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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Steve Howe
Title | The Steve Howe Album
Genre | Progressive Rock Format | Album
Source | CD Time | 41:17
Label | Wounded Bird Records Store | 2010
Catalog | WOU 9243 Rip | 2021
Bitrate | 776 kbps Size | 239.58 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Pennants 4:33
02. Cactus Boogie 2:03
03. All's A Chord 4:58
04. Diary Of A Man Who Vanished 2:35
05. Look Over Your Shoulder 5:01
06. Meadow Rag 2:41
07. The Continental 2:52
08. Surface Tension 3:31
09. Double Rondo 8:14
10. Concerto In D (2nd Movement) 4:49
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Steve Howe was born in London on April 8, 1947. When he began playing
guitar he had quite a few influences, chief among them was Chet Atkins.
When you consider that two of the others were Django Reinhardt and the duo
of Les Paul & Mary Ford, it is really hard to believe that he would become
one of the most influential guitarists in progressive rock. In fact, his
first band was a Chuck Berry-infused band called the Syndicats. He began
playing with that group in 1964. They released several singles before Howe
left the group.
His next band was the In Crowd, which eventually became Tomorrow. Under the
newer name they released two singles in 1967 and an self-titled album the
following year. When the group broke up in 1968, Howe went on to a band
called Bodast. Bodast built up quite a following and recorded an album.
However, when their label went bankrupt, the still unreleased album was
scrapped and the band eventually became a casualty breaking up fairly
shortly thereafter. The album would not see release until 1981.
After Bodast, Howe began trying to find his next band. Auditions with such
groups as the Nice and Jethro Tull were unfruitful. As fate would have it,
his next band would come looking for him. Howe's second solo effort is his
most essential recording. "The Steve Howe Album" contains many of Howe's
strongest and most original compositions. Whereas some of his albums can be
associated with the sound of the bands in which he's played, this release
is unique. Howe places himself in a country/bluegrass setting on most of
the compositions, and that is what makes this project so appealing - he's a
rock veteran venturing outside of his field.
And with Graham Preskett playing violin on "The Continental", Howe turns in
what sounds like a real hoedown. The first track, "Pennants", is a gem for
the more rock-oriented fan. The cut opens with the sweet, resonant, rocking
sounds of Howe's Fender Telecaster; he then adds mandolin and a pervasive
twin-neck steel, while drummer Alan White keeps it all rhythmic. Half of
the tracks are played by Howe alone, most notably "Surface Tension", his
composition for solo Spanish guitar.
Other cuts feature former Yes-mates White, Bill Bruford, and Patrick Moraz
(all of whom participated on Howe's first solo album), and Claire Hamill,
who sings beautifully on "Look Over Your Shoulder". Only one other cut
includes vocals: "All's A Chord", on which Howe's singing is awkward but
appealing. The song, comprised of several movements and musical styles
(including classical), features Howe on eight different stringed
instruments, including bass, pedal steel, sitar, banjo, mandolin, and his
trademark deep-bodied electric-acoustic Gibson ES 175 D.
The final two pieces are set apart from the rest of the recordings. On both
compositions, equipped only with his Gibson Les Paul, Howe is accompanied
by a string ensemble on his interpretation of Vivaldi's Concerto in D,
Second Movement, and by a 59-piece orchestra on "Double Rondo." Andrew
Jackman (who served as orchestrator and conductor on Chris Squire's Fish
Out of Water several years earlier) conducts. "The Steve Howe Album" is a
culmination of everything Howe represents, every genre of music he loves so
dearly, exquisitely played and arranged. The inside cover colorfully
depicts all the stringed instruments Howe used on the recordings, and Roger
Dean's cover painting makes the package complete.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