David_Payne--Feedback_2-CDR-2005-i8

Section
MP3/FLAC
Group
i8
Size
58,64 MB
Files
6
Date
2006-07-08

NFO

; Generated by WIN-SFV32 v1 with MorGoTH's MP3-RELEASER [Special-i8-Version:3.3.3.0] on 6-7-06 10:36:27
;
;       12383352   6-7-06       10:36:18     01-david_payne--feedback_2_-_pt._1.mp3
;        7321593   6-7-06       10:36:18     02-david_payne--feedback_2_-_pt._2.mp3
;       16200625   6-7-06       10:36:18     03-david_payne--feedback_2_-_pt._3.mp3
;        7376687   6-7-06       10:36:18     04-david_payne--feedback_2_-_pt._4.mp3
;       10332208   6-7-06       10:36:18     05-david_payne--feedback_2_-_pt._5.mp3
;        7851287   6-7-06       10:36:18     06-david_payne--feedback_2_-_pt._6.mp3
01-david_payne--feedback_2_-_pt._1.mp3 466D3EB6
02-david_payne--feedback_2_-_pt._2.mp3 19912B61
03-david_payne--feedback_2_-_pt._3.mp3 EAD67FA3
04-david_payne--feedback_2_-_pt._4.mp3 49CF0064
05-david_payne--feedback_2_-_pt._5.mp3 512FAD9D
06-david_payne--feedback_2_-_pt._6.mp3 137B9D7D
ew. I never heard of David
     Payne, and there is no information available, so we can move
     straight onto the music. Apparently 'Feedback #2' is his
     second exploration of feedback loops. Feedback, in general, is
     created by feeding the output of the mixer back into the input
     or running effect pedals back into each-other, and with some
     knob-twiddling one can change the color of the sound, so that
     it's not just high-end piercing sound. All of the tracks on
     this CDR were produced without overdubs or editing, and David
     Payne is interested in 'very little control over the sound
     produced'. Of course this is not really a new thing, but if I
     need to compare David Payne with somebody else from the
     history of feedback music, I'd say Arcane Device. Although
     Payne's work seems more raw and made with less refined means
     (that may seem hard to understand, but it's true, there is
     difference in machines and means to record it), there is the
     same sense of rhythm that Arcane Device once had, circa
     'Diabolis Ex Machina'. More spun out and more minimal in his
     use of sounds, and perhaps less controlled, David Payne
     doesn't necessarily add something new to the world of
     feedback, but  he sure has a couple of ideas that make him
     more than just another noise musician. (FdW)


     Address: http://www.entracte.co.uk

   _______________________________________________________________________

      01-Feedback #2 - Pt. 1                                    [09:44]
      02-Feedback #2 - Pt. 2                                    [06:26]
      03-Feedback #2 - Pt. 3                                    [12:02]
      04-Feedback #2 - Pt. 4                                    [06:45]
      05-Feedback #2 - Pt. 5                                    [08:16]
      06-Feedback #2 - Pt. 6                                    [06:50]
                                                                -------
                                                                 50:03 min

Files

PathSize
01-david_payne--feedback_2_-_pt._1.mp311,81 MB
02-david_payne--feedback_2_-_pt._2.mp36,99 MB
03-david_payne--feedback_2_-_pt._3.mp315,45 MB
04-david_payne--feedback_2_-_pt._4.mp37,04 MB
05-david_payne--feedback_2_-_pt._5.mp39,86 MB
06-david_payne--feedback_2_-_pt._6.mp37,49 MB