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Artist......: Yann Tiersen
Album.......: Kerber
Label.......: Mute Records
Genre.......: Classical
Catnr.......: CDSTUMM465
Source......: CD
Rip.date....: 2021-09-23
Str.date....: 2021-08-27
Quality.....: 673 kbps avg / 44.1kHz / 2 channels
Url.........: http://yanntiersen.com
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\ / # title time \ /
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1. Kerlann 6:32
2. Ar Maner Kozh 6:03
3. Kerdrall 5:31
4. Ker Yegu 4:34
5. Ker al Loch 6:49
6. Kerber 10:19
7. Poull Bojer 6:09
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\ / ________ Runtime 45:57
,\ /... . . .... .... \ / ' Size 231.42______
:\/ ', \ / , \ /
' '... ..\ /.. .. .....:. .. .... .. . ..\ /.
: Release Notes: \/ , \/ ,
' '
,: The follow up to 2019Æs Portrait (a collection of 25 newly :,
: recorded tracks from throughout his career), Kerber is very much :
:' a new chapter in the Breton artistÆs career, one that begins ':
,: with his most overtly electronic material to date. True to :,
: TiersenÆs nuanced and subtle approach, this isnÆt a U-turn-like :
:' thumping piece of dance music but instead a beautifully ':
,: textured, highly immersive and thoughtfully constructed :,
: electronic world to step inside of. :
:' ':
,: It is both an evolution of what has come before, as well as a :,
: new space to explore. On the new album, the piano is the source, :
:' but electronics are the environment that they exist within. ':
,: Tiersen explains, ôYou may get this intuitive thinking of, æoh :,
: it's piano stuffÆ, but actually it's not. I worked on piano :
:' tracks to begin with but that's not the core of it, they are ':
,: not important. The context is the most important thing - the :,
: piano was a precursor to create something for the electronics to :
:' work around.ö ':
,: :,
: Working in The Eskal, the studio he built on Ushant (the island :
:' where he lives, located 30 kilometres off the West coast of ':
,: Brittany in the Celtic Sea), TiersenÆs process for the albumÆs :,
: recording was particularly involved. After spending the spring :
:' writing the piano parts, he went on to spend that summer ':
,: meticulously creating a sample bank for the Elektron Octatrack :,
: using these parts as inspiration, following the chord :
:' progressions, playing them on instruments such as the Ondes ':
,: Martenot, mellotron and harpsichord. These were then :,
: subsequently transformed, reshaped and processed. What then :
:' followed, with producer Gareth Jones (Depeche Mode, ':
,: Einstⁿrzende Neubauten), was three weeks of working with :,
: electronics, sampling, re-sampling and processing sounds to :
:' create an engulfing soundscape where the tender tones of piano ':
,: keys merge with gently pulsing electronics and an intense :,
: ambient milieu. ôYou get the acoustics of the studio in there as :
:' well,ö he says. ôSo itÆs good that you have this mixture that ':
,: comes from having electronic stuff in a big space.ö :,
: :
:' A sense of place has often been a central theme in TiersenÆs ':
,: work and here that is no different. Kerber is named after a :,
: chapel in a small village on the island and each track is tied :
:' to a place mapping out the immediate landscape that surrounds ':
,: TiersenÆs home. Yann Tiersen is planning a live event to be :,
: broadcast worldwide from Ushant (with a tour to follow) and the :
:' island is represented on the graphic artwork by LA-based artist ':
,: Katy Ann Gilmore :,
: :
:' ':
: '
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\ / Shout out to all our homies from: \ /
\ / \ /
\ / iPC BOSS HiT2000 1way UKi i8 RNS \ /
\ / RAGEMP3 MANDY DV8 pLAN9 BUTT \ /
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\ / H O U N D \ /
\/ 2 0 2 1 \/