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██▌ Artist...: Crack Jaw ░▐██▌
░▐██ Album....: Nightout ░██▌░
▓▐██ Year.....: 1989 ▓▐██▓
▓▐██ Rel.Date.: 2021-05-03 ░▐██▓
▐██ Genre....: Heavy Metal ██▌░
░ ██▌ Label....: Steamhammer ██▌
▐██ Source...: CD ▐██
░▐██▌ Type.....: Reissue ▐██▌░
▓▄████ Quality..: VBR, 44.1kHz, Joint Stereo ████▌░
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1. The Change 3:29
2. Nightout 3:13
3. Make Me Believe 2:59
4. New Tomorrow 3:57
5. Never Tell No Lie 3:30
6. Saracen 1:34
7. Danger 3:45
8. Galley Without Aim 3:44
9. Struck by Thunder 3:32
10. Seven Days of Wonder 6:16
------
35:59
The cover to this obscure German band's sole full-length album seems a
natural catalyst to conjure the aesthetics of big city street metal.
However, it's not the type to cater to the stench of prostitutes,
cigarettes, and puddles of vomit behind the local bar, but more of a
metropolitan nightlife at large vibe. Rather than go all-out glam, the
band had a dark, leather image to them. And the music itself was a
surprise, because while it's not particularly good or interesting, it
has a lot more control than many of the band's peers. A certain maturity
and polish is applied to both the delivery of the licks and lyrics, both
welcome on an album like this which existed in a world of sleaze as the
metal scene was beginning to branch off into various constituent genres.
Not a lot of information remains today about Crack Jaw, and this was
their only record released through Steamhammer in the 80s, but the band
certainly had a potential that probably deserved a second shot, even if
Night Out itself is not highly effective. A large fraction of the
material here is the performed with the typical hard rocking power of
the Scorpions, Accept, Judas Priest, and other big names of the day, but
the band does show an exception or two in which they put the pedal to
the metal and honestly start to kick ass. This is most prevalent on the
title track "Nightout", which features some killer speed metal hooks
that twist their way through the mid paced, thriving energy of the
verse. "Galley Without Aim" also has a ton of potential, with some nice
leads cutting across the bow of its mean beat. Stephan Kiegerl seems
rather reserved to his median vocal range, but you get the impression
that he could go off at any moment and start screaming like Peavey
Wagner (in the earlier Rage years) or Michael Knoblich (from the first
Scanner album). Kiegerl has that same, sharp metallic spin to his accent
which made me so fond of other German singers of the decade, but he
either doesn't have the balls to lay out the listener or he feared his
vocals would decay too much once they hit the highs. It's a shame.
Had Crack Jaw fully embraced the screaming speed demon that was
assuredly lurking about their hearts, Night Out would probably be a far
more potent beast. As it stands, only about half of the album remains
listenable to me. The aforementioned "Nightout" and "Galley Without Aim"
are joined by the instrumental "Saracen", the lethal Accept-like rocker
"Danger" and the wild power metal melodies of "Struck By Thunder" as the
album's stronger moments. I don't like the vocals much on "Never Tell No
Lies", but at least the guitars rock. On the other hand, arena fodder
like "The Change" and "New Tomorrow" are all too forgettable, and the
closer "Seven Days of Wonder" shifts from pure class to dull.
The lyrics themselves are rather weak, but this is only natural for many
bands of the day, and Kiegerl manages to deliver them in an acceptable
form. As for the mix, it's not quite enduring, but not bad if you're
familiar with similar output. This is not a bad little album if you're
tracking down material similar to mid-80s Accept or the earlier half of