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| R E L E A S E D E T A I L S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ----------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
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| Nyssa_Musique-Comme_Au_Moulin_(1985)-WEB-2021-SOUNDz |
| --------------------------------------------------------------------- |
| |
| Artist______________ Nyssa Musique |
| Title_______________ Comme Au Moulin |
| Label_______________ Ici Bientot |
| Genre_______________ Jazz |
| Year________________ 2021 |
| Release Date________ 2021-05-16 |
| Street Date_________ 2021-04-23 |
| Source______________ WEB |
| Encoder_____________ MP3 / LAME |
| Quality_____________ CBR 320kbps 44.1kHz |
| Size________________ 92.0MiB |
| Playtime____________ 0:40:07 |
| URL_________________ https://amazon.com/dp/B08SSPQHXD/ |
| |
| |
| 1. Rienne 05:30 |
| 2. Route De Sumatra 04:38 |
| 3. Biside 03:15 |
| 4. Comme Au Moulin 05:53 |
| 5. Lacustre 06:16 |
| 6. Vol d'Ibis 05:14 |
| 7. Oued 03:54 |
| 8. Sargasses 05:27 |
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| R E L E A S E N O T E S >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>> |
| ------------------------- <<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<< |
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| Paris 1985... 'Extra-European' traditions meet jazz and minimal |
| music. An unusual array of instruments turn music into a dialogue. |
| For a unique record ... vivid, full of texture, somewhere between |
| Midori Takada, Don Cherry and Jon Hassell. |
| |
| Beginning of the eighties, 5 musicians rehearse in a contemporary |
| dance class hall, upstairs from the "New Morning", renowned Music |
| venue in Paris. Nyssa Musique is born. Passionate for a long time |
| about traditional music, like those of the Middle East, India and |
| East Asia, but also about African traditions, they throw a bridge |
| between Jazz and 'Extra-European' traditions, resulting in what would |
| be called "Spiritual Jazz" today, a little bit in the style of Don |
| Cherry's Organic Music or Pharoah Sanders. With the notable |
| difference, however, that their creations are strongly infused by |
| contemporary classical and repetitive music, notably Steve Reich's |
| work with whom they share a great interest for the traditional |
| cultures of Southeast Asia, particularly Indonesia and its gamelans. |
| |
| In the original group we have Armand Amar - ballet music composer - |
| and John Boswell. Both specialists of traditional hand percussion |
| which they had been studying for a long time in India and the Middle |
| East, they are also very fond of synthesizers. Three other talented |
| musicians quickly join them: Jean-Francois Roger, percussionist, |
| marimba and vibraphone specialist, Henri Tournier, multi-flutist and |
| Renaud Garcia-Fons, double bass player, who has a passion for the |
| Middle East and has developed a virtuosic play of the bow, reminding |
| that of Cecil Mc Bee. |
| |
| Each of them enriches the ensemble with their personality, |
| originality and musical generosity. The rehearsal hall is rapidly |
| invaded by the phenomenal instrumentarium put together by Armand |
| Amar. A great opportunity for the musicians, for the dancers, to have |
| access to an endless choice of instruments, offering infinite |
| possibilities for mixing different colors and timbres. Their sense |
| for being a group and their great capacity for improvising |
| culminates, in 1985, in the composition of their first and only album |
| Comme au Moulin ("As by the windmill"), testimony of years of |
| creating without hidden agenda. |
| |
| Authentic, free and vibrant, still today, this album has no real |
| equivalent. Even though it recalls the Fourth World current by its |
| combination of traditional instruments with a subtle use of |
| synthesizers, Comme au Moulin gives more space to improvisation. It |
| may also recall those of Midori Takada, less the New Age esthetics. |
| An album that should delight as well lovers of "Love Supreme" by John |
| Coltrane, of "Vernal Equinox" by Jon Hassell, as those of Moondog, an |
| artist who, like them, invented a music based on the use of untypical |
| percussions, at the confluence of 'Extra-European' traditions, Jazz |
| and Classical, all together complex and hypnotic. |
| |
| |
| Armand Amar - congas, sanza, synthesizer, gong, tabla, percussion |
| Renaud Garcia-Fons - double bass |
| Henri Tournier - flute |
| John Boswell - tabla, steel drums, marimba, gong, bata, percussion |
| Jean Francois Roger - marimba, vibraphone, glockenspiel, gong, |
| congas, tibetan bowls |
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| |
| YOU KNOW YOU HAVE TO BUY THIS SHIT IF YOU LIKE IT RIGHT?! |
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| . . |
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