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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ The Mountain Goats - Dark In Here ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ The Mountain Goats ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Dark In Here ▓▓▓▓█
████ GENRE...[ Indie CAT#....[ MRG726LP ████
████ LABEL...[ Merge Records ENCODER.[ Lame 3.99.5 ████
████ YEAR....[ 2021 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint Stereo ████
████ PLAYTIME[ 48:22 REL.DATE[ 06.25.2021 ████
████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████
████ SiZE....[ 110,94 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Parisian Enclave 01:33 ████
████ 02 The Destruction of the Kola Superdeep Borehole 03:28 ████
████ Tower ████
████ 03 Mobile 03:50 ████
████ 04 Dark in Here 03:31 ████
████ 05 Lizard Suit 04:24 ████
████ 06 When a Powerful Animal Comes 05:35 ████
████ 07 To the Headless Horseman 04:02 ████
████ 08 The New Hydra Collection 02:36 ████
████ 09 The Slow Parts on Death Metal Albums 05:35 ████
████ 10 Before I Got There 04:23 ████
████ 11 Arguing With the Ghost of Peter Laughner About 04:06 ████
████ His Coney Island Baby Review ████
████ 12 Let Me Bathe in Demonic Light 05:19 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 48:22 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
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█▓▓▓▓ ▓▓▓▓█
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████ https://www.amazon.fr/dp/B0916PY7L7/ ████
████ ████
████ When the Mountain Goats got together in March ████
████ 2020, it was to make not one album, but two. ████
████ The idea was to again work with Matt Ross- ████
████ Spang, the dashing Memphis wunderkind. Matt ████
████ pitched we spend a week at Sam Phillips ████
████ Recording, his home base in Memphis, followed ████
████ by another at the storied Fame Recording ████
████ Studios in Muscle Shoals, Alabama, a plan that ████
████ dovetailed nicely with JohnÆs notion of ████
████ corralling these songs into two complementary ████
████ batches: one light, one dark. The Memphis album ████
████ Getting Into Knives, would be brighter, bolder, ████
████ marked by rich and vibrant hues; the Muscle ████
████ Shoals album Dark in Here, is quieter, smokier, ████
████ but more deeply textured and intense. We were ████
████ all aware of the mythos surrounding Fame. The ████
████ second you step inside you transport to its ████
████ early Æ60s heyday and its louche mid-Æ70s ████
████ denouement. The room we set up in is the room ████
████ where Percy Sledge sang ôWhen a Man Loves a ████
████ Womanö and where Aretha Franklin recorded ôI ████
████ Never Loved a Man (The Way I Love You).ö The ████
████ Wurlitzer with which Spooner Oldham opens the ████
████ last? ItÆs sitting right there. Spooner is ████
████ living musical history, having played with ████
████ everyone from Bob Dylan and Neil Young to Linda ████
████ Ronstadt and Liberace, for crying out loud. And ████
████ Spooner is all over Dark in Here any time you ████
████ hear a bit of Hammond organ or electric piano ████
████ chiming in without repeating a phrase. We ████
████ tracked the albumÆs one outright banger, ôThe ████
████ Destruction of the Kola Superdeep Borehole ████
████ Tower,ö live with Spooner, and ôMobileö and ████
████ ôDark in Hereö with guitarist Will McFarlane ████
████ another local veteran who played with Bonnie ████
████ Raitt for years. We only had Spooner for two ████
████ afternoons, though, and Will for just one. ████
████ After it was just the four of us: John playing ████
████ acoustic guitar and occasional piano, the ████
████ rhythm section of drummer Jon Wurster and ████
████ myself, and our jack-of-all-trades Matt Douglas ████
████ picking up everything else. The result is ████
████ something more stripped down and intimate than ████
████ the lush arrangements of Getting Into Knives. ████
████ Of ôThe Slow Parts on Death Metal Albums,ö John ████
████ concedes that the song is autobiographical. ████
████ While the lines, ôIn a new universe / trying to ████
████ find the mask that fits meö would take on a ████
████ newly literal connotation in the weeks to come, ████
████ the song is about going to late æ80s metal ████
████ shows at FenderÆs Ballroom in Long Beach, and ████
████ about seeking a sense of identity and community ████
████ in strange and occasionally forbidding places. ████
████ This theme feeling at once conspicuous and ████
████ invisible, the frustrated craving for ████
████ acceptance is echoed elsewhere. Then there are ████
████ elegies to lost causes, some big and ████
████ institutional (ôThe Destruction of the Kola ████
████ Superdeep Borehole Towerö), some small and ████
████ personal (ôArguing With the Ghost of Peter ████
████ Laughner About His Coney Island Baby Review,ö a ████
████ tribute to David Berman, whose return from ████
████ self-imposed musical exile had been cause for ████
████ huge celebration in our camp). ôBefore I Got ████
████ Thereö neglects to identify its victims, or the ████
████ tragedy thatÆs befallen them. ████
████ ████
████ John writes in the liner notes that ôif youÆre ████
████ looking for a governing theme here, itÆs ████
████ calamity, as all the songs are either ████
████ anticipating one or reflecting one thatÆs ████
████ already happened.ö Peter Hughes, Rochester, ████
████ March 2021. ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .