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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Wollny - Parisien - Lefebvre - Lillinger - XXXX ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Wollny - Parisien - Lefebvre - Lillinger ▓▓▓▓█
█▓▓▓▓ TiTLE...[ XXXX ▓▓▓▓█
████ GENRE...[ Jazz CAT#....[ ACT9924-2 ████
████ LABEL...[ ACT Music ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 44:53 REL.DATE[ 05.05.2021 ████
████ TRACKS..[ 10 RiPPER..[ TEAM OMA ████
████ SiZE....[ 102,91 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Somewhere Around Barstow 04:16 ████
████ 02 Dick Laurent Is Dead 04:48 ████
████ 03 Too Bright in Here 05:34 ████
████ 04 Grandmother's Hammer 02:01 ████
████ 05 The Haul 05:04 ████
████ 06 Find the Fish 03:06 ████
████ 07 Doppler Fx 04:01 ████
████ 08 Michael vs. Michael 06:51 ████
████ 09 Noervenich Lounge 03:49 ████
████ 10 Nostalgia for the Light 05:23 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 44:53 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ https://www.amazon.com/dp/B08W53NJPQ/ ████
████ ████
████ Four greats of jazz & beyond join for a week of ████
████ collective, entirely free improvisation, later ████
████ to be transformed into a radical, intense, ████
████ exciting recording of truly new music. ████
████ ████
████ eXplore ████
████ ████
████ This story begins with just one sound, ████
████ originating in the place which Berlin jazz ████
████ people think of as their living room, the A- ████
████ Trane. Back in December 2019, the club was host ████
████ to four leading figures in todayÆs improvised ████
████ music scene, who turned this cozy space into ████
████ their blank canvas, their research lab. In ████
████ eight sets over four nights, piano phenomenon ████
████ Michael Wollny, re-inventor of the soprano ████
████ saxophone Emile Parisien, electric bass icon ████
████ Tim Lefebvre, and that free spirit of the drum ████
████ kit Christian Lillinger were given free rein. ████
████ They had agreed beforehand, incidentally, that ████
████ nothing should be composed, arranged or pre- ████
████ planned. ████
████ ████
████ eXpand ████
████ ████
████ As a result, the music we hear doesnÆt fit into ████
████ any category. WeÆre in uncharted territory, so ████
████ a good way to capture its essence might be to ████
████ break it down into its four component parts. ████
████ First thereÆs Michael Wollny, here for the very ████
████ first time playing only on electronic keyboard ████
████ instruments. He creates a characterful world of ████
████ retro-futuristic sounds that is very much his ████
████ own. We find the occasional nod to early Jean- ████
████ Michel Jarre, references to science fiction and ████
████ horror movies, and also vivid memories of the ████
████ sounds of avant-garde Krautrock: "Can" and ████
████ Irmin Schmidt and Klaus Schulze. As for Tim ████
████ Lefebvre, here is a musician who has plied his ████
████ very great craft with stars such as David ████
████ Bowie, the Tedeschi Trucks Band, John Mayer, ████
████ Knower, Steely Dan, Elvis Costello and Wayne ████
████ Krantz. Here he is like a rock in a tempestuous ████
████ sea. He propels the music forward with a ████
████ combination of bass and effects. He builds ████
████ structures and tames unruly elements. The way ████
████ he lays down a groove is overwhelming. As a ████
████ counterbalance we find the explosive yet highly ████
████ sensitive playing of drummer Christian ████
████ Lillinger. He stacks layer upon layer of ████
████ rhythms and textures. And the melodic lines of ████
████ Emile Parisien on soprano saxophone always have ████
████ an astonishing springy inventiveness. Such is ████
████ ParisienÆs latent energy, it seems as if at any ████
████ moment he could suddenly become airborne. ████
████ ████
████ eXploit ████
████ ████
████ It takes a particular kind of musician to step ████
████ forward willingly into a context like this with ████
████ no fall-back or safety net. Before they ████
████ actually met, the four musicians had been well ████
████ aware of the risks. Each of them knew how ████
████ different the othersÆ musical vocabularies and ████
████ heritages were. And there was indeed a kind of ████
████ tension at the start, which took about a ████
████ quarter of an hour to subside. What took its ████
████ place, however, was a collective sense of ████
████ raised consciousness. The playersÆ eager ████
████ curiosity as to what the next turn, the next ████
████ impulse, the next push will be is palpable to ████
████ the listener. One can sense the tension between ████
████ the urge to construct forms, lines, grooves, ████
████ harmonies, textures, versus the illicit joy of ████
████ tearing such fragile structures apart before ████
████ they have even been heard. There are beats and ████
████ patterns from the 90s, 80s and 70s, all ████
████ coalescing into cinematic bacchanalia of sound. ████
████ These four master improvisers and composers all ████
████ have the urge to rewrite the rules of their ████
████ musical world û and to do so in real time. ████
████ ████
████ eXterminate ████
████ ████
████ And the story continues. The live sets by the ████
████ musicians and their equipment produce a wealth ████
████ of juxtapositions, fascinating collages of ████
████ instrumental sounds. And in total, the ████
████ recordings from the A-Trane result in at least ████
████ eight hours of music. A decision is taken to ████
████ distil these recordings into just one album ████
████ that will be more than simply a document of the ████
████ series of live concerts. Tim Lefebvre has the ████
████ spark of an idea, and in February 2020, he and ████
████ Michael Wollny meet producer and sound engineer ████
████ Jason Kingsland in Atlanta. Kingsland has a ████
████ background not just of working with renowned ████
████ indie rock and pop artists, but also a passion ████
████ for experimentation and improvisation. So the ████
████ task becomes one of capturing the intoxication ████
████ and the euphoria of these four Berlin nights, ████
████ and also to take the abundance of possibilities ████
████ and whittle them down to a cohesive album. ████
████ Gradually, over several days and nights, the ████
████ material is reduced, and a distillate ████
████ consisting of ten surprisingly succinct tracks ████
████ emerges. But hereÆs the paradox: this is a live ████
████ recording which also sounds like a studio ████
████ albumà and yet every note in it was improvised ████
████ at the club. What emerges here is an album full ████
████ of joy, emotion, humour and an almost ████
████ childlike, naive pleasure in "playing". And it ████
████ also presents a new trans-Atlantic group which ████
████ is absolutely ôsui generisö û a quartet which ████
████ is one of its kind in the world right now. ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .