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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀Chris Forsyth & The Solar Motel Band - Rare Dreams: Solar Live 2.2▀█████
████▀ ▀████
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█▓▓▓▓ ARTiST..[ Chris Forsyth & The Solar Motel Band ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Rare Dreams: Solar Live 2.27.18 ▓▓▓▓█
████ GENRE...[ Rock CAT#....[ AP05 ████
████ LABEL...[ Algorithm Free ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 42:36 REL.DATE[ 04.26.2021 ████
████ TRACKS..[ 04 RiPPER..[ TEAM OMA ████
████ SiZE....[ 97,56 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Dreaming In The Non-Dream (Live @ Cafe OTO) 15:59 ████
████ 02 Don't Be Denied (Live @ Cafe OTO) 07:49 ████
████ 03 The First 10 Minutes of Cocksucker Blues 15:05 ████
████ (Live @ Cafe OTO) ████
████ 04 Barstool Blues (Live @ Cafe OTO) 03:43 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 42:36 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
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████ https://chrisforsyth1.bandcamp.com/album/rare- ████
████ dreams-solar-live-22718-2 ████
████ ████
████ On February 27, 2018, Chris Forsyth & The Solar ████
████ Motel Band (comprised, in this iteration, of ████
████ long-time SMB bassist Peter Kerlin and KerlinÆs ████
████ Sunwatchers battery mate Jason Robira on drums) ████
████ were close to wrapping up an 18-date tour of ████
████ the EU and UK with a two-set, one hour and 45 ████
████ minute show at Cafe OTO, LondonÆs premier venue ████
████ for adventurous music. Highlights of that show ████
████ are included in this live release, RARE DREAMS: ████
████ SOLAR LIVE 2.27.18, recorded before a packed ████
████ house seated mere feet from the bandÆs ████
████ amplifiers. These recordings reveal a band that ████
████ is clearly in high spirits and high gear, ████
████ operating with an expansive, improvisatory ████
████ fleetness that allows them to stretch the ████
████ material to almost ludicrous extremes and then ████
████ let it to snap back to some semblance of form ████
████ while somehow seemingly never wasting a note, a ████
████ beat, a gesture. The four tracks included here ████
████ comprise material culled from (at the time) the ████
████ two most recent Solar Motel Band records ████
████ DREAMING IN THE NON-DREAM (No Quarter, 2017) ████
████ and THE RARITY OF EXPERIENCE (No Quarter, 2016) ████
████ plus covers of two Neil Young songs - the ████
████ autobiographical plaint ôDonÆt Be Denied,ö ████
████ lyrically relocated by Forsyth from Young's ████
████ Canada and Hollywood to the more personally ████
████ relevant geography of New Jersey and ████
████ Philadelphia, and encore ôBarstool Bluesö ████
████ (theyÆd run out of material to play, so another ████
████ Neil Young tune it was). While the covers ████
████ establish ForsythÆs basis, serving as an homage ████
████ to Young and the quest for self-realization, ████
████ the long tracksÆ jams showcase the trance- ████
████ inducing power of the Solar Motel Band as a ████
████ performing entity. KerlinÆs gymnastically ████
████ propulsive bass playing locks in with RobiraÆs ████
████ relentless thud, each serving as counterpoint ████
████ to some of the most blistering guitar work of ████
████ ForsythÆs career. The telepathically dynamic ████
████ interplay of the trio explodes with whiplash ████
████ intensity across the 15-plus minute takes of ████
████ ôDreaming In The Non-Dreamö and ôThe First 10 ████
████ Minutes of Cocksucker Blues,ö each songÆs ████
████ structure serving as a framework for extended ████
████ lava flows of energy. At one point late in the ████
████ ôDreamingö jam, Forsyth unplugs the jack from ████
████ his guitar, dragging it across the strings and ████
████ lashing the body of his single-pickup ôparts" ████
████ Esquire, producing a desiccated barrage of ████
████ percussive static. This is music beyond the ████
████ notes; it is an expression of pure electric ████
████ ecstasy, a simultaneous negation and ████
████ celebration of rock musicÆs (indeed all ████
████ musicsÆ) essential energy. In contrast to the ████
████ expansive but meticulously detailed guitar ████
████ arrangements of his recordings, here ForsythÆs ████
████ unhinged live guitar sound positively roars ████
████ with a barely restrained vocal intensity, from ████
████ liquid melodic lines to gnarled blasts of free ████
████ jazz scree, to pulsating lead/rhythm vamping. ████
████ IÆve had the pleasure of witnessing this band ████
████ up close for a number of years now and I can ████
████ authoritatively attest that while every show is ████
████ different, when the SMB is running down a steep ████
████ hill at full speed (as on these takes), they ████
████ become a single leaderless vibrating sonic ████
████ tornado, possibly beyond the control and logic ████
████ of the players themselves, picking up listeners ████
████ along the way and taking them along for the ████
████ ride straight into a solar furnace of sound. - ████
████ Jerome Onfront, Philadelphia ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .