway 03:20 ████
████ 10 Provisions 11:23 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 52:29 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ https://kevinmorby.bandcamp.com/album/sundowner ████
████ ████
████ In the winter of 2017 I moved back to my ████
████ hometown of Kansas City from Los Angeles. The ████
████ move was sudden and unforeseen, just as I was ████
████ tying a bow on the writing process for what ████
████ would become my 2019 album, Oh My God. I bought ████
████ a Four Track Tascam model 424 off of an old ████
████ friend to help me get to the finish line, but ████
████ much to my surprise and excitement, this new ████
████ piece of equipment in my all-but-bare home ████
████ didnÆt help complete one album but rather ████
████ inspire another: Sundowner. The new collection ████
████ of songs came quickly and effortlessly as I did ████
████ my best not to resist or refine the songs, but ████
████ instead let them take shape all on their own. ████
████ ████
████ "As the songs kept coming I cleared out the ████
████ crowded shed that was sitting dormant in my ████
████ backyard and built a makeshift studio before ████
████ adding drums, lead guitar and piano to complete ████
████ the demos. Each day I would teach myself basic ████
████ recording techniques, watching the channels ████
████ illuminate and pulse as if the machine were ████
████ breathing, and then emerge in the evenings as ████
████ the sun was getting low: - around 5:30 in the ████
████ winter, when the Kansan sunsets look icy and ████
████ distant, like a pink ember inside of a display ████
████ case, and 9 oÆclock in the summer, when the ████
████ sunsets are warm and abstract. ████
████ ████
████ Landing back home felt jarring juxtaposed with ████
████ a life full of chaos and adventure with my band ████
████ on the road. But at the very least, I was happy ████
████ to have - for the first time in my adulthood - ████
████ a place to close the door, with no temptations ████
████ other than to work on music and reflect on what ████
████ I had built since I left. It was a new form of ████
████ isolation, one I had never explored or expected ████
████ to experience. Not ready to let go of the hand ████
████ of the California desert, I spent the winter ████
████ decorating the best I knew how; with mementos ████
████ from my previous home, cactus and aloe vera and ████
████ covering the walls in pinewood - immediately ████
████ earning my house itÆs nickname, The Little Los ████
████ Angeles. ████
████ ████
████ In January 2019 I contacted my friend and ████
████ producer Brad Cook to help recreate what I had ████
████ made in my shed. We chose to work in Texas; we ████
████ wanted to make sure the record was done far ████
████ away from any coastline, and in the heart of ████
████ America. Brad played bass and some keys on the ████
████ album, but beyond that he encouraged and ████
████ inspired me to play almost everything else. All ████
████ lead guitar, proper drums (save the drums on ôA ████
████ Night At The Little Los Angelesö), mellotron ████
████ and what I believe to be the albums secret ████
████ weapon - a WWII era collapsible and slightly ████
████ out-of-tune pump organ - were performed by me. ████
████ We did, however, bring in James Krivchenia ████
████ towards the end of the session to fill out the ████
████ percussion. It was an honor to work with him as ████
████ he built maracas from pecans and played on the ████
████ floor of the live room, adding flourish ████
████ wherever he saw fit. ████
████ ████
████ On the last evening of the session, after ████
████ everything had wrapped, we all climbed on top ████
████ of an empty water tower on the property, giving ████
████ us a view in all directions. To the North you ████
████ could see an endless Texas, with long wisps of ████
████ cirrus clouds above the desert floor, and to ████
████ the South there was Mexico, the recent ████
████ detention camps only a mile beyond, with large ████
████ cumulus clouds hovering over, bringing us to an ████
████ ominous pause. To the West, towards the setting ████
████ sun, the two families of clouds merged, holding ████
████ the last light of the day in purple and orange. ████
████ Below, a freight train cut the landscape in ████
████ half as it whistled in the distance. ████
████ ████
████ Almost as soon as the session wrapped, I was ████
████ off and away on press trips and then proper ████
████ tours for Oh My God, which came out in April ████
████ that same year. Sundowner sat inside of a hard ████
████ drive back at Sonic Ranch and did not see the ████
████ light of day, until I found myself, as did the ████
████ rest of the world, stuck inside their home and ████
████ in quarantine in March 2020. My second year of ████
████ touring for Oh My God was cancelled. Brad, ████
████ Jerry and I worked from our respective homes, ████
████ sending notes back and forth as we worked alone ████
████ but together to mix the album, and suddenly, ████
████ just like that, Sundowner was finished. ████
████ ████
████ Songs, like sunsets, are fleeting, and itÆs ████
████ only due to a willingness and desire to catch ████
████ them that you ever, if even only for a moment, ████
████ grab a hold of one. When writing Sundowner, I ████
████ was lucky to have had the Tascam 424 there to ████
████ help capture both. Sundowner is my attempt to ████
████ put the Middle American twilight -- itÆs beauty ████
████ profound, though not always immediate -- into ████
████ sound. It is a depiction of isolation. Of the ████
████ past. Of an uncertain future. Of provisions. Of ████
████ an omen. Of a dead deer. Of an icon. Of a Los ████
████ Angeles themed hotel in rural Kansas. Of ████
████ billowing campfires, a mermaid and a highway ████
████ lined in rabbit fur. It is a depiction of the ████
████ nervous feeling that comes with the skyÆs proud ████
████ announcement that another day will be soon ████
████ coming to a close as the pink light recedes and ████
████ the street lamps and house lights suddenly ████
████ click on. -- Kevin Morby, Kansas, 2020" ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .