SIANspheric4-Somnium-(suncd021)-CD-FLAC-1995-SHGZ

Section
MP3/FLAC
Group
SHGZ
Size
434,76 MB
Files
17
Date
2021-04-28

NFO


                                  -=- SHGZ -=-


   * Shoegaze * Indie * Post-Rock * Grunge * Dream Pop * Psych-Rock * Ethereal *


         ARTIST..: SIANspheric4
         ALBUM...: Somnium

         GENRE...: Indie
         STYLE...: Shoegaze, Space Rock

         YEAR....: 1995
         LABEL...: Sonic Unyon

         COUNTRY.: Canada
         PLACE...: Hamilton, Ontario

         ENCODER.: FLAC 1.3.1 -8 -V
         BITRATE.: 891 kbps avg
         QUALITY.: 44.1kHz / 2 channels

         SOURCE..: CD
         TRACKS..: 10
         SIZE....: 428.97 MB


         URL..: http://www.sianspheric.com/
                http://en.wikipedia.org/wiki/Sianspheric
                http://www.facebook.com/SIANspheric



         - TRACKLIST


   1   Turbulent - Hydrodynamic                5:18
   2   This Window                             4:52
   3   Watch Me Fall                           6:25
   4   Broken Man                              6:37
   5   Flow, Ebb & Die                         4:16
   6   The Stars Above                         4:54
   7   Needle                                  6:27
   8   I Like The Ride                         5:41
   9   Zoe                                     3:54
   10  Where The Planets Revolve, I Wish I    21:19
       Was There



                                     Total Playtime: 69:43



   Sianspheric (styled as SIANspheric, and previously as SIANspheric4) is a
   Canadian space rock and shoegazing band originally from Hamilton, Ontario.
   This group were early signees to the Sonic Unyon label.

   *

   Before moving to the white-noise shoegazing tendencies of There's Always
   Someplace You'd Rather Be, Sianspheric seemed fairly dedicated to the more
   ambient end of dream poppy -- as its title suggests, Somnium has a slow, hazy
   feel that draws from the most sleepy work of bands like Slowdive and Kitchens
   of Distinction. This sound is utterly pleasant in and of itself, and will
   doubtlessly appeal to adherents of the most blissed-out pop genres, but
   Somnium gets most interesting when its constructs its guitars around
   off-kilter songwriting -- tracks like "This Window" actually resemble some of
   Red House Painters' dreamier work, and it's in spots like this that Somnium
   offers something truly inventive.

   *

   After an initial listen did little to impress, it got tossed on the loser
   pile to collect dust for some three months or so. By chance, a second listen
   revealed that there was a lot more to it than initially suspected. This
   Canadian four-piece of drums, bass+vocal, and two guitarists explores the
   ambient reaches of psychedelic rock, comparable on certain levels to
   Quarkspace or Porcupine Tree, they employ heavily echoed vocals, echoed
   guitars, and lots of effects throughout. Their music generally plods along at
   a Floydian pace, dual guitars shimmering and lethargic vocals singing nearly
   unintelligible lyrics. Psychedelic? Very. A little sleepy at times too
   (perhaps the title is a hint...), especially on the sidelong closer "Where
   the Planets Revolve, I Wish I Was There." A promising debut that fans of
   neo-psych will certainly enjoy.

   *

   During the holidays, I took some much-needed me time and moseyed down memory
   lane watching the documentary Sonic Unyon: Now We Are 25. Why Sonic Unyon
   Records and the music scene they helped foster in Southern Ontario in the
   mid-Nineties doesn't get its due has always puzzled me. With all due respect
   to Montreal and Toronto's early aughts scenes, Canada has always been home to
   cutting edge and innovative music scenes, albeit ones separated by geography
   as much as sound and style (Look no further than Mich'l Barclay, Ian A.D.
   Jack and Jason Schneider's encyclopedic Have Not Been the Same: The CanRock
   Renaissance 1985√1995 for the definitive and ongoing story of how we've
   gotten to the point we're at today).

   Technology is a major factor, too, I suppose; the label and its seminal
   artists had their heyday before the advent of social media and online living.
   They made their names the old-fashion way: word-of-mouth, constant touring,
   and fostering face-to-face relationships with fans, record store owners, and
   fellow musicians. I've been looking longingly back to the Nineties lately,
   too. While I fully (and somewhat regrettably) admit that my musical attention
   at the time was focused squarely on the whole of the UK music scene of the
   day, you couldn't be a music lover in Southern Ontario in the Nineties
   without hearing, seeing, and knowing about superstars of Sonic Unyon's roster
   like label founders Tristan Psionic, Hayden, and space-rockers SIANspheric.

   Of all the Sonic Unyon stable, SIANspheric's shimmery wash of guitars and
   psychedelic extended jams fit best with my musical sensibilities at the time.
   Their debut full-length, Somnium, is a homegrown take on shoegaze and fits
   nicely alongside its contemporaries like the Verve's A Storm In Heaven,
   Adorable's Against Perfection, and Spiritualized's Pure Phase. Sonic
   similarities aside, Somnium is something altogether different than what was
   washing up on North American shores from the UK. A product of their
   environment, SIANspheric embraced the DIY punk ethos of the Sonic Unyon
   family: first and foremost, they made music for themselves, not to fit into a
   scene or style. Elements of their former incarnation Gleet peak through
   Somnium's shower of guitars and drone: there's an edge to instrumental "Flow,
   Ebb, & Die" that hints at just how hardcore and loud the band could get,
   immediately balanced out by the crystalline shimmer of "The Stars Above."

   SIANspheric were (and still are, as they continue to perform and record) a
   dynamic band, to say the least, a testament to their own tenacious spirit and
   musical drive after Gleet lead singer Scott Kish was killed in a car accident
   in January 1994. In "I Like the Ride," a song I've always interpreted as a
   tribute and ode to their lost friend, vocalist and guitarist Sean Ramsay
   sings about "feeling left behind," wanting to laugh but then starting to cry,
   and being thankful to be alive. These unabashedly emotional and vulnerable
   lyrics suggest the same kind of sensitivity projected by their one-time
   labelmate Hayden. Again, label association is where the comparisons end;
   dreamy and gossamer settings like the stunning album closer, "Where the
   Planets Revolve, I Wish I Was There", is proof that SIANspheric is in an
   orbit of their own.
   


                               -=- SHGZ -=-


                               -=-=-==-=-=-

                                 Shoegaze
                    is a genre of alternative rock that
              originated in  the late 80s. The genre is very
    difficult to define, and it is even more difficult to evaluate music
           within it. Generally, the genre is characterized by its
                shimmering vocals, reverberating guitars, and
                       textural distortion that create
                            a tranquil, opaque
                                 feeling.

                               ---==--==---

Files

PathSize
00-sianspheric4-somnium-(suncd021)-cd-flac-1995-ctdb-log.jpg2,15 KB
00-sianspheric4-somnium-(suncd021)-cd-flac-1995-inlay1.jpg1,29 MB
00-sianspheric4-somnium-(suncd021)-cd-flac-1995-inlay2.jpg1,36 MB
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00-sianspheric4-somnium-(suncd021)-cd-flac-1995.m3u377 B
00-sianspheric4-somnium-(suncd021)-cd-flac-1995.nfo7,24 KB
00-sianspheric4-somnium-(suncd021)-cd-flac-1995.sfv477 B
01-sianspheric4-turbulent_-_hydrodynamic.flac34,41 MB
02-sianspheric4-this_window.flac30,90 MB
03-sianspheric4-watch_me_fall.flac43,70 MB
04-sianspheric4-broken_man.flac40,77 MB
05-sianspheric4-flow_ebb_and_die.flac29,15 MB
06-sianspheric4-the_stars_above.flac29,97 MB
07-sianspheric4-needle.flac42,25 MB
08-sianspheric4-i_like_the_ride.flac40,16 MB
09-sianspheric4-zoe.flac24,31 MB
10-sianspheric4-where_the_planets_revolve_i_wish_i_was_there.flac113,37 MB