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██ ▒ Artist : Eloy Fritsch ░ █░ ▓███
██ ░ Album : Journey to the Future ░ ▓▒ ▓███
██▄▄ Genre : Electronic ░ ▓ ▓███
███▓ Source : CD ░ ▒ ▓███
███▓ Label : Groove Unlimited ░ ▓███
███▓ Cat. Number : GR-271 ▓███
███▓ Street Date : 2019-00-00 ▓███
███▓ Rip Date : 2020-01-08 ▓███
███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███
███▓ Quality : 265kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 12 ▓███
███▓ Playtime : 01:07:03 (134.MB) ▓███
███▓ URL : http://www.groove.nl/cd/g/gr-271.html ▓███
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███▓ 01 A Place Beyond the Clouds 4:09 ▓███
███▓ 02 Eternal 4:45 ▓███
███▓ 03 Mermaids Island 4:52 ▓███
███▓ 04 Spacelab 6:25 ▓███
███▓ 05 Who Want to Be a Machine? 4:29 ▓███
███▓ 06 Blue Diamonds on Water 4:17 ▓███
███▓ 07 Dance of the Spheres 6:11 ▓███
███▓ 08 Circles of Time 5:22 ▓███
███▓ 09 NUWA 6:18 ▓███
███▓ 10 Hypnosis 6:06 ▓███
███▓ 11 Electric Brain 4:52 ▓███
███▓ 12 Forest Guardian 9:17 ▓███
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███▓ 67:03 min ▓███
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███▓ A bass line relieves itself by coming out of arpeggios coated with ▓███
███▓ a symphonic sound. Between the music of Synergy and Vangelis, A ▓███
███▓ Place Beyond the Clouds surprises with its austere philharmonic ▓███
███▓ tone. Big drums' rollings, splashing of drums, synth pads and the ▓███
███▓ very Vangelis allegorical twisting effects place us between the ▓███
███▓ Greek musician's quirky works and his sonic essays that have ▓███
███▓ impressed the fans of his abstract musical art. We have to be very ▓███
███▓ patient with this first work of Eloy Fritsch out of his territories ▓███
███▓ of progressive music. I almost gave up on this JOURNEY To The ▓███
███▓ FUTURE after reaching Mermaids Island. I said to myself; It's not ▓███
███▓ for me! But since it comes from Groove and I have tremendous ▓███
███▓ respect for Ron Boots, I repeated to myself; there must be ▓███
███▓ something in this album. Well yes ... and no! Some titles are very ▓███
███▓ catchy and easy to access. But there are also completely crazy ▓███
███▓ titles that will require a very open mind. As for me, I'm glad I ▓███
███▓ persisted. ▓███
███▓ So, A Place Beyond the Clouds is a good title with powerful ▓███
███▓ arrangements and even with emotional spikes that are woven to give ▓███
███▓ us chills of tenderness. If you liked Audion, from Synergy, and ▓███
███▓ Charriots of Fire, from Vangelis, you'll love A Place Beyond the ▓███
███▓ Clouds as well as the vast majority of JOURNEY To The FUTURE. ▓███
███▓ Eternal is even more poignant. The music begins with a slow ▓███
███▓ staccato, genre movie of biblical years. Floating synth pads filled ▓███
███▓ with balls of harmonies surround it. They also sink these very ▓███
███▓ slushy orchestrations that add to the cinematic vision of the title ▓███
███▓ reminiscent of the music of the movie Alexander, composed and ▓███
███▓ arranged by Vangelis. Gregorian choruses, a sample of a seraphic ▓███
███▓ soprano, riffs of a celestial harp draining her strings, and ▓███
███▓ Babylonian percussions complete an already overloaded setting. A ▓███
███▓ small flaw that will get bigger and bigger as we go forward in ▓███
███▓ JOURNEY To The FUTURE and will reach a point of no return with the ▓███
███▓ immensely crazy Electric Brain. If you like these metal percussions ▓███
███▓ whose clashes create echoes of coldness, like in Antartica, ▓███
███▓ Mermaids Island is full of those. Even after 5 plays of this album, ▓███
███▓ I always have difficulty to seize this structure which embraces too ▓███
███▓ many tangents. I have this vague impression of hearing a bunch of ▓███
███▓ old clichΘs heard everywhere. Spacelab comforts us with eagerness! ▓███
███▓ It's a wonderful title that starts with wooshh and NASA's Spacelab ▓███
