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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 08-26-1997
Release date : 05-22-2003
Album name : Donde Jugaran Las Ninas?
Artist : Molotov
Ripped by : shav0
Genre : Alternative
Label : Universal
Encoding Software : Lame EOS
Quality : --alt-preset standard
Tracks : 12
Size of Files : 65,9 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 03:24 Que No Te Haga Bobo Jacobo
02 03:34 Molotov Cocktail Party
03 02:58 Voto Latino
04 03:19 Chinga Tu Madre
05 04:10 Gimme Tha Power
06 04:32 Matate Tete
07 04:46 Mas Vale Cholo
08 04:22 Use It Or Lose It
09 02:07 Puto
10 04:48 Porque No Te Haces Para Alla?... Al Mas Alla
11 02:49 Cerdo
12 03:55 Quitate Que Ma'sturbas (Perra Arrabalera)
Total time: 44:44 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
By the end of the '90s, hip-hop-informed metal had not
only become familiar, it had become the sound of
disaffected teens, not only in America but throughout
the world. Usually, American groups could be successful
in other countries - Europe, Latin America - but the
reverse was never true. That all changed with Molotov
and their album, Donde Jugaran Las Ninas. Picking up
where Licensed to Ill left off, Molotov come across as
a wilder Rage Against the Machine, with more affection
for grooves and fun - all of which makes their social
commentary cut a bit deeper. Of course, many American
audiences didn't understand the meaning of the lyrics ù
they understood that the relentless rhythms swung the
heavy guitars more nimbly than most homegrown rap-metal
outfits, which makes the record simply sound better
than most of its ilk. And make no mistake about it,
it's the sound (along with the teen-sex cover, which
could be seen as very offensive by many observers, both
conservative and liberal) that will sell them in the
U.S., and for good reason ù they're better than most of
their peers.
-Stephen Thomas Erlewine, www.allmusic.com
Buy the album if you like it!
─ Contact ───────────────────────────────────────────── ─── ─ ─
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▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