Portico_Quartet--Terrain-(GONDCD042)-WEB-2021-OMA

Section
MP3/FLAC
Group
OMA
Size
89,27 MB
Files
7
Date
2021-05-27

NFO

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 ████    ■    ███▓█                                          █▓███    ■    ████
 ████    ·  ▄▓███▓          OPEN MUSiC ASSOCiATiON            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓        .···. P R E S E N T S .···.         ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                    Portico Quartet - Terrain                     ▀█████
 ████▀                                                                    ▀████
 ███▀                                                                      ▀███
 █▓▓▓▓    ARTiST..[ Portico Quartet                                       ▓▓▓▓█
 █▓▓▓▓    TiTLE...[ Terrain                                               ▓▓▓▓█
 ████     GENRE...[ Jazz                    CAT#....[ GONDCD042            ████
 ████     LABEL...[ Gondwana Records        ENCODER.[ Lame 3.99.5          ████
 ████     YEAR....[ 2021                    QUALiTY.[ 160kbps              ████
 ████     SOURCE..[ WEB                     MODE....[ Stereo               ████
 ████     PLAYTIME[ 78:53                   REL.DATE[ 05.28.2021           ████
 ████     TRACKS..[ 03                      RiPPER..[ TEAM OMA             ████
 ████     SiZE....[ 90,29 MB                SUPPLiER[ TEAM OMA             ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█      .···. T R A C K  L i S T .···.      █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓                                            ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                                                                  ▀█████
 ████▀                                                                    ▀████
 ███▀     NR. TRACK.                                             TiME.     ▀███
 █▓▓▓▓    ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙    ▓▓▓▓█
 █▓▓▓▓                                                                    ▓▓▓▓█
 ████     01  Terrain: I                                        39:04      ████
 ████     02  Terrain: II                                       19:01      ████
 ████     03  Terrain: III                                      20:48      ████
 ████                                                    ∙∙∙∙∙∙∙∙∙∙∙∙      ████
 ████                                                    TOTAL: 78:53      ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█   .···. R E L E A S E  N O T E S .···.   █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓                                            ▓ │▀▀▀█▓▄▄  █████
 ██████▓▀      ▀                                                ▀      ▀▓██████
 █████▀                                                                  ▀█████
 ████▀                                                                    ▀████
 ███▀                                                                      ▀███
 █▓▓▓▓                                                                    ▓▓▓▓█
 █▓▓▓▓                                                                    ▓▓▓▓█
 ████            https://www.amazon.de/dp/B091G8G9YS                       ████
 ████                                                                      ████
 ████            When Duncan Bellamy and Jack Wyllie û the                 ████
 ████            driving force behind Portico Quartet got                  ████
 ████            together in their East London studio in May               ████
 ████            2020 and started work on the music that would             ████
 ████            become their new album, the world, or most of             ████
 ████            it, was in the midst of the first lockdown. The           ████
 ████            unique impact of the events of 2020 became the            ████
 ████            backdrop to their time composing and recording;           ████
 ████            causing them to take stock, re-think, and plot            ████
 ████            a new musical path.                                       ████
 ████                                                                      ████
 ████            Indian novelist Arundhati Roy expressed the               ████
 ████            sense of grief and rupture from the pandemic as           ████
 ████            "a portal, a gateway between one world and the            ████
 ████            next", and as they created the music that would           ████
 ████            become Terrain they were drawn towards longer,            ████
 ████            slowly unfolding pieces, which are perhaps the            ████
 ████            most artistically free and also the most                  ████
 ████            beautiful they have ever made.                            ████
 ████                                                                      ████
 ████            These are compositions more in the lineage of             ████
 ████            Line and Shed Song (Isla/2009), Rubidium                  ████
 ████            (Portico Quartet/2012) and Immediately Visible            ████
 ████            (Memory Streams/2019). Wyllie expands: "We've             ████
 ████            always had this side of the band in some form.            ████
 ████            The core of it is having a repeated pattern,              ████
 ████            around which other parts move in and out, and             ████
 ████            start to form a narrative. We used to do longer           ████
 ████            improvisations not dissimilar to this around              ████
