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────┤ Info ├─────────────────────────────────────────────────────────────────
└────────┘
Artist | John McLaughlin And The 4th Dimension
Title | To The One
Genre | Jazz Format | Album
Source | CD Time | 40:01
Label | Mediastarz Store | 2010
Catalog | MASS CD 1370 DG Rip | 2021
Bitrate | 975 kbps Size | 295.02 MB
Freq | 44.1 kHz Encoder | FLAC 1.3.1
┌────────┐
────┤ Tracks ├─────────────────────────────────────────────────────────────────
└────────┘
01. Discovery 6:19
02. Special Beings 8:38
03. The Fine Line 7:43
04. Lost And Found 4:26
05. Recovery 6:21
06. To The One 6:34
┌────────┐
────┤ Notes ├─────────────────────────────────────────────────────────────────
└────────┘
One of fusion's most virtuosic guitar soloists, John McLaughlin placed his
blazing speed in the service of a searching spiritual passion that has kept
his music evolving and open to new influences. Whether shredding on
electric or simmering quietly on acoustic, McLaughlin's intensity and
underappreciated versatility have nearly always kept his playing vital, and
his best moments - whether as a solo artist or bandmember - represent some
of fusion's greatest recordings, including 1971's "The Inner Mounting
Flame" and 1973's "Birds Of Fire" with his supergroup Mahavishnu Orchestra,
which included keyboardist Jan Hammer and drummer Billy Cobham.
In the liner notes for "To The One", guitarist McLaughlin writes a brief
essay about the profound inspiration John Coltrane's "A Love Supreme" had
on him musically and spiritually. In the Mahavishnu Orchestra, that debt
was obvious; on Love Devotion Surrender, with Carlos Santana, the pair
covered its title theme. McLaughlin even paid direct homage to the
saxophonist on 1995Æs "After The Rain", which featured not only Coltrane's
material, but drummer Elvin Jones as well.
With his group the 4th Dimension - Gary Husband on keyboards and occasional
drums; Mark Mondesir on drums; and Cameroonian bassist Etienne M'Bappe
-McLaughlin explores an electric jazz that is deeply and directly indebted
to Coltrane's modal music and lyric interplay, and also to the emotional
and spiritual aspects of the saxophonistÆs expressions. On set opener
"Discovery", carefully chosen keyboard modes drive McLaughlinÆs attack
around a melodic statement without actually succumbing to a specifically
agreed-upon theme.
Likewise Husband's piano solo, which uses the middle and high registers,
and offers arpeggios and ostinatos around his own articulation of the
modes, playing right into them the way McCoy Tyner would. Guitar and
keyboards go head to head later in the track to breathtaking result.
"Special Beings", by contrast is a lithe, shimmering, melodic ballad that
actually swings. The bass playing by M'BappΘ, while understated, here
creates a sense of motion underscored by the double-timed light touch of
Mondesir.
"Recovery" employs Husband on drums and keyboards with Mondesir on
additional percussion. This is a triple-timed workout for the band with
inspiring bass work by MÆBappe. McLaughlinÆs guitar work moves from taut,
speedy, knotty fusion to emotional soloing. The band engages in rhythmic
counterpoint, scalar interplay, and funky asides while remaining poignantly
focused on singing together, rather than just expertly riffing around one
another. The set contains some moody ballad work as well, in ôLost and
Found" and the closing title track where McLaughlin uses his guitar synth,
but the playing is soulful and communicative, not just cosmic and
atmospheric.
"To The One" is an inspired milestone for McLaughlin and a fine recorded
introduction to one of the more exciting electric jazz groups in the 4th
Dimension.
┌────────┐
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└────────┘