John_Frusciante-Maya-CD-FLAC-2020-FORSAKEN

Section

MP3/FLAC

Group

FORSAKEN

Size

228,41 MB

Files

14

Date

2021-04-25

NFO

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     ▀█████▓▌                FORSAKEN Proudly Presents              ▐▓█████▀
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   ▓▄██                                                                   ██▄▓
   ▓█▀▄▄ Artist      : John Frusciante                                   ▄▄▀█▓
  ▐▓▌▐█▌ Album       : Maya                                              ▐█▌▓▌
  ▐▀▄██  Label       : Planet Mu / Timesig Records                        ██▄▀▌
  ▄███▌  Genre       : Electronic                                         ▐███▄
  ▀███▌  Source      : CD                                                 ▐███▀
  ▐▄▀██  Street Date : 2020-10-23                                         ██▀▄▌
  ▐▓▌▐█▌ Quality     : 774 kbps / 44.1kHz / 2 channels                   ▐█▌▐▓▌
   ▓█▄▀▀ Encoder     : FLAC 1.3.1                                        ▀▀▄█▓
   ▓███  Size        : 236.50 MB                                          ███▓
   ▀ ▀█▌ Time        : 40:49 min                                         ▐█▀ ▀
   ▓▄███ Url         : http://allmusic.com/album/release/maya-mr00052702 ███▄▓
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 ██▌ 1.  Brand E                                                        4:52 ▐██
 ██▌ 2.  Usbrup Pensul                                                  4:23 ▐██
 ██▌ 3.  Flying                                                         3:42 ▐██
 ██▌ 4.  Pleasure Explanation                                           4:14 ▐██
 ██▌ 5.  Blind Aim                                                      4:06 ▐██
 ██▌ 6.  Reach Out                                                      4:22 ▐██
 ██▌ 7.  Amethblowl                                                     4:39 ▐██
 ██▌ 8.  Zillion                                                        4:34 ▐██
 ██▌ 9.  Anja Motherless                                                5:57 ▐██
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 ▄███▌                                                                     ▐███▄
 ████    John Frusciante has long acknowledged techno and rave culture as   ████
 ████    a major interest and a significant influence on his singular,      ████
 ████    sometimes confounding solo career, but it wasn't until the 2010s   ████
 ████    that the off-again, on-again Red Hot Chili Peppers guitarist       ████
 ████    began releasing purely instrumental electronic music. Following a  ████
 ████    one-off 2010 collaboration with Venetian Snares as part of the     ████
 ████    trio Speed Dealer Moms, Frusciante began releasing acid techno as  ████
 ████    Trickfinger in 2015, while 2016's Foregrow EP, issued under his    ████
 ████    own name, incorporated sparing amounts of guitars and vocals into  ████
 ████    his adventurous arrangements of skittering beats and kinetic       ████
 ████    synth melodies. Maya is Frusciante's second album released in      ████
 ████    2020, following a Trickfinger set titled She Smiles Because She    ████
 ████    Presses the Button. Titled after his feline companion of 15 years  ████
 ████    who had passed away, Maya is credited to Frusciante's given name,  ████
 ████    which is fitting as it has more personality than much of his       ████
 ████    Trickfinger work, even if the album lacks his knotty guitar        ████
 ████    playing or falsetto vocals. The tracks all center around heavily   ████
 ████    chopped-up breakbeats, equally inspired by early '90s U.K.         ████
 ████    hardcore as well as the trailblazing drill'n'bass experiments of   ████
 ████    producers like Squarepusher and Luke Vibert. Emotionally, the      ████
 ████    tracks contain a powerful mixture of club ecstasy and wistful      ████
 ████    longing, coming close to the moods of mid-'90s darkside jungle,    ████
 ████    but pushing the beats a bit further. Midtempo opener "Brand E"     ████
 ████    has a steady, club-friendly rhythm along with simmering acid       ████
 ████    squiggles, but most of the album is harder, more complex, and      ████
 ████    more frenetic. Tracks like "Usbrup Pensul" are filled with         ████
 ████    clattering, stuttering drums and rave stabs, while "Blind Aim" is  ████
 ████    a tough, thrilling piece of mutant ragga-jungle, shifting from     ████
 ████    levitating synths to explosive Amen breaks. "Amethblowl" is even   ████
 ████    deadlier and rougher, with extremely bit-crushed breakbeats        ████
 ████    detonating all over sinister sci-fi melodies. Each of the tracks   ████
 ████    took a while to prepare, as Frusciante would fine-tune synth       ████
 ████    patches and arrange breakbeats, but the actual recordings were     ████
 ████    bashed out pretty quickly, and they all maintain that sense of     ████
 ████    elaborately designed spontaneity, making it easily the artist's    ████
 ████    most successful electronic work.                                   ████
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 ▐▓▌▐█▌                                                                   ▐█▌▐▓▌
  ▓█▄▀▀▄                                                                 ▄▀▀▄█▓
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