 ████            the time of our second record Isla. On Terrain            ████
 ████            we've really dug into it and explored that                ████
 ████            form. I suppose there are obvious influences              ████
 ████            such as American minimalism, but I was                    ████
 ████            particularly inspired by the work of Japanese             ████
 ████            composer Midori Takada. Her approach,                     ████
 ████            particularly on 'Through the Looking Glass',              ████
 ████            where she moves through different worlds                  ████
 ████            incorporating elements of minimalism with non-            ████
 ████            Western instruments and melodies were at the              ████
 ████            front of my mind when writing this music".                ████
 ████                                                                      ████
 ████            Terrain I, II & III are all subtly different,             ████
 ████            but a short rhythmic motif that repeats is the            ████
 ████            starting point in all three movements. There is           ████
 ████            a sense of a shared journey to all these                  ████
 ████            pieces, they move through different worlds,               ████
 ████            with a sense of horizontal movement that lends            ████
 ████            the music real momentum. Terrain I was the                ████
 ████            first piece they worked on and it started with            ████
 ████            a hang drum pattern, improvised by Bellamy, who           ████
 ████            added cymbals and synthesiser. From there on it           ████
 ████            grew, Wyllie adding saxophone, another                    ████
 ████            synthesiser section, strings. For Bellamy "It             ████
 ████            felt more like filmmaking than music making, a            ████
 ████            bricolage of conflicting, shifting signs,                 ████
 ████            subtle tension and multiple narratives. Andrei            ████
 ████            Tarkovsky's 'Mirror' and British artist John              ████
 ████            Akomfrah's incredible 'Handsworth Songs' were             ████
 ████            pivotal points of reference for me." Wyllie               ████
 ████            expands the point. "There is a sense of                   ████
 ████            conversation between us both, in that someone             ████
 ████            presents a musical idea, the other person                 ████
 ████            responds to it with something else, which would           ████
 ████            then be responded to again... until it feels              ████
 ████            finished. These responses are often consonant             ████
 ████            with each other but there is also a dissonance            ████
 ████            to some of this work. The music slowly evolves            ████
 ████            through these shared conversations."                      ████
 ████                                                                      ████
 ████            It is this sense of dialogue, both between the            ████
 ████            composers, and between tranquillity and a                 ████
 ████            subtly unsettling melancholy, that makes                  ████
 ████            Terrain such a powerful statement. One that               ████
 ████            speaks to both our interior and exterior                  ████
 ████            worlds, to our own personal landscape, to our             ████
 ████            terrain.                                                  ████
 ████                                                                      ████
 ████                                                                      ████
 ████                                                                      ████
 ████                                                                      ████
 ████                                                                      ████
 ████     ▄▀▀███▓▄                                            ▄▓███▀▀▄     ████
 ████    ■    ███▓█          .···. G R O U P .···.           █▓███    ■    ████
 ████    ·  ▄▓███▓                                            ▓███▓▄  ·    ████
 █████  ▄▄▓█▀▀▀│ ▓         MAiL:  oma@never-ever.com          ▓ │▀▀▀█▓▄▄  █████
 █▀ ▀██▓▀      ▀                                                ▀      ▀▓██▀ ▀█
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 ████▀            The only thing that really matters is music!!!          ▀████
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.▀ │ ▀▀██▄▓▄               .···. G R E E T S .···.                  ▄▓▄██▀▀ │ ▀
 . ▄▓▓▄ │ ▀▀▀█▄▄                                                ▄▄█▀▀▀ │ ▄▓▓▄ .
    ▀▀          ▀▀▄      FRiENDS / SiTEOPS / NUKENET          ▄▀▀          ▀▀
  ▀ .     ▄ ▄▓▓▄    ▀▄             RIP kHz                ▄▀    ▄▓▓▄ ▄     . ▀
       ▀ ▀▓▀ ▀▀  ▀ .  ▄.···. !kb^faa  08.MARCH 2009 .···.▄  . ▀  ▀▀ ▀▓▀ ▀     .

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00-portico_quartet--terrain-(gondcd042)-web-2021-oma.jpg136,00 KB
00-portico_quartet--terrain-(gondcd042)-web-2021-oma.m3u117 B
00-portico_quartet--terrain-(gondcd042)-web-2021-oma.nfo16,47 KB
00-portico_quartet--terrain-(gondcd042)-web-2021-oma.sfv147 B
01-portico_quartet--terrain_i-oma.mp344,33 MB
02-portico_quartet--terrain_ii-oma.mp321,37 MB
03-portico_quartet--terrain_iii-oma.mp323,42 MB