Dry_Cleaning-New_Long_Leg-(4AD0254CD)-CD-FLAC-2021-HOUND

Section
MP3/FLAC
Group
HOUND
Size
288,91 MB
Files
23
Date
2021-05-16

NFO

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         Artist......: Dry Cleaning
         Album.......: New Long Leg
         Label.......: 4AD
         Genre.......: Rock
         Catnr.......: 4AD0254CD
         Source......: CD
         Rip.date....: 2021-05-16
         Str.date....: 2021-04-02
         Quality.....: 925kbps / 44.1kHz / 2 channels
         Url.........: http://www.drycleaningband.com

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  \    /                                                                \    /
   \  /  #     title                                             time    \  /
    \/                                                                    \/


         1.    Scratchcard Lanyard                               4:07
         2.    Unsmart Lady                                      3:02
         3.    Strong Feelings                                   4:04
         4.    Leafy                                             3:08
         5.    Her Hippo                                         4:38
         6.    New Long Leg                                      4:12
         7.    John Wick                                         3:26
         8.    More Big Birds                                    4:07
         9.    A.L.C                                             3:09
         10.   Every Day Carry                                   7:39


    ______
    \    /                         ________            Runtime  41:32
    ,\  /...  . . ....  ....       \      /         '  Size     288.70______
     :\/                    ',      \    /          ,                 \    /
     '                        '... ..\  /.. .. .....:. .. .... ..  . ..\  /.
     :   Release Notes:               \/            ,                   \/ ,
     '                                                                     '
    ,:   The London art-rockers' outstanding debut is a droll album full   :,
     :   of surreal images, bizarre obsessions, and sense memories. The    :
     :'  cumulative effect of Florence Shaw's narration is inexplicably   ':
    ,:   wonderful. Jillian Mapes (Pitchfork) reviews:                     :,
     :                                                                     :
     :'  In the video for "Scratchcard Lanyard," Dry Cleaning vocalist    ':
    ,:   Florence Shaw is a floating head in the world's smallest dive     :,
     :   bar. Her face takes up the whole stage, a perch from which she    :
     :'  eyes the tiny puppet DJ and the tiny puppet bartender with mild  ':
    ,:   disgust and confusion. She delivers a dry monologue in a wan,     :,
     :   extremely British tone, subtly arching her eyebrows for           :
     :'  emphasis. The whole affair carries an air of suspicion, with     ':
    ,:   the slightest hint of deer in the headlights. The shot zooms      :,
     :   out, and there's the full band playing animatedly beside her;     :
     :'  zoom in again, and it's the Flo show. It's a clever video, one   ':
    ,:   that nods to the isolation of the pandemic, the media's tendency  :,
     :   to focus on the girl in the band, and of course, Shaw's           :
     :'  restrained performance style. "Do everything and feel nothing,"  ':
    ,:   she intones, barely moving.                                       :,
     :                                                                     :
     :'  How does someone so static become the lead singer of a noisy     ':
    ,:   rock band? The better question is, how do you deny the strange,   :,
     :   funny charisma of someone like Florence Shaw? Just hearing her    :
     :'  thoughts, expressed in the tone of a slightly sardonic           ':
    ,:   narrator, was enough for her former art school friend Tom Dowse   :,
     :   to suggest she join his new band back in 2017. Shaw, a visual     :
     :'  artist more than a musician, was hesitant, but she was assured   ':
    ,:   she could just talk instead of sing. Largely through the          :,
     :   specificity of her affect and observations on the world, the      :
     :'  band's debut album arrives fully formed, ready to evacuate the   ':
    ,:   contents of your brain and replace them with the odd images,      :,
     :   bizarre obsessions, vivid sense memories, and banal judgements    :
     :'  that live rent-free in the mind of another.                      ':
    ,:                                                                     :,
     :   The Sherlock Holmes Museum of break-ups, a dentist with a messy   :
     :'  back garden, a cab driver sucking on Pop Rocks, llama plushies   ':
    ,:   in a shop, a big jar of mayonnaise in the back of the fridge, a   :,
     :   critique of format changes to Antiques Roadshow, a Tokyo bouncy   :
     :'  ball, an Oslo bouncy ball, a Rio de Janeiro bouncy ball - these  ':
    ,:   are all things you will encounter while navigating the world of   :,
     :   New Long Leg. You could throw a competition for Shaw's best       :
     :'  non-sequiturs, food category (the winner: "I've been thinking    ':
    ,:   about eating that hot dog for hours," from "Strong Feelings").    :,
     :   The cumulative effect of these lines is surreally welcoming,      :
     :'  especially when interspersed with dramatically phrased maxims    ':
    ,:   like, "Never talk about your ex, never never never never, never   :,
     :   slag them off because then they know."                            :
     :'                                                                   ':
    ,:   Compared to Dry Cleaning's scrappier EPs, 2019's Sweet Princess   :,
     :   and Boundary Road Snacks and Drinks, the album's production and   :
     :'  mix are exquisitely calibrated for maximum effect. Helmed by     ':
    ,:   John Parish, who's produced everyone from PJ Harvey to Aldous     :,
     :   Harding, New Long Leg is like a striking black and white          :
     :'  photograph with the contrast turned up. Guitarist Dowse,         ':
    ,:   bassist Lewis Maynard, and drummer Nick Buxton have always        :,
     :   worked as a strong foil to Shaw - moody riffs and sludgy bass on  :
     :'  loop, the steady pulse and flash of chaos to her disarming       ':
    ,:   apathy - but in this picture the vocalist now appears even        :,
     :   sharper.                                                          :
     :'                                                                   ':
    ,:   The band, in turn, sounds more adventurous - darker and dubbier   :,
     :   at times, but also fizzy with touches of indie-pop synths and     :
     :'  guitar jangle. When Dry Cleaning first surfaced, they were       ':
    ,:   variously described as post-punk in the vein of Magazine, Wire,   :,
     :   and the Fall. Haters left YouTube comments calling them a Sonic   :
     :'  Youth rip-off. A broad notion of "London post-punk having a      ':
    ,:   moment" started to take hold among outsiders, lumping the band    :,
     :   in with the freakier, more freeform likes of black midi and       :
     :'  Black Country, New Road. On New Long Leg, Dry Cleaning emerge    ':
    ,:   as a Rorschach test for listeners' guitar revivalism of choice.   :,
     :   There are echoes of Black Sabbath, the Smiths, the Strokes, even  :
     :'  Wilco on the closest thing to a ballad, "More Big Birds." But    ':
    ,:   it amounts to something tougher and more original than merely     :,
     :   the sum of classically cool influences - a sound that activates   :
     :'  Shaw's disparate imagery, making the setting seem more           ':
    ,:   dangerous.                                                        :,
     :                                                                     :
     :'  The phrase "emo dead stuff collector," from "Strong Feelings,"   ':
    ,:   could define Shaw's songwriting approach - a personal archive of  :,
     :   online comments, eavesdropped conversations, writing exercises,   :
     :'  and her own reflections - but her lyrics aren't just random      ':
    ,:   clusters of phrases. She operates in media res, dropping you in   :,
     :   on an unknown character, flipping the perspective or dreaming     :
     :'  herself into a new headspace mid-song, decontextualizing and     ':
    ,:   recontextualizing everything she uses. Take "Scratchcard          :,
     :   Lanyard," told from the perspective of a mother on the edge, a    :
     :'  premise that is not necessarily intuitive but indelibly          ':
    ,:   expressed nonetheless. "I think of myself as a hardy banana with  :,
     :   that waxy surface and the small delicate flowers/A woman in       :
     :'  aviators firing a bazooka," Shaw coolly declares, like a woman   ':
    ,:   in aviators firing a bazooka should.                              :,
     :                                                                     :
     :'  Still, some of the more inscrutable moments are the funniest     ':
    ,:   and most beguiling. I keep thinking of the second verse in the    :,
     :   title track, where Shaw is asking questions about doing laundry   :
     :'  on a ship, and she cheekily blurts out a joke she realizes is    ':
