John_Coltrane-A_Love_Supreme_Live_In_Seattle-2021-MTD

Section
MP3/FLAC
Group
MTD
Size
157,43 MB
Files
12
Date
2021-11-21

NFO

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    ▀█████▓▌                   MTD Proudly Presents                ▐▓█████▀

    [Info]

    Artist       : John Coltrane
    Album        : A Love Supreme: Live in Seattle
    Label        : Impulse! Records
    Genre        : Jazz
    Street Date  : 2021-10-08
    Quality      : 277 kbps / 44.1kHz / Joint Stereo
    Encoder      : Lame 3.100 -V0
    Size         : 162.10MB
    Time         : 75:29 min
    Url          : http://allmusic.com/album/release/a-love-supreme-live-in-seat
                   tle-mr0005487751
    [Tracks]

    1.  A Love Supreme, Pt. I: Acknowledgement                            21:53
    2.  Interlude 1                                                        2:28
    3.  A Love Supreme, Pt. II: Resolution                                11:05
    4.  Interlude 2                                                        6:23
    5.  A Love Supreme, Pt. III: Pursuance                                15:27
    6.  Interlude 3                                                        6:32
    7.  Interlude 4                                                        4:20
    8.  A Love Supreme, Pt. IV: Psalm                                      7:21


    [Notes]

    Recorded at the Penthouse Club on October 2, 1965, A Love Supreme: Live in
    Seattle sat in the archive of musician/educator Joe Brazil (he played flute
    on John Coltrane's OM, recorded the day before) for 55 years. Five years
    after Brazil's death in 2008, family friend Steve Griggs discovered two 1/4"
    reels containing this performance. This is only the second complete concert
    performance of A Love Supreme to see the light of day; the other is from a
    July 1965 concert in Antibes. The saxophonist's quartet with McCoy Tyner,
    Elvin Jones, and Jimmy Garrison was nearing its end; they were already
    augmented by bassist Donald Garrett and saxophonist Pharoah Sanders.
    Rounding out this septet is alto saxophonist Carlos Ward, who was invited to
    sit in that day. Brazil used an Akai reel-to-reel tape recorder and two
    microphones. While the drums sound a bit hot in places, and 'Trane goes
    off-mic occasionally, the sound is quite good. This performance almost
    doubles the length of the studio album and is 20 minutes longer than
    Antibes. In addition to the suite's four movements -- "Acknowledgement,"
    "Resolution," "Pursuance," and "Psalm" -- are four improvised solo
    interludes.

    Opener "Acknowledgement" is nearly 22 minutes long. Other than Coltrane's
    familiar flutter on the thematic introduction, this piece is almost
    unrecognizable for 15 minutes. The interplay between bassists is canny.
    Garrett uses a bow while Garrison strums chords, and Tyner offers chordal
    counterpoint as Jones double-times on ride cymbals. Coltrane and Sanders
    trade solo spaces with Ward interjecting tentative bursts. The four-note
    theme isn't really heard until minute 16. The vocal chant is absent,
    replaced by bass and percussive themes that lead into the first interlude, a
    short shared bass and percussion solo. "Resolution" emerges with Coltrane
    stating the theme briefly. Tyner enters, expands the frame, and signals Ward
    in. Initially uncertain, he adds sparse, dissonant notes and flurries for a
    few moments and then grabs onto the rhythm section's tough modal swing and
    rips the tune wide open with a killer solo, followed by Sanders and Coltrane
    blazing scorching trails through the tune. After a six-minute drum solo
    interlude, "Pursuance" begins with Coltrane stating the theme, then Sanders
    breaks it into pieces with a long, labyrinthine, and furious solo. Tyner
    supports with sharp, chromatic asides before taking his own long,
    imaginative solo and dueling with the bassists and Jones. Coltrane doesn't
    solo at all. "Psalm," with its trademark bluesy tenor intro, stays closest
    to the studio recording. Coltrane takes only a minute to begin ascending but
    fades before he reaches a peak as Tyner and Jones envelop him. Coltrane
    begins rebuilding the tune, reaches an inner pinnacle, then dissembles it
    again amid bowed basses, Tyner's sparse middle register, and Sanders'
    Tibetan prayer bells. The audience responds with stunned silence for a few
    seconds. It's a startling performance. The package design is simply stellar
    and the liner essays by critic/historian Ashley Kahn and Coltrane biographer
    Lewis Porter are educational, authoritative, and indispensable.




Files

PathSize
00-john_coltrane-a_love_supreme_live_in_seattle-2021-proof.jpg2,83 MB
00-john_coltrane-a_love_supreme_live_in_seattle-2021.m3u347 B
00-john_coltrane-a_love_supreme_live_in_seattle-2021.nfo12,53 KB
00-john_coltrane-a_love_supreme_live_in_seattle-2021.sfv427 B
01-john_coltrane-a_love_supreme_pt._i_acknowledgement.mp345,11 MB
02-john_coltrane-interlude_1.mp34,55 MB
03-john_coltrane-a_love_supreme_pt._ii_resolution.mp324,55 MB
04-john_coltrane-interlude_2.mp313,40 MB
05-john_coltrane-a_love_supreme_pt._iii_pursuance.mp332,74 MB
06-john_coltrane-interlude_3.mp311,70 MB
07-john_coltrane-interlude_4.mp37,63 MB
08-john_coltrane-a_love_supreme_pt._iv_psalm.mp314,92 MB