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░█████▓█████▓██ ▌Artist__│ Mr. Hill ██▓█████▓█████░
░████▓▓██▒██▓██ ▌Title___│ SMiRK ██▓█████▓▓████░
░████▓███▒██▓██ ▌Label___│ Hal Cush Music ██▓██▒███▓████░
░████▓███▒██▓██ ▌Genre___│ Hip-Hop ██▓██▒███▓████░
░████▓███▒██▓██ ▌Format__│ Album ██▓██▒███▓████░
░████▓███▒██▓██ ▌Year____│ 2011 ██▓██▒███▓████░
░░████▓█████▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓█████▓████░░
░░████▓█████▓██ ▌Time____│ 25:12 ██▓█████▓████░░
░░░████▓████▓██ ▌Size____│ 47.09 MB ██▓████▓████░░░
░░░░███▓▓███▓██ ▀▀▀▀▀▀▀▀▀╝ ██▓███▓▓███░░░░
░░░░░███▓▓▓█▓██ ▌Source__│ Web Store ██▓█▓▓▓███░░░░░
░░░░░░████▓▓▓██ ▌Bitrate_│ VBR kbps ██▓▓▓████░░░░░░
░░░░░░░███▓▓▓██ ▌Freq____│ 44.1 kHz ██▓▓▓████░░░░░░
░░░░░░░████████ ▌Encoder_│ Lame 3.100 ████████░░░░░░░
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░░ ╔═══════════════╗
░░ ║ T R A C K S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░ 01. Funeral Pop 1:40
░░ 02. Waited For 1:38
░░ 03. Leave Me 1:03
░░ 04. One Thing 2:32
░░ 05. My Baby 1:31
░░ 06. Good To You 2:26
░░ 07. Where Are They Going 1:35
░░ 08. Nowhere To Go 2:30
░░ 09. Distant Dreams 2:11
░░ 10. Other Girl 1:07
░░ 11. I Like You 2:09
░░ 12. Opening Closing 0:58
░░ 13. Feeling Fine 2:21
░░ 14. Ma Petite Amie Outro 1:31
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░░ ╔═══════════════╗
░░ ║ N O T E S ║░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░░
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░░ Seattle's Mr. Hill has always been the one to play the humble part, no
░░ matter how many topnotch projects he's involved with. The DJ/producer
░░ responsible for the beats on such Northwest releases as Onry Ozzborn's
░░ The Grey Area as well as the upcoming Grayskul album Deadlivers with Onry
░░ and JFK, Hill has been making music for quite some time. He's dabbled in
░░ production work for H-Bomb from Sinsemilla, Boom Bap Project, and the
░░ Silent Lambs Project.
░░
░░ An avid listener of hiphop since the golden era, Hill bought records here
░░ and there as a kid and eventually got turntables. "I was always the guy
░░ that had to change the tape in the car after every song because I wanted
░░ to hear something different--which annoyed a lot of people but that's the
░░ way I was," he says.
░░
░░ It was listening to Eric B. & Rakim's Paid in Full that got Hill
░░ seriously interested in becoming a DJ himself in 1994, though. "I thought
░░ Eric B. was dope at cutting back then, although he really wasn't. But
░░ listening to him scratch made me want to get into it. Him and DJ K La
░░ Boss from EPMD."
░░
░░ Some might also remember Hill from his now defunct production crew,
░░ Chapter 29, the group that included Putney Swope and DJ Kashun. Hill met
░░ Swope back at the pirate radio station FUCC 89.1 where they both had
░░ hiphop shows, and they moved on to have shows together at Groovetech.com,
░░ where they met Kashun. "We all made beats, so we formed Chapter 29 as a
░░ production company to get our music heard," explains Hill. Eventually
░░ Hill began to do his own thing, though, to start defining his own style.
░░
░░ In the mid-'90s, his passion for DJing started dying down when Hill felt
░░ less inspired by the output from the hiphop community. He got into
░░ beat-making instead in 1997 when Swope got a Dr. Boss sampler. "We would
░░ mess around on it and eventually he ended up buying an MPC 2000. I hit
░░ that thing every day until I bought my own gear," he notes. The first
░░ beat that he actually laid down for someone else was used on
░░ "Investigation Zero," off Footprints' 1999 cassette tape Operation Raw.
░░
░░ Expect to hear even more from Mr. Hill. Having already worked with
░░ Canibus, Abstract Rude, Casual, Busdriver and Sonspot Jonz of the Living
░░ Legends, it's no doubt the guy is moving up in the world.
░░
░░ Electronic, funk / soul, hip-hop, jazz styled instrumentals.
░░
░░ Free on the web. WAV to scene standards.
░░
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░░░█ ░█ ░█ █░███░█ ░███ ▒███████ /─────────────────────────\
░░░██ ███ ░| learned from vets |░
░░░░██ ████ ░| and they |░
░░░░░██ █████ ░| ain't pet doctors |░
░░░░░░███ ████▒ \─────────────────────────/
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https://mrhillmusic.bandcamp.com/album/smirk