    ,:   dumb the minute it escapes her lips: "Are there some kind of      :,
     :   reverse platforms, shoes that make you go into the ground more,   :
     :'  make you reach a lower level?" What are the possible             ':
    ,:   circumstances? Has she won a free trip on a luxury ocean liner?   :,
     :   How would reverse platform shoes even work? And what is a record  :
     :'  that sparks these kinds of absurd questions even trying to say?  ':
    ,:   Is it secret code?                                                :,
     :                                                                     :
     :'  By Shaw's estimation, the lyrics and their juxtapositions are    ':
    ,:   an attempt to express her worldview. The cut-up technique of the  :,
     :   Beat Generation (and maybe a dash of Kid A-era Thom Yorke) is     :
     :'  reimagined for the logged-on and attention-addled, those less    ':
    ,:   interested in codifying their confessions than finding clarity    :,
     :   amid cultural debris. On headphones, there's something almost     :
     :'  ASMR-like about it, and not strictly in the textural way of      ':
    ,:   recent pop production: Shaw is right in your ear, not with a      :,
     :   flummoxing sound clip but a picture you've never seen - the       :
     :'  photographer looking at the literal junk in the margins, rather  ':
    ,:   than the hero at the center, and locating a deeper truth. Unlike  :,
     :   the distant cool of Kim Gordon's songs with Sonic Youth, Shaw     :
     :'  appears intimate and almost mystical, like she's guiding a       ':
    ,:   meditation class through the detritus of the mind.                :,
     :                                                                     :
     :'  The act of pressing the listener to connect the contextual dots  ':
    ,:   from a random hippo to oven chips to a song called "John Wick"    :,
     :   that has little to do with John Wick - even if there's no right   :
     :'  answer at all - is a rare kind of musical storytelling. And      ':
    ,:   it's one that actually benefits from the fact that Shaw doesn't   :,
     :   sing. After a year stuck in our own houses and brains, the        :
     :'  comfort of a record like New Long Leg is in its challenging      ':
    ,:   sense of escape. Half the time I have no idea what she's even     :,
     :   talking about, but that only makes me want to move closer to it.  :
     :'                                                                   ':
     :                                                                     '
     '..                                                                 ..'
  .. . :...........  .     .                         .    .  ............: . .
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  \          /         Shout out to all our homies from:          \          /
   \        /                                                      \        /
    \      /           iPC BOSS HiT2000 1way UKi i8 RNS             \      /
     \    /              RAGEMP3 MANDY DV8 pLAN9 BUTT                \    /
      \  /                                                            \  /
       \/                  ____                 ____                   \/
                           \  /    H O U N D    \  /
                            \/      2 0 2 1      \/

Files

PathSize
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-book1.jpg1,83 MB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-book2.jpg1.018,63 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-book3.jpg880,93 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-book4.jpg908,35 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-book5.jpg827,14 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-book6.jpg897,44 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-cd.jpg551,07 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-cover.jpg3,17 MB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021-cover2.jpg3,49 MB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021.jpg112,80 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021.m3u335 B
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021.nfo14,65 KB
00-dry_cleaning-new_long_leg-(4ad0254cd)-cd-flac-2021.sfv435 B
01-dry_cleaning-scratchcard_lanyard.flac28,45 MB
02-dry_cleaning-unsmart_lady.flac20,68 MB
03-dry_cleaning-strong_feelings.flac27,51 MB
04-dry_cleaning-leafy.flac18,89 MB
05-dry_cleaning-her_hippo.flac32,83 MB
06-dry_cleaning-new_long_leg.flac29,58 MB
07-dry_cleaning-john_wick.flac23,18 MB
08-dry_cleaning-more_big_birds.flac27,28 MB
09-dry_cleaning-a.l.c.flac19,42 MB
10-dry_cleaning-every_day_carry.flac47,51 MB