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██▌ Artist...: Monster Magnet ░▐██▌
░▐██ Album....: A Better Dystopia ░██▌░
▓▐██ Year.....: 2021 ▓▐██▓
▓▐██ Rel. Date: 2021-05-20 ░▐██▓
▐██ Genre....: Rock ██▌░
░ ██▌ Label....: Napalm Records ██▌
▐██ Source...: CD ▐██
░▐██▌ Encoder..: FLAC 1.3.1 ▐██▌░
▓▄████ Quality..: 44.1kHz, 2 channels ████▌░
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1. The Diamond Mine 1:58
2. Born To Go 5:46
3. Epitaph For A Head 2:08
4. Solid Gold Hell 3:27
5. Be Forewarned 3:26
6. Mr. Destroyer 5:40
7. When The Wolf Sits 4:57
8. Death 2:58
9. Situation 2:15
10. It's Trash 2:10
11. Motorcycle (Straight To Hell) 3:23
12. Learning To Die 6:27
13. Welcome To The Void 3:21
47:56
For three decades now, the world hasnÆt gone more than three years
without a new MONSTER MAGNET record. Naturally then, three years since
2018Æs Mindfucker, itÆs about time we had a new one from the legendary
psych rockers. In a first for the band however, their newest offering, A
Better Dystopia, is a covers record. While that may have potentially and
justifiably prompted a few groans, thereÆs really no need to worry here.
Rather than taking on well-known songs that do little more than draw
often disappointing comparisons to their originals, the band have
focused on obscure but excellent tracks primarily from the 60s and 70s.
The result is an album which feels just as much a MONSTER MAGNET record
as any other.
From the outset itÆs clear weÆre in classic MONSTER MAGNET territory on
A Better Dystopia. Opener The Diamond Mine sees frontman Dave Wyndorf
reciting a crazed psychedelic monologue over a lone guitar. We may have
no idea what heÆs on about, but it sets the scene well for the band to
kick into a rocking cover of HAWKWINDÆs Born To Go. With driving riffs
and bluesy guitar soloing, this does exactly what youÆd expect in
MONSTER MAGNETæs hands. It makes for quite a start to proceedings û the
perfect soundtrack to a roaring motorbike ride through a scorching
desert.
Indeed, MONSTER MAGNET never seem too far out of their comfort zone on A
Better Dystopia. Each track boasts so much of what weÆve already come to
expect from the band û big hard rock riffs, lengthy psychedelic jams and
tripped-out lyrics. As has been the case on every release since the
bandÆs debut, at the centre of proceedings sits the inimitable Wyndorf.
The frontman is on top form here. Whether heÆs speaking, singing,
shouting or howling, he imbues the recordÆs every track with a real
sense of personality and identity. He even shines on songs with less to
write home about musically, like the bandÆs takes on J.D. BLACKFOOTÆs
Epitaph For A Head and THE SCIENTISTSÆ Solid Gold Hell. All this only
becomes more impressive when you realise Wyndorf is 64 years old û an
age he definitely doesnÆt sound here.
As well as a great opening one-two, the album features a particularly
strong middle run. Fifth track Be Forewarned, originally by PENTAGRAM,
sees the band take a turn for the menacing. After a quiet intro, it
gains a real sense of urgency with a growling Wyndorf on listenersÆ
tails. Next, Mr. Destroyer (POOBAH) and When The Wolf Sits (JERUSALEM)
provide two back-to-back slices of vintage psych rock. Surely one of the
best of all however is the albumÆs eighth track Death, originally by THE
PRETTY THINGS. This oneÆs mellower, with tribal drums, fuzzed-out
guitars and the odd sitar part making for pure psychedelic gold.
The band pick up the energy again after that with Situation (JOSEFUS)
and ItÆs Trash (CAVEMEN). These are two short little rockers which each
just top the two minute mark. They pair nicely with the cover of TABLE
SCRAPSÆ Motorcycle (Straight To Hell) which follows. This oneÆs a
particularly primal track, with a simple driving drum beat and
repetitive fuzz heavy bassline. These elements and a few guitars provide
a backdrop for Wyndorf to shine once again, this time channelling his
inner IGGY POP with snarling aplomb.
To be honest, the band mightÆve done well to end things there. The
tracks which follow to round out the album are still solid, but things
may be getting a touch samey. Then again, the place Wyndorf and co. take
their listeners to on A Better Dystopia is a good one, so few are likely
to mind staying there a little longer. Twelfth track Learning To Die
(DUST) is another riff-heavy hard rock offering, and the longest song on
the record. After that, Welcome To The Void (MORGEN) brings things to a
triumphant close with a piece that wouldnÆt sound too out of place on
the bandÆs 1998 classic Powertrip.
Overall, A Better Dystopia is definitely a success for MONSTER MAGNET.
By providing a collection of solid takes on well-written tracks, it does
what every good covers album should do, and what so few manage. Rather
than comparing notes on the originals, listeners are free to enjoy the
versions on offer for what they are. Not only does this enable the band
to pull off the rare feat of making a good covers record, but it ensures
that A Better Dystopia makes a welcome addition to an already impressive
back catalogue.
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