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██ ▒ Artist : The Roswell Incident ░ █░ ▓███
██ ░ Album : Adrift ░ ▓▒ ▓███
██▄▄ Genre : Electronic ░ ▓ ▓███
███▓ Source : CDR ░ ▒ ▓███
███▓ Label : self-released ░ ▓███
███▓ Cat. Number : none ▓███
███▓ Street Date : 2015-00-00 ▓███
███▓ Rip Date : 2020-01-07 ▓███
███▓ Encoder : LAME 64bits version 3.100 (http://lame.sf.net) -V0 ▓███
███▓ Quality : 245kbps / 44.1KHz / Joint Stereo ▓███
███▓ Tracks : 3 ▓███
███▓ Playtime : 01:10:30 (129.MB) ▓███
███▓ URL : http://www.the-roswell-incident.com ▓███
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███▓ 01 Out of the System 29:45 ▓███
███▓ 02 Reaching the Speed of Light 22:50 ▓███
███▓ 03 In Search of the Ancient Dominion 17:55 ▓███
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███▓ 70:30 min ▓███
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███▓ ôAdriftö for gliding, for floating! Being adrift like the music of ▓███
███▓ this last album of the brothers Koen and Jan Buytaert who is filled ▓███
███▓ with these ambiospherical perfumes of ether from the Berlin School ▓███
███▓ retro years. Beneath the stars, because the music of ôAdriftö was ▓███
███▓ performed live in the festivals of Cosmic Nights in 2015 and E-Live ▓███
███▓ in 2014, or in our room the eyes fixed there where our ears carry ▓███
███▓ us, this 4th opus of The Roswell Incident follows the rules of ▓███
███▓ Escape with some long and very atmospheric introductions which are ▓███
███▓ use as bases, except maybe for "In Search of the Ancient Dominion", ▓███
███▓ to launch delicate movements of minimalist rhythms always tugged by ▓███
███▓ opaque movements of cosmic turbulences. ▓███
███▓ Hollow winds decorated of melodious prisms open the long ▓███
███▓ ambiospherical phase of "Out of the System". The dialect of ▓███
███▓ machines diffuses chirping which sparkle in slow orchestral ▓███
███▓ movements imagined by false violins which murmur these words of ▓███
███▓ comfort lost in the limbo. It's a little like being drifting in a ▓███
███▓ cosmos filled by very vague tones of carillons which sparkle under ▓███
███▓ the caresses of hot winds. The orchestral murmurs caress tenderly ▓███
███▓ muffled impulses which move like waves below one thousand feet in ▓███
███▓ the oceanic depths. These waves become the stooges of our solitude ▓███
███▓ while that quietly "Out of the System" unveils its arrhythmic armor ▓███
███▓ where a sneaky structures of rhythm emerge from the clamors of an ▓███
███▓ invisible crowd on the edge of 10 minutes. Fluty synth pads ▓███
███▓ harmonize their catatonic airs to sequenced pulsations, weaving a ▓███
███▓ minimalist walking which skips as a wandering one-legged man. The ▓███
███▓ walking accelerates gradually the pace through many sound graffiti ▓███
███▓ which get twist in the nothingness of the hollow winds. We are ▓███
███▓ right in the heart of retro Berlin School here. So much that this ▓███
███▓ approach makes me think enormously of Robert Schroeder in his time ▓███
███▓ of Paradise, especially with these murmurs which join the parade ▓███
███▓ some 3 minutes farther. This movement hits the wall around the 15th ▓███
███▓ minute point, restructuring so this rhythm, always very relaxing, ▓███
███▓ in a more fluid phase where the sequences, certain with tones of ▓███
███▓ voice, skip and sparkle in the soft oscillations of a crawling bass ▓███
███▓ line. A cloud of prism encloses this movement of which the velocity ▓███
███▓ grows ceaselessly and where other sequenced keys add a weight of ▓███
███▓ romance, whilst that "Out of the System" reached its 4th phase with ▓███
███▓ sequences which swirl under some very good synth solos. This is ▓███
███▓ what I call a great old Berlin School track! ▓███
███▓ "Reaching the Speed of Light" is clearly more ambient with a heavy ▓███
███▓ introduction loaded of cosmic winds and of sibylline waves. One has ▓███
███▓ to wait to the 12th minute point before hearing a structure of ▓███
███▓ rhythm murmur to our ears. Still there it's very ambient with weak ▓███
███▓ pulsations. The beatings which resound are freezing an echo where ▓███
███▓ some arpeggios dance here shyly. The tears of synth which float are ▓███
███▓ guiding this improbable waltz towards a more livened up phase, we ▓███
███▓ have just pass the point of 18 minutes, when the rhythm scampers ▓███
███▓ with grace under a sonic sky illuminated by electronic effects. "In ▓███
███▓ Search of the Ancient Dominion" liberates itself of these ambient ▓███
███▓ introductions in order to lie down a rhythm which gets rid of the ▓███
███▓ winds, the woosh, the wiish and of the larvas of synth, which force ▓███
███▓ a strange harmony, right from the 3rd minute. The movement is fluid ▓███
███▓ and crosses two lines of rhythms; an ambient one with sequences ▓███
███▓ which skip in their shadows and the other one , more discreet, with ▓███
███▓ pulsatory keys which skip with a desire to explode. The synths ▓███
███▓ weave a psychedelic language with piercing and deformed shadows ▓███
███▓ which float among these winds of discord. Except that the announced ▓███
███▓ explosion will not occur. The structure of rhythm, set apart the ▓███
███▓ pulsating line, is wrapped up in a sound ambiospherical decoration ▓███
███▓ which proposes a totally uneven duel between the beat and the ▓███
███▓ ambiences. And that will be the spirit of Klaus Schulze, for these ▓███
███▓ convoluted structures where everything forms itself in a ▓███
███▓ fascinating symbolic symbiosis of the Picture Music years, which ▓███
███▓ will dominate "In Search of the Ancient Dominion", concluding thus ▓███
███▓ an album which is in the continuity of The Roswell Incident's ▓███
███▓ works. Yes we were ôAdriftö! And this album, with strong perfumes ▓███
███▓ of vintage tones, is for those die-hard fans of old Berlin School ▓███
███▓ ▓███
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███▓ "LOVE AND RESPECT YOUR FRIENDS AND LET YOUR ENEMIES DIE!!!" ▓███
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▀▀▀▀▀ ▀▀▀▀█████▄ ██▄▄ <LNK^2016> ▄▄██ ▄████▀▀▀▀ ▀▀▀▀▀
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