███▓ communications samplings. A slow carousel twirls its arpeggios that ▓███
███▓ feel pressed by a line of bass pulsations in the background. It's ▓███
███▓ melodious, it's a some kind of deja-entendu, but there is an effect ▓███
███▓ of intensity and velocity in this titleà Hmmmm! It's when the ▓███
███▓ second communication between the NASA engineers is over that ▓███
███▓ Spacelab bursts with a spiral of the most harmonious that comes to ▓███
███▓ tighten our heartbeat slightly. But that's not all! A few seconds ▓███
███▓ later, the structure changes tone and plunges into a hyper-gripping ▓███
███▓ and hyper-poignant dimension. I have heard this title a dozen times ▓███
███▓ without getting tired of it. Direction iPod, category best title in ▓███
███▓ 2019! ▓███
███▓ Who Want to be a Machine? starts with a good arpeggios' drop a la ▓███
███▓ Tomita. A somewhat military rhythmic structure seizes this ballet ▓███
███▓ to direct it towards a spasmodic dance-music structure. A structure ▓███
███▓ that sways between ambient and living EDM. Vocoder effects take us ▓███
███▓ back to the 80's and the rhythm, surrounded by ghostly ululations, ▓███
███▓ drifts to a genre like Laura Branigan (Gloria) and Gary Numan. ▓███
███▓ There are many species in such a short time. And I guess it would ▓███
███▓ be a hit with a nice video too. It's very catchy and full of sound ▓███
███▓ effects well laid here and there. Good synth-pop with a more ▓███
███▓ creative vision. Blue Diamonds on Water is a melody in the genre of ▓███
███▓ Mermaids Island. I told you earlier that the more we would advance ▓███
███▓ in JOURNEY To The FUTURE and the more things start to get tough. ▓███
███▓ Dance of the Spheres begins this segment where disjointed ▓███
███▓ structures abound in different musical envelopes. Spheres dance in ▓███
███▓ tireless circles and communicate with each other with a ▓███
███▓ well-structured electronic language. Here we have a structure in ▓███
███▓ continuous migration with a hint of Rock and Jazz in an environment ▓███
███▓ that flirts with Soft Machine and Vangelis, in Spiral, and even ▓███
███▓ with Tangerine Dream for the color of the reverberant pads. Circles ▓███
███▓ of Time is another title in a ballad style with slamming ▓███
███▓ percussions. The pace is heavy with some very philharmonic synth ▓███
███▓ layers. The game of percussions solidifies this structure which ▓███
███▓ ends its race in a sphere of sonic ambiences and which drift ▓███
███▓ towards this very beautiful cosmic lullaby that is NUWA. The ▓███
███▓ influences of Vangelis, especially China, shine throughout this ▓███
███▓ title which is a remix of Circles of Time. The sequencer lazily ▓███
███▓ waves its line of rhythm in the opening of Hypnosis. That's enough ▓███
███▓ for Eloy Fritsch to plan his solos, which abound of a nice smell of ▓███
███▓ electronic Free Jazz. Better structured than Dance of the Spheres, ▓███
███▓ Hypnosis remains the best of the crazy titles of JOURNEY To The ▓███
███▓ FUTURE. Electric Brain? A hyper complex title with a vision of ▓███
███▓ abstract music where you have to stick all the scattered chords to ▓███
███▓ structure something. I leave you that! You have to persevere, or ▓███
███▓ jump it on your CD player, to hear Forrest Guardian. This long ▓███
███▓ title concludes Eloy Fritsch's first album of pure EM with a moving ▓███
███▓ structure that is closer to a symphonic electronic rock with shades ▓███
███▓ of Jean-Michel Jarre and especially Vangelis who is the main ▓███
███▓ essence of a very good business card from Eloy Fritsch, who is an ▓███
███▓ excellent architect and composer, in the world of EM. In the end, I ▓███
███▓ did well to insist since in reality 60 minutes of good music out of ▓███
███▓ 69 is not so bad. ▓███
███▓ ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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