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░█████▓█████▓██ ▌Artist__│ Hailu Mergia & The Walias ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ Tezeta (1975) ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ Awesome Tapes From Africa ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Jazz ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album (Remastered) ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 2021 ██▓██▒███▓████░
░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░
░░████▓█████▓██ ▌Time____│ 37:13 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 94.59 MB ██▓████▓████░░░
░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░
░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
░░░░░░████▓▓▓██ ▌Quality_│ 320 kbps ██▓▓▓████░░░░░░
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░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
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░░ 01. Tezeta 4:30
░░ 02. Endegena 5:00
░░ 03. Zengadyw Derekou 3:40
░░ 04. Gumegum 4:26
░░ 05. Nefas New Zemedie 3:34
░░ 06. Atmetalegnem Woi 3:39
░░ 07. Mestirawi Debdabe 4:37
░░ 08. Ou-Ou-Ta 3:23
░░ 09. Aya Belew Belew 4:24
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░░ ╔═══════════════╗
░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
░░ ╚═══════════════╝▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
░░
░░ Hardly anyone outside Ethiopia seems to know Hailu Mergia & The Walias
░░ Band 'Tezeta' exists. Within Ethiopia this tape has been impossible to
░░ find for decades. ThatÆs about to change with this release, which makes
░░ available this epochal recording on LP, CD and Digital formats for the
░░ first time.
░░
░░ From their genesis as members of the Venus club in-house band in the
░░ early 70s, Hailu Mergia and the Walias Band were at the forefront of the
░░ musical revolution during an era where modern instruments and foreign
░░ styles superseded the traditional fare to become the staple sound of
░░ Ethiopia. No one would argue that the Walias were the trailblazing
░░ powerhouse of modern Ethiopian music.
░░
░░ They were the first band to form independently without affiliation to a
░░ theatre house, a club or a hotel; unprecedented and risky as they had to
░░ raise all funding for expenses by themselves including buying equipment.
░░ They were the first to release full instrumental albums, considered to be
░░ commercially unviable at the time. They opened their own recording
░░ studio, with band members Melake Gebre and Mahmoud Aman doubling as
░░ technical buffs during sessions. They were also the first independent
░░ band to tour abroad. In short, they were the pioneers every band tried to
░░ emulate; some more successfully than others.
░░
░░ Odds are, any Ethiopian over the age of 35 who had access to TV or radio
░░ by the early 90s, will instantly recognize the sound of Walias. What is
░░ not a given is, how many would actually identify the band itself. Barely
░░ a day went by without hearing the Walias either in the background on
░░ radio or as an accompaniment to various programs on TV.
░░
░░ This Tezeta album is the bandÆs second recording, released in 1975.
░░ Sourced by Awesome Tapes From Africa and expertly remastered by Jessica
░░ Thompson, its unique and funky renditions of standards and popular songs
░░ of the day are so quintessentially Walias, flavorful and evocative.
░░ HailuÆs melodic organ, unashamedly front and center in every track, makes
░░ even the complex pieces accessible.
░░
░░ Profoundly engaging; itÆs an immersive trip down memory lane for those of
░░ us getting reacquainted with it, while also an enthralling and gratifying
░░ experience for fresh ears.
░░
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░░░█ ░█ ░█ █░███░█ ░███ ▒███████ /─────────────────────────\
░░░██ ███ ░| learned from vets |░
░░░░██ ████ ░| and they |░
░░░░░██ █████ ░| ain't pet doctors |░
░░░░░░███ ████▒ \─────────────────────────/
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https://hailumergia.bandcamp.com/album/tezeta