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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : Bob Marley & The Wailers
Album : The Capitol Session '73
Label : Tuff Gong Records
Genre : Reggae
Street Date : 2021-03-21
Quality : 283 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.100 -V0
Size : 129.91MB
Time : 60:54 min
Url : http://allmusic.com/album/release/the-capitol-session-73-mr00
05452555
[Tracks]
1. You Can't Blame The Youth 4:24
2. Rastaman Chant 7:13
3. Duppy Conqueror 5:18
4. Slave Driver 3:37
5. Burnin' And Lootin' 5:17
6. Midnight Ravers 4:44
7. Put It On 4:36
8. Stop That Train 3:55
9. Kinky Reggae 4:46
10. Stir It Up 6:35
11. No More Trouble 3:41
12. Get Up Stand Up 6:48
[Notes]
In America in 1973, unless you were a serious music obsessive, chances were
good you were not familiar with reggae music and hadn't heard of Bob Marley
& the Wailers. That said, the critical acclaim that greeted their first two
albums for Island Records, Catch a Fire and Burnin', and the buzz generated
by their first U.S. tour was starting to change that. Producer Denny Cordell
was ahead of the curve; he was a fan after hearing Marley's early Jamaican
releases, and his label Shelter Records gave the Wailers their first
American release, a single of their Lee "Scratch" Perry-produced classic
"Duppy Conqueror" in 1971 (though the label misspelled it "Doppy
Conqueror"). When the Wailers were wrapping up an American tour in October
1973 with a pair of concerts in San Francisco, Cordell invited them to play
a private show in Los Angeles, booking the Capitol Records recording studio,
bringing in a camera crew to videotape the set, and inviting friends and
fans to cheer on the band. The Capitol Session '73 gives this performance
its first authorized release after the long-lost tapes were rediscovered. It
also captures the Wailers in a unique moment: Bunny Wailer had quit, and Joe
Higgs, who had mentored the Wailers in their early days, joined the tour to
fill his spot in the harmonies. And though Peter Tosh was still on board,
within months he'd leave to go solo. The Capitol Session '73 preserves an
evening where the original Wailers fading out and Marley's era as
unquestioned leader would soon begin, and one of the things most striking
about this material is how strong the Wailers were as a band. Marley clearly
had the voice and the charisma to be a frontman, but here he's fully
integrated with the other musicians, and the vocal spots from Tosh bring a
welcome contrast, with Tosh's ominous cool complementing Marley's warmth and
passion. Tosh's guitar work is equally strong here, and Earl "Wire" Lindo's
keyboards support the melodies while turning up the tension. The peerless
rhythm section of Aston "Family Man" Barrett and his brother Carlton Barrett
is a model of sinewy, efficient groove, and while it takes a few songs for
the band to fully hit their mark, by the time they swing into "Burnin' and
Lootin'" and "Midnight Ravers," they sound unstoppable, and the finale of
"Get Up, Stand Up" tells you all you need to know about why this band became
legendary. The set list is also a welcome corrective to the overly
simplified image of Marley as a ganga-fortified merchant of sunny vibes;
despite the veneer of Rasta calm, this is music of protest, and all the more
powerful for its rebellious heart. While 1975's Live! remains the definitive
document of Marley on-stage, The Capitol Session '73 is a welcome reminder
of the joyous power of the Wailers, not just Marley, and it's a valuable
addition to their catalog.