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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Isaac Hayes
Title | New Horizon
Genre | Soul Format | Album
Source | Vinyl Time | 37:45
Label | Polydor Records Store | 1977
Catalog | PD-1-6120 Rip | 2021
Bitrate | 2812 kbps Size | 802.79 MB
Freq | 96.0 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
A1. Stranger In Paradise 10:08
A2. Moonlight Lovin' (Menage A Trois) 10:00
B1. Don't Take Your Love Away 7:33
B2. Out Of The Ghetto 5:45
B3. It's Heaven To Me 4:19
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Few figures exerted greater influence over the music of the 1960s
and 1970s than Isaac Hayes; after laying the groundwork for the
Memphis soul sound through his work with Stax-Volt Records, Hayes
began a highly successful solo career which predated not only the
disco movement but also the evolution of rap.
After 1975's classic "Chocolate Chip" and a strong production job
for The Masqueraders album "Everybody Wanna Live On", Hayes'
subsequent work with ABC was often poorly executed and conceived,
save for the one or two tracks that properly displayed his melodic
genius. With his last ABC effort being a live album with Dionne
Warwick that just didn't sell, some changes had to be made. This is
the first effort for Polydor and it turned out to be successful
partnership.
With a new label, Hayes also began to record at Master Sound in
Georgia rather than his studio in Memphis, Hot Buttered Soul. Both
the label and locale switch seemed to freshen up his musical
approach. This album didn't start off on the best footing, though.
Hayes' ghastly disco-fied cover of "Stranger in Paradise" shows
little trace of his arranging skills or song-picking abilities. The
other dance tracks are markedly better. "Moonlight Lovin' (MΘnage α
Trois)" has him doing Barry White one better by bringing an extra
woman into the mix.
With its playful rhythm and sweeping changes, he sang gleefully
about the 'the rendezvous of me and you and you' and said mΘnage α
trois enough times that his "dates" thought it was their idea. On
New Horizon Hayes turns in two of his best ballads. The meditative
"Don't Take Your Love Away" has him going for more subtle
surroundings in a style that suffered the most on his post-Chocolate
Chip work. On "It's Heaven to Me" he displays a winning
vulnerability, and it is easily one of the prettiest songs he ever
recorded. Although some of the best tracks on New Horizon are
available on compilations, the entire album is worth seeking out.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