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████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
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█████▀ Kaktus Einarsson - Kick The Ladder ▀█████
████▀ ▀████
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█▓▓▓▓ ARTiST..[ Kaktus Einarsson ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Kick The Ladder ▓▓▓▓█
████ GENRE...[ Alternative CAT#....[ TPLP1546 ████
████ LABEL...[ One Little Independent RENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 50:07 REL.DATE[ 05.22.2021 ████
████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████
████ SiZE....[ 114,99 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Kick The Ladder 05:14 ████
████ 02 Ocean's Heart 03:59 ████
████ 03 Hypnotized 04:13 ████
████ 04 No Runaway 04:53 ████
████ 05 Daydream Echo 04:53 ████
████ 06 Gone To Bed 03:51 ████
████ 07 My Driver 03:58 ████
████ 08 45rpm 05:10 ████
████ 09 Story Of Charms 03:19 ████
████ 10 One Of Those 02:58 ████
████ 11 Space Soul 04:40 ████
████ 12 Chimes 02:59 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 50:07 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ https://kaktuseinarsson.bandcamp.com/album/kick ████
████ -the-ladder ████
████ ████
████ æKick The LadderÆ the anticipated debut album ████
████ from Icelandic composer and songwriter Kaktus ████
████ Einarsson, frontman of post-punk outfit Fufanu. ████
████ It was produced by Kaktus, alongside Swiss ████
████ electronic composer Kurt Uenala aka Null & Void ████
████ (whoÆs production credits include Depeche Mode, ████
████ Black Rebel Motorcycle Club, The Kills, Dave ████
████ Gahan/Soulsavers and Moby), and finished in New ████
████ York City. ████
████ ████
████ It draws heavily on the concept of how we as a ████
████ society relate to our surroundings, whether ████
████ itÆs environmental or personal. For example, ████
████ æHypnotizedÆ is inspired largely by the recent ████
████ deportation of immigrants and their children ████
████ from Iceland, some of whom have lived there all ████
████ their lives. He asks ôAre the children scared? ████
████ Do they belong with us here?ö Angered, schools ████
████ marched against the bill which in turn had ████
████ Kaktus ruminate on the wondrous innocence of ████
████ youth, and how older generations often find ████
████ their ethics clouded, forgetting the simple ████
████ difference between right and wrong. ôThey do ████
████ not bow their heads to the plan, nor adjust to ████
████ the broken scamö. ████
████ ████
████ Having just become a parent for the first time ████
████ himself, childhood and naivety is something at ████
████ the forefront of KaktusÆs mind. On æOceans ████
████ HeartÆ he sings about optimistic dreams and ████
████ memories, how as we age we lose sight of what ████
████ we want from life, all conveyed in the simple ████
████ pleasure of flying a kite and watching it dance ████
████ amongst the clouds. ████
████ ████
████ Elsewhere on the record, æStory of CharmsÆ is ████
████ about stopping to take in the little things, ████
████ and appreciating the space around us, nature ████
████ and trying not to get caught up in the ████
████ distractions of adulthood. ████
████ ████
████ Solidifying the theme, æDaydream EchoÆ builds ████
████ on the words of an NYC street preacher. As he ████
████ was finishing the album Kaktus had a moment of ████
████ clarity and affirmation as he looked out the ████
████ window of his studio, he tells us; ôThey were ████
████ standing in the same place every day, shouting ████
████ about how weÆre all going to die, and how weÆre ████
████ going on a ride. A few weeks later, the world ████
████ was in chaos. What if this New York outsider ████
████ was just more advanced than us, and weÆre the ████
████ crazy ones?ö ████
████ ████
████ Einarsson (b. 1992) has led a remarkable ████
████ musical life. Born and raised in Reykjavik, he ████
████ was playing as part of experimental electronic ████
████ act Ghostigital at the tender age of ten. In ████
████ Fufanu, he opened hometown shows for Radiohead ████
████ and Red Hot Chilli Peppers. The band also ████
████ supported Blur in Hyde Park, and stormed the ████
████ festival circuit, appearing at the likes of ████
████ Primavera Sound, Rock Werchter, Musilac and ████
████ Down The Rabbit Hole. ████
████ ████
████ Now aged 28, Kaktus is beginning a new chapter ████
████ with æKick The LadderÆ. Having honed his ████
████ understanding of songwriting, recording, and ████
████ production, the LP is the culmination of his ████
████ experience in contemporary classical and pop ████
████ music, and bridges the two sides of his work. ████
████ ████
████ Kaktus wrote the album in Iceland, then ████
████ developed its sound in Copenhagen in ████
████ collaboration with French prepared piano ████
████ experimentalist Thibault Gomez. ôI was using my ████
████ knowledge of extended playing techniques and ████
████ the contemporary repertoire, and getting them ████
████ into my pop music,ö he says. ôWe replaced ████
████ synths with acoustic sounds that are familiar, ████
████ but unfamiliar in many ways. ItÆs all organic, ████
████ there are no artificial effects: we created all ████
████ the effects with this one instrument, the grand ████
████ piano. We tried it for every situation. To ████
████ build up tension and suspension in songs and ████
████ sounds we would scratch, e-bow and regular ████
████ bowing the strings inside of the piano for ████
████ example, and even play with brooms on the belly ████
████ of the grand piano. Used it even as a drum ████
████ machine!ö ████
████ ████
████ The result is a profound, melodic record with ████
████ an expansive and innovative sound. The album ████
████ also sees Kaktus evolve as a vocalist and ████
████ lyricist. ôEvery song on this album is a love ████
████ letter to my environment, and my surroundings,ö ████
████ he says. ôSome of the songs are a dialogue ████
████ between two people, others might be written to ████
████ nature, and what is happening to our planet.ö ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .