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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀Iron & Wine - Archive Series Volume No. 5: Tallahassee Recordings ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Iron & Wine ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Archive Series Volume No. 5: Tallahassee Recordings ▓▓▓▓█
████ GENRE...[ Folk-Rock CAT#....[ SP1404 ████
████ LABEL...[ Sub Pop Records ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 45:54 REL.DATE[ 05.06.2021 ████
████ TRACKS..[ 11 RiPPER..[ TEAM OMA ████
████ SiZE....[ 95,51 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 Why Hate Winter 06:18 ████
████ 02 This Solemn Day 03:57 ████
████ 03 Loaning Me Secrets 03:57 ████
████ 04 John's Glass Eye 01:50 ████
████ 05 Calm on the Valley 08:34 ████
████ 06 Ex-Lover Lucy Jones 03:36 ████
████ 07 Elizabeth 03:09 ████
████ 08 Show Him the Ground 01:52 ████
████ 09 Straight and Tall 03:28 ████
████ 10 Cold Town 04:07 ████
████ 11 Valentine 05:06 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 45:54 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ https://ironandwine.bandcamp.com/album/archive- ████
████ series-volume-no-5-tallahassee-recordings ████
████ ████
████ Archive Series Volume No. 5: Tallahassee is the ████
████ lost-in-time debut album from Iron & Wine. A ████
████ collection of songs recorded three years prior ████
████ to his official Sub Pop debut, The Creek Drank ████
████ the Cradle (2002). A period before the concept ████
████ of Iron & Wine existed and principal songwriter ████
████ Sam Beam was studying at Florida State ████
████ University with the intent of pursuing a career ████
████ in film. Tallahassee documents the very first ████
████ steps on a journey that would lead to a career ████
████ as one of AmericaÆs most original and ████
████ distinctive singer-songwriters. ████
████ ████
████ Creek arrived like a thief in the night with ████
████ its lo-fi, hushed vocals and intimate nature, ████
████ while almost inversely Tallahassee comes with a ████
████ strange sense of confidence. Perhaps an almost ████
████ youthful discretion that likely comes from ████
████ being too young to know better and too naive to ████
████ give a shit. The recordings themselves are more ████
████ polished than Creek and give a peak into what a ████
████ studio version of that record might have ████
████ offered up. ████
████ ████
████ Tallahassee was recorded over the course of ████
████ 1998-1999 when Beam and future bandmate EJ ████
████ Holowicki moved into a house together. Beam had ████
████ not been performing publicly, however he was ████
████ known for playing an original song or two in ████
████ the early morning glow of a long night. ████
████ Holowicki also in the film program and who ████
████ would go onto a career as a sound designer at ████
████ Skywalker Sound, had a mobile recording device ████
████ and after some prodding convinced his friend to ████
████ record these late-night meditations. ████
████ ████
████ Together they would record close to twenty-four ████
████ songs, ideas and sketches, with EJ on bass and ████
████ Sam on vocals, guitar, harmonica and drums. The ████
████ recordings û all captured in the house where ████
████ they lived û have a ôlive in the roomö feel ████
████ akin to say Neil YoungÆs Harvest or Nick ████
████ DrakeÆs Five Leaves Left, rather than the ████
████ homespun lo-fi 4-track home recording ████
████ experiment taking place at the time. ████
████ ████
████ These recordings, minus one track, have never ████
████ been made available and were instead left ████
████ preserved on a hard drive for the last twenty ████
████ years. The one track that floated out there, ████
████ called ôIn Your Own Timeö was shared without a ████
████ title to childhood friend Ben Bridwell (Band of ████
████ Horses) at some point. The song became known as ████
████ the ôFuck Like A Dogö song and Ben shared it ████
████ with more than a few folks during the golden ████
████ era of mix cdÆs. Two of those folks were ████
████ Jonathan Poneman from Sub Pop and journalist ████
████ Mike McGonigal, who included it on his best ████
████ songs of 2001 mix cd, passed out to friends and ████
████ acquaintances. And for many that is where the ████
████ Iron & Wine story begins, until nowà ████
████ ████
████ Tallahassee is the foreword to your favorite ████
████ book that youÆve somehow skipped over time and ████
████ time again. ItÆs an alternative history mixed ████
████ with some revisionist history told over the ████
████ course of eleven songs. ItÆs also the debut ████
████ record by Iron & Wine some twenty years after ████
████ the fact. ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .