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┌────────┐ ██▀▀
────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | Wiz Khalifa
Title | Kush & OJ
Genre | Rap Format | Album
Source | CDR Time | 60:36
Label | Rostrum Records Store | 2010
Catalog | n/a Rip | 2021
Bitrate | 908 kbps Size | 414.59 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Waken Baken (Prod. Sledgren) 1:29
02. Mezmorized (Prod. Cardo) 4:28
03. We're Done (Feat. Demi Lovato) (Prod. Kajmir Royale) 2:18
04. Skit 1 1:22
05. The Statement (Prod. Rich Kid, Ryan Coplan & Eric Manco) 2:47
06. Spotlight (Feat. Killa Kyleon) (Prod. The WatcherZ) 4:12
07. Skit 2 1:22
08. The Kid Frankie (Prod. Big Jerm) 3:14
09. Up (Prod. X.O.) 4:18
10. Never Been (Prod. Sledgren) 3:34
11. In Tha Cut (Prod. Cardo) 4:14
12. Visions (Prod. Sledgren) 3:05
13. Still Blazin (Feat. Alborosie) (Prod. Sermstyle) 3:26
14. Slim Skit 3:40
15. Pedal To The Metal (Feat. Johnny Juliano) (Prod. SuperStar 3:26
O & Johnny Juliano)
16. Good Dank (Prod. Big Jerm) 5:05
17. Skit 3 0:52
18. Glass House (Feat. Big K.R.I.T. & Curren$y) (Prod. Big 3:16
K.R.I.T.)
19. Outro (Prod. Sledgren) 1:31
20. Supply (Feat. Nesby Phips) (Prod. Nesby Phips) 2:57
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
Without a major label deal or superstar allegiances, Wiz has turned himself
into a hip-hop star by rapping about weed, girls, and smoking weed with
girls.
Kids love them some Wiz Khalifa. In a recent Washington City Paper review,
the rap blogger Noz described a sold-out 9:30 Club full of
late-teens/early-twenties fans, all singing along with the young Pittsburgh
rapper's entire set. A little bit of YouTube research shows similar
scenes-- at clubs across the country, not just the ones in the Eastern
corridor. And when Kush and Orange Juice, the new Wiz mixtape, hit the
internet last week, it was a #1 Twitter trending topic for most of the day.
And though it's important not to put too much stock in something as
ephemeral as trending topics, it at least means there are a whole lot of
people talking about a rapper with no major label deal and no superstar
allegiances. It's pretty impressive.
Wiz's appeal isn't too hard to figure out. Though he lost his deal with
Warner Bros. a while back, you never hear any of the bitterness usually
associated with big-label refugees. Instead, he talks his shit with a blasΘ
assurance; one chorus on the mixtape goes, "We belong on the top, but we
ain't trippin'/ Cuz we'll get there in a minute." For the most part, he
raps about only three things: Weed, girls, and smoking weed with girls
(usually your girl). His rap style is easy and conversational, a pinched
murmur that never leans too hard on punchlines or narrative. He's got this
donkey giggle that he lets loose often, and it might beat out Lil Wayne's
guffaw as rap's most irritating laugh, no mean feat. He sounds like the kid
two dorm rooms down, bragging about whatever insane party he was at last
night while he munches Froot Loops out of the box and watches cartoons on
the common-room TV. He's charismatic in a completely relatable way.
He's also got a great ear for beats. The tracks are airy, diffuse things,
full of smooth 1980s-funk synths and drums that amble along slowly and
quietly. His choices in samples suggest a lot of time watching TV while
stoned: Frou Frou's Garden State end-credits song "Let Go" on "In the Cut",
Disney princess Demi Lovato's Camp Rock soundtrack single "Our Time Is
Here" on "We're Done". "Good Dank" is all warm, rippling psych-funk-- its
guitars and organs woozy as all hell, its drums completely nonexistent. And
rather than bulldozing through these beats, Wiz just dances around them,
never letting his delivery settle into a consistent cadence. Often, he
sings his choruses in a calm, casual quaver. Sometimes, he skips rapping
altogether. On "Up", he spends four minutes just singing the praises of
weed over spaced-out Rhodes plinks, ending by repeating, "Everything's
better when you're high," over and over.
When a more conventional rapper like Killa Kyleon or Big K.R.I.T. shows up,
the contrast speaks volumes. Those guys are both very good at what they do,
but they sound almost old-fashioned in this context, nicely breaking up the
half-committed shit-talk. Wiz never sounds like he has a lot at stake; he
talks like life is a long, unchanging progression of joints and hotel rooms
and girls, which, for him, maybe it is. Among his most characteristic lines
is this: "While you at home on Twitter, trying to hack her page and shit/
We smoking and cracking jokes on how lame you is." That kind of indolent
wit can lead to some truly dubious ideas, like when Wiz sang BeyoncΘ's "If
I Were a Boy" as "If I Were a Lame" on 2009's Burn After Rolling mixtape,
or when he tries his hand at reggae on "Still Blazin" here. But for the
most part, Kush and Orange Juice is a surprisingly relaxed and easy listen,
a great soundtrack for a barbecue or a spring-weather drive. And that's all
it wants to be, so mission accomplished.
┌────────┐
────┤░░░░░░░░├─────────────────────────────────────────────────────────────────
└────────┘