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▓▄██ ██▄▓
▓█▀▄▄ Artist : John Hiatt & The Jerry Douglas Band ▄▄▀█▓
▐▓▌▐█▌ Album : Leftover Feelings ▐█▌▓▌
▐▀▄██ Label : New West Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2021-05-21 ██▀▄▌
▐▓▌▐█▌ Quality : 805 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 250.51 MB ███▓
▀ ▀█▌ Time : 41:26 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/leftover-feelin ███▄▓
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▄██▀ ▀██▄
██▌ 1. Long Black Electric Cadillac 3:26 ▐██
██▌ 2. Mississippi Phone Booth 3:06 ▐██
██▌ 3. The Music Is Hot 3:45 ▐██
██▌ 4. All The Lilacs In Ohio 3:29 ▐██
██▌ 5. I'm In Asheville 3:26 ▐██
██▌ 6. Light Of The Burning Sun 4:38 ▐██
██▌ 7. Little Goodnight 4:43 ▐██
██▌ 8. Buddy Boy 3:26 ▐██
██▌ 9. Changes In My Mind 3:34 ▐██
██▌ 10. Keen Rambler 3:25 ▐██
██▌ 11. Sweet Dream 4:28 ▐██
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████ One of the unspoken rules of the music business is that you can ████
████ age out of rock & roll, but you're allowed to show your age in ████
████ blues and country if you do it right. The blues have always been ████
████ a good match for the gritty, eloquent sneer of John Hiatt's ████
████ voice, and he's been more than willing to push himself in that ████
████ direction in his recordings of the 2010s and onward, as the ████
████ celebrated singer/songwriter, born in 1952, moves further from ████
████ the sell-by date of most rock and pop artists. On 2021's Leftover ████
████ Feelings, Hiatt has blended his bluesy sensibilities with a ████
████ subtle country feel, though he clearly feels no alliance with the ████
████ beer-and-pickup trucks mindset of Nashville's current hitmakers. ████
████ Hiatt recorded Leftover Feelings with the Jerry Douglas Band, led ████
████ by Douglas, arguably the world's best and certainly most ████
████ influential dobro player. Though Mike Seal adds occasional ████
████ flashes of electric guitar to the mix, this is otherwise an ████
████ acoustic session which, as is the tradition in bluegrass, ████
████ features no drums. The music is not bluegrass in either concept ████
████ or execution ("All the Lilacs in Ohio" comes close), even though ████
████ that's the path Douglas and his bandmates usually walk; instead, ████
████ Hiatt and Douglas use the group's tonal palette to reflect the ████
████ themes and emotions of Hiatt's songwriting, with the band ████
████ deferring to the needs of the material rather than their past ████
████ musical associations. And even when the music isn't truly blues ████
████ or bluegrass, Hiatt knows how to draw the rootsy sensibilities of ████
████ his songs to the surface (they're never buried especially deep ████
████ anyway), and the subtle virtuosity of Douglas, Seal, bassist ████
████ Daniel Kimbro, and fiddler Christian Sedelmyer is a superb match ████
████ for Hiatt's songs and lead vocals. After two decades of Hiatt's ████
████ reliable excellence in songwriting, Leftover Feelings does ████
████ nothing to break this streak; the opening track "Long Black ████
████ Electric Cadillac" is witty but a bit gimmicky, but the lonely ████
████ wandering of "I'm in Asheville," the tragic family story of ████
████ "Light of the Burning Sun," and the bittersweet introspection of ████
████ "Changes in my Mind" are the work of a masterful tunesmith with ████
████ faultless instincts about how to deliver his material. Leftover ████
████ Feelings isn't "John Hiatt's Acoustic Album," it's a solid and ████
████ rewarding set of songs that sounds a bit different than usual, ████
████ but finds him working with some excellent and simpatico musicians ████
████ who understand his craft and play into the feel of Hiatt's ████
████ material. ████
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