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▀█████▓▌ MTD Proudly Presents ▐▓█████▀
[Info]
Artist : John Hiatt & The Jerry Douglas Band
Album : Leftover Feelings
Label : New West Records
Genre : Rock
Street Date : 2021-05-21
Quality : 254 kbps / 44.1kHz / Joint Stereo
Encoder : Lame 3.100 -V0
Size : 79.26 MB
Time : 41:27 min
Url : http://allmusic.com/album/release/leftover-feelings-mr0005363
704
[Tracks]
1. Long Black Electric Cadillac 3:26
2. Mississippi Phone Booth 3:06
3. The Music Is Hot 3:46
4. All The Lilacs In Ohio 3:29
5. I'm In Asheville 3:26
6. Light Of The Burning Sun 4:38
7. Little Goodnight 4:43
8. Buddy Boy 3:26
9. Changes In My Mind 3:34
10. Keen Rambler 3:25
11. Sweet Dream 4:28
[Notes]
One of the unspoken rules of the music business is that you can age out of
rock & roll, but you're allowed to show your age in blues and country if you
do it right. The blues have always been a good match for the gritty,
eloquent sneer of John Hiatt's voice, and he's been more than willing to
push himself in that direction in his recordings of the 2010s and onward, as
the celebrated singer/songwriter, born in 1952, moves further from the
sell-by date of most rock and pop artists. On 2021's Leftover Feelings,
Hiatt has blended his bluesy sensibilities with a subtle country feel,
though he clearly feels no alliance with the beer-and-pickup trucks mindset
of Nashville's current hitmakers. Hiatt recorded Leftover Feelings with the
Jerry Douglas Band, led by Douglas, arguably the world's best and certainly
most influential dobro player. Though Mike Seal adds occasional flashes of
electric guitar to the mix, this is otherwise an acoustic session which, as
is the tradition in bluegrass, features no drums. The music is not bluegrass
in either concept or execution ("All the Lilacs in Ohio" comes close), even
though that's the path Douglas and his bandmates usually walk; instead,
Hiatt and Douglas use the group's tonal palette to reflect the themes and
emotions of Hiatt's songwriting, with the band deferring to the needs of the
material rather than their past musical associations. And even when the
music isn't truly blues or bluegrass, Hiatt knows how to draw the rootsy
sensibilities of his songs to the surface (they're never buried especially
deep anyway), and the subtle virtuosity of Douglas, Seal, bassist Daniel
Kimbro, and fiddler Christian Sedelmyer is a superb match for Hiatt's songs
and lead vocals. After two decades of Hiatt's reliable excellence in
songwriting, Leftover Feelings does nothing to break this streak; the
opening track "Long Black Electric Cadillac" is witty but a bit gimmicky,
but the lonely wandering of "I'm in Asheville," the tragic family story of
"Light of the Burning Sun," and the bittersweet introspection of "Changes in
my Mind" are the work of a masterful tunesmith with faultless instincts
about how to deliver his material. Leftover Feelings isn't "John Hiatt's
Acoustic Album," it's a solid and rewarding set of songs that sounds a bit
different than usual, but finds him working with some excellent and
simpatico musicians who understand his craft and play into the feel of
Hiatt's material.