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Constipated Monkey Smegma 2000
.. ...presents... ..
Charlie Hunter - Charlie Hunter
[ I N F O : : : : : : : : : : : : : : : : : : : : : : : : : : : : : ]
Ripped By....: Mercer5 Encoding Rate: 192kbps
Date Ripped..: 06/06/00 Release Size.: 66MB
Date Released: 06/06/00 Music Genre..: Jazz
[ N O T E S : : : : : : : : : : : : : : : : : : : : : : : : : : : : ]
The true mark of an artist is his willingness to creatively
surge into new territory. Throughout his career, Charlie
Hunter has avoided the pitfalls of predictability by
bringing new ideas to the table and seeking out new cohorts
to collaborate with. The eight-string guitarist-bandleader
recorded his first Blue Note album, Bing Bing Bing! with a
tenor saxophone-drum trio, then added an alto saxophone to
the mix for his next two recordings, Ready...Set...Shango!
and the Bob Marley cover project Natty Dread. He threw a
curve ball last year with The Return of the Candyman when he
retired the horn section and enlisted vibes player Stefon
Harris and percussionist John Santos to join him and
longtime drummer Scott Amendola in a new quartet called
Pound For Pound. For his latest outing, Hunter once again
pulls off a remarkable change of pace by linking up with
extraordinary drummer Leon Parker for Duo, a superb
collection of ten tunes that run the jazzy gamut from bluesy
shuffles and deep-grooved funk to hushed balladry and
straightahead romanticism.
"I was excited by the prospect of working in a Duo setting,"
says Hunter, who co-produced Duo with engineer Joe Ferla.
"It's scary and challenging at the same time. It's like
flying a helicopter. You have to be on at every moment.
Every limb is doing something. There's no rest and no time
to recoup your energy. After one hour you're totally
expended." He pauses, then notes how important it is to take
fresh directions. "Life is too short to beat dead horses.
When a certain project has spiritually and musically lived
out its life, then it's time to put it to bed. On the other
hand, if the music is still exciting and vital, I'll make as
many records as it takes for it to run its course."
While Hunter played a number of Duo dates over the years
with his San Francisco Bay Area rhythm mate Amendola, when
the guitarist moved to Brooklyn in late 1997, he set out to
find a simpatico drummer to jam with. What better place to
start than Leon Parker, who kept the beat steady in pianist
Jacky Terrasson's trio as well as released a couple
excellent discs for Columbia as a leader. "I was a big fan
of Leon's music," says Hunter. "I thought he'd be the
perfect person to work with on a Duo album." Ferla, who had
done studio work with Parker before, concurred.
But it was chance encounter in Brooklyn that led to the
recording sessions. Hunter recalls, "I ran into Leon on a
street one day. We talked for quite a while about music in
general and then what I had in mind. He wasn't very familiar
with my albums, which was a good thing because we developed
a style of playing together that wasn't built on
preconceived notions." The results? "Oh, man, Leon is a
genius. Hooking up with him made my playing so much better.
He's so honest in his drumming and he brings 150 percent to
the music. His timing is perfect, and he has great taste. He
plays all the right things. It was an inspiration to play
with him."
Another stimulant that has spurred on Hunter's music is his
new stomping grounds. "Just meeting and then getting to play
with someone like Leon is why I came here," he says. "I'm
being constantly inspired by people, which sets off a chain
of events for more exploration. It's been one constant chain
reaction since I moved here." Duo, the first disc Hunter
recorded in New York, affirms that he feels right at home in
the jazz mecca.
The CD opens with the ebullient "Mean Streak," an older
number written during a time when Hunter was immersed in
Cuban music. Over the years he played the tune in concert
with his different groups, but it took on a new life when he
and Parker rehearsed it. It's the only tune of the pack with
overdubs, with Parker adding extra percussion and a snare
drum solo. That track is followed by the deeply swinging
"Belief," a Parker tune from his album of the same title. "I
like Leon's writing," says Hunter, who adds, "This is one my
favorites."
Listen to track #2, it's dope.
Mercer5, repp'n CMS
[ T R A C K L I S T : : : : : : : : : : : : : : : : : : : : : : : : ]
01 Rendezvous Avec La Verite 6:37
02 Two for Bleu 5:38
03 Al Green 5:39
04 Nothin' But Trouble 6:33
05 Cloud Splitter 4:01
06 Epistrophy 3:41
07 Flau Flau 5:56
08 Dersu (a slight return) 5:13
09 Someday We Will All Be Free 4:56
[ O T H E R S T U F F : : : : : : : : : : : : : : : : : : : : : : : ]
CMS is always looking for new members. T1+ siteops with at least
14Gb space, rippers who can get new/rare underground stuff, *nix admins
who can provide legitimate shells, haQerz that can change members grades
in college and anyone who has skills which may be useful are welcome to
Join #CMS on EFnet and ask an operator for assistance.
[ E N D O F F I L E : : : : : : : : : : : : : : : : : : : : : : : ]
d0pe ascii by CIA
_______________________________________________________________________________
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