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▀▀▀▀▀ ▀▀ ▀▀▀ █████ █▓▓▓█ ███▀▀▀▀▀ ▀ DRIFT INTO THE VOID
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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Boogie Down Productions
Title | By All Means Necessary
Genre | Hip-Hop Format | Album
Source | CD Time | 47:22
Label | Jive Records Store | 1988
Catalog | 1097-2-J Rip | 2021
Bitrate | 694 kbps Size | 249.30 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. My Philosophy 5:40
02. Ya Slippin' 4:56
03. Stop The Violence 4:42
04. Illegal Business 5:21
05. Nervous 4:12
06. I'm Still #1 5:13
07. Part Time Suckers 5:32
08. Jimmy 4:15
09. T'cha T'cha 4:34
10. Necessary 2:57
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Boogie Down Productions was one of the most important and
influential hip-hop groups of the latter half of the 80's. Led by
the often brilliant and incendiary MC KRS-One, BDP were pioneers of
both hardcore and political (or conscious) rap - and if that seems
contradictory, it also illustrates the scope of KRS-One's talent for
chronicling and even shaping his culture. Musically, BDP usually
employed spare, minimal backdrops that accentuated KRS-One's booming
delivery, and they were also among the very first hip-hop artists to
incorporate elements of Jamaican ragga and dancehall into their
style.
The murder of DJ Scott La Rock had a profound effect on KRS-One,
resulting in a drastic rethinking of his on-record persona. He
re-emerged the following year with "By All Means Necessary", calling
himself the Teacher and rapping mostly about issues facing the black
community. His reality rhymes were no longer morally ambiguous, and
this time when he posed on the cover with a gun, he was mimicking a
photo of Malcolm X. As a social commentator, this is arguably
KRS-One's finest moment.
His observations are sharp, lucid, and confident, yet he doesn't
fall prey to the preachiness that would mar some of his later work,
and he isn't afraid to be playful or personal. The latter is
especially true on the subject of La Rock, whose memory hangs over
"By All Means Necessary" - not just in the frequent name-checks, but
in the minimalist production and hard-hitting 808 drum beats that
were his stock-in-trade on "Criminal Minded". La Rock figures
heavily in the album opener, "My Philosophy", which explains BDP's
transition and serves as a manifesto for socially conscious hip-hop.
The high point is the impassioned "Stop The Violence", a plea for
peace on the hip-hop scene that still hasn't been heeded. Even as
KRS-One denounces black-on-black crime, he refuses to allow the
community to be stereotyped, criticizing the system that scoffs at
that violence on the spoken recitation "Necessary". "Illegal
Business" is a startlingly perceptive look at how the drug trade
corrupts the police and government, appearing not long before the
CIA's drug-running activities in the Iran-Contra Affair came to
light.
There are also some lighter moments in the battle-rhyme tracks, and
a witty safe-sex rap in "Jimmy", a close cousin to the Jungle
Brothers' "Jimbrowski". Lyrics from this album have been sampled by
everyone from Prince Paul to N.W.A, and it ranks not only as
KRS-One's most cohesive, fully realized statement, but a landmark of
political rap that's unfairly lost in the shadow of Public Enemy's
"It Takes A Nation Of Millions".
All tracks produced by KRS-One. Overseen by DJ Scott LaRock.
┌────────┐
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└────────┘