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▓▄██ ██▄▓
▓█▀▄▄ Artist : The Stooges ▄▄▀█▓
▐▓▌▐█▌ Album : Live at Goose Lake, August 8, 1970 ▐█▌▓▌
▐▀▄██ Label : Third Man Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2020-08-07 ██▀▄▌
▐▓▌▐█▌ Quality : 685 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 212.17 MB ███▓
▀ ▀█▌ Time : 40:24 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/live-at-goose-l ███▄▓
▐▓████▌ ake-august-8-1970-mr0005230226 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Intro 0:36 ▐██
██▌ 2. Loose 3:11 ▐██
██▌ 3. Down On The Street 4:20 ▐██
██▌ 4. T.V. Eye 6:07 ▐██
██▌ 5. Dirt 7:40 ▐██
██▌ 6. 1970 (I Feel Alright) 4:06 ▐██
██▌ 7. Fun House 6:25 ▐██
██▌ 8. L.A. Blues 7:59 ▐██
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████ Almost from the beginning, the Stooges had a reputation as one of ████
████ the most incendiary acts in the history of rock & roll, and the ████
████ shows they did after reuniting in 2003 certainly confirmed that. ████
████ However, there was precious little physical evidence of the ████
████ on-stage firepower of the group's original lineup; beyond the ████
████ brief but amazing video clips of their set at the 1970 Cincinnati ████
████ Pop Festival, there was extremely little documentation of how ████
████ they sounded in front of an audience with Ron Asheton on guitar. ████
████ (To his credit, James Williamson was far more diligent in taping ████
████ the performances of the Raw Power edition of the group.) So when ████
████ it was discovered that a stereo soundboard tape existed of the ████
████ Stooges' set at the 1970 Goose Lake International Music Festival ████
████ in Jackson, Michigan, fans around the world were abuzz at the ████
████ prospect of finally hearing a Stooges show recorded at the peak ████
████ of their powers in decent fidelity. As it turns out, that ████
████ description proved to be a bit optimistic. ████
████ ████
████ Live at Goose Lake, August 8, 1970 preserves what proved to be ████
████ bassist Dave Alexander's final performance with the Stooges. The ████
████ story (repeated frequently over the years by both Iggy Pop and ████
████ Ron Asheton) was that after months on the wagon, Alexander got ████
████ stoned on booze and hash and went on-stage incapable of playing a ████
████ note, and was fired immediately after the show. A careful listen ████
████ to this recording confirms he was indeed playing, but he wasn't ████
████ having a good night at all, which is all the more problematic ████
████ since the set was drawn entirely from the soon-to-be-released Fun ████
████ House, where his bass lines were vitally important in anchoring ████
████ the songs. Alexander's lackluster playing threw the Stooges for a ████
████ loop, and there are more than a few moments where the band is ████
████ clearly scrambling to make up for the lack of a foundation; ████
████ comparing these performances to the majesty of the studio ████
████ versions on Fun House doesn't flatter them. ████
████ ████
████ Though this is indeed the best-sounding live recording of the ████
████ original Stooges lineup that had emerged to date, that says only ████
████ so much. The audio is still more than a bit muddy and blown out, ████
████ and the lack of clarity blunts some of the chaos. All that said, ████
████ this is still a truly fascinating historical document, and if ████
████ Dave Alexander (and to a lesser extent drummer Scott Asheton) ████
████ doesn't bring his A game, Iggy Pop and Ron Asheton sound ████
████ gloriously feral (as does Steve MacKay on sax), and they truly ████
████ live up to their hype in front of the biggest audience of their ████
████ lives (nearly a quarter-million people). Live at Goose Lake, ████
████ August 8, 1970 isn't the gloriously transformative historical ████
████ document some might have dreamed it would be, but it is a ████
████ recording of a genuinely great rock band playing a pretty good ████
████ show with genuine enthusiasm, and you can never have too many of ████
████ those on hand. ████
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