All_Natural-Second_Nature-CD-FLAC-2001-THEVOiD

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MP3/FLAC

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THEVOiD

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463,61 MB

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23

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2021-04-25

NFO

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    ┌────────┐            ██▀▀
────┤ Info   ├─────────────────────────────────────────────────────────────────
    └────────┘

     Artist  | All Natural
     Title   | Second Nature

     Genre   | Hip-Hop                              Format  | Album
     Source  | CD                                   Time    | 74:07

     Label   | All Natural Inc                      Store   | 2001
     Catalog | THRILL 099                           Rip     | 2021

     Bitrate | 868 kbps                             Size    | 485.61 MB
     Freq    | 44.1 kHz                             Encoder | FLAC 1.3.1

    ┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
    └────────┘

     01. Second Nature                                               1:34
     02. The Stick-Up (Prod. His-Panik)                              3:57
     03. Think Again (Prod. Tone B. Nimble)                          4:39
     04. Queens Get The Money (Feat. Spotlite) (Prod. Tone B.        3:32
         Nimble)
     05. Elements Of Style (Feat. Iomos Marad & Allstar The          6:18
         Fabulous) (Prod. Tone B. Nimble)
     06. The Next Mile (Instrumental) (Prod. GRiot)                  1:45
     07. Vegetarian (Feat. Tone The Strategist) (Prod. Tone B.       4:07
         Nimble)
     08. Return Of The Avenger (Prod. Memo)                          4:41
     09. Mr. Sexy (Feat. Allstar The Fabulous) (Prod. Capital D)     4:39
     10. Here's The Hate On Chicago                                  0:54
     11. Ill Advisory (Feat. J.U.I.C.E.) (Prod. Capital D)           4:14
     12. Chatham (Feat. O Type Star & Mr. Greenweedz) (Prod. Memo)   4:32
     13. 01/21/01                                                    1:56
     14. Stellar (Prod. Memo)                                        5:00
     15. Uncle Sam (Feat. Slug) (Prod. GRiot)                        4:33
     16. Renaissance (Feat. Lone Catalysts) (Prod. J. Rawls)         4:27
     17. Liquid Paper II (Prod. Capital D)                           3:14
     18. Godspeed                                                    4:49
     19. Future Is Now (Prod. GRiot)                                 5:16

    ┌────────┐
────┤ Notes  ├─────────────────────────────────────────────────────────────────
    └────────┘

     Chicago's underground hip-hop group All Natural features Capital D and Tone
     B. Nimble, the leaders of the city's Family Tree Crew. They self-released
     their 1997 single "Writers Block" and their 1998 debut album "No Additives,
     No Preservatives", which sold over 5,000 copies. All Natural Inc signed
     with Thrill Jockey for distribution of their 2001 follow-up "Second
     Nature", which featured contributions from like-minded artists such as the
     Molemen, Dug Infinite and No I.D., Lone Catalysts, and Mr. Greenweedz.

     On "Second Nature", Capital D delivers fast-paced, intelligent, complex
     rhymes and seems comfortable with both social consciousness and
     braggadocio; he's not perfect, however, so sometimes his delivery sounds
     rushed or his rhymes seem uninspired. Of course, the album also features
     several guest MCs, including J.U.I.C.E. (on 'Ill Advisory', where his style
     contrasts effectively with Capital D). Daily Planet's Spotlight (on 'Queens
     Get The Money', whose anti-gold-digger message contrasts with the
     positivity of most of this album).

     Atmosphere's Slug (who shines on 'Uncle Sam'). Meanwhile, DJ Tone B. Nimble
     shows off his turntablist skills and shares production chores with Capital
     D, Molemen's Memo (who handles the decks on the percussion-heavy 'Chatham'
     and two other tracks) and His-Panik (who layers strings over the heavy
     bassline of "The Stick Up" and piano over the sloomy drums of 'Queens Get
     The Money'), Lone Catalysts' J. Rawls (who adds a piano loop that blends
     perfectly with MC J. Sands' delivery on 'Renaissance'), and G(riot) (whose
     tracks include the affecting instrumental 'The Next Mile').

     The production is somewhat uneven, but overall this is a solid,
     understated, jazz-inflected album that will definitely reward listeners'
     attention, even though it won't send the future of music in any unexpected
     directions.

    ┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
    └────────┘

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