ludwig_van_beethoven-complete_symphonies_disc_2-1993-psg

Section
MP3/FLAC
Group
psg
Size
106,90 MB
Files
8
Date
2006-08-16

NFO

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::::::                                                                  ::::::
::::::         Ludwig Van Beethoven-Complete Symphonies Disc 2          ::::::
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_\/_-------------------------------------..----------------------------------.
\/\/ Artist : Ludwig Van Beethoven       ||    Album : Complete Symphonies Di|
 |:: Date   : Jul-11-2002                ||   Source : CDDA                  |
:|:: Street : 000-00-1993                ||    Genre : Classical             |
:|:: Ripper : PRESTiGE                   ||  Quality : 192kbps / Full Stereo |
:|:: Label  : InterSound                 ||  Encoder : LAME 3.92             |
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::::::::::::         r  e  l  e  a  s  e    n  o  t  e  s         ::::::::::::
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   To put it in simple terms, Beethoven has to be the most
   inspirational, most multi-talented composer of his time, and has
   definitely inspired a number of multi-talented composers today.

   Anyone who thinks this music is junk needs some serious culture
   instilled into their seemingly hollow minds plagued by britney
   spears sensationalism. To everyone else... enjoy this lovely set :-)


   Tracks 1-4:
     Symphony No. 3 in E-Flat major, Op. 55, Eroica (Bamburg Philharmonic Orchestra)

   Tracks 5-8:
     Symphony No. 4 in B-Flat major, Op. 60 (London Festival Orchestra)


   Ludwig van Beethoven (1770-1827)

   Beethoven once described himself as someone "who did everything
   badly except compose music." Clumsy, arrogant and rough, he
   experienced as much difficulty making friends as keeping time while
   dancing. Although Beethoven may have been out of tune with society
   he harmoniously inspired and united subsequent generations. Fueled
   by Fate, Power and Nature, his music is an intimate reflection of
   artistic, emotional and spiritual struggle.
   Born and raised in Bonn, Beethoven showed strong musical
   aptitude at an early age. Despite an almost total lack of schooling
   (which plagued him in latter life), Beethoven excelled at the
   pianoforte, organ, violin and viola. Following lessons with his
   father and court organist Christian Gottlob Neefe, Beethoven
   traveled to Vienna in 1786 to study with Mozart. Upon returning to
   Bonn, he taught and played viola in the court opera orchestra - an
   occupation that exposed him to the masters of serious and comic
   opera.
   Despite Beethoven's unhappy domestic life (His mother died while
   Beethoven was in Vienna, and his father was a miserable drunkard.),
   his music and childhood friends became an endless source of comfort.
   One of his closest acquaintances was Count Waldstein, who not only
   was the dedicatee of the C-major Piano Sonata, Op. 53, but also
   helped finance Beethoven's return to Vienna in 1972. Not long after
   his arrival, the 22-year-old Beethoven was unanimously declared
   Vienna's foremost pianist and one of its leading composers.
   Apart from occasional visits to the countryside, Beethoven spent
   the rest of his life in Austria's musical capital. For 30 years, his
   fame as a virtuoso improviser and revolutionary composer gripped the
   city, despite his coarse behavior. Although biographers depict
   Beethoven as a wretched man - his catalog of squabbles with
   publishers, patrons, musicians and friends being inexhaustible, his
   creative achievements far outweigh his social imperfections.
   Among Beethoven's greatest contributions was that to symphonic
   form. Unlike his predecessors Haydn and Mozart, who merely refined
   the symphony, Beethoven, over a course of 25 years, fashioned it
   into a grand, dramatic art-form. Whereas the Eroica fulfills the
   symphony's potential for tragic poetry, the Fifth Symphony
   represents heroic transformation. The Seventh Symphony illustrates
   an emancipation of spirit, while the Ninth celebrates the fraternity
   of mankind.
   By composing out of spiritual necessity, Beethoven effectively
   bridged the gap between Classicism and Romanticism. Due to his
   growing deafness, which began in 1802, Beethoven sought refuge in
   nature, which inspired many stirring works. Although his music may
   have been misunderstood, it was - and remains - never neglected.


+----------------------------------------------------------------------------+
.                     t  r  a  c  k  l  i  s  t  i  n  g                     .
|----------------------------------------------------------------------------|
|                                                                            |
|   01  Allegro Con Brio Op. 55                                      14:56   |
|   02  Marcia FunΦbre: Adagio Assai                                 09:54   |
|   03  Scherzo: Allegro Vivace                                      06:02   |
|   04  Finale: Allegro Molto                                        11:50   |
|   05  Adagio - Allegro Vivace                                      12:21   |
|   06  Adagio                                                       09:31   |
|   07  Allegro Vivace                                               06:14   |
|   08  Allegro Ma Non Troppo                                        06:58   |
|                                                                            |
:                                                                            :
.                                                         106,9 MB / 77:46   .

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                                                                           wk

Files

PathSize
01-allegro_con_brio_op._55-psg.mp320,51 MB
02-marcia_funebre_adagio_assai-psg.mp313,62 MB
03-scherzo_allegro_vivace-psg.mp38,30 MB
04-finale_allegro_molto-psg.mp316,26 MB
05-adagio_-_allegro_vivace-psg.mp316,97 MB
06-adagio-psg.mp313,09 MB
07-allegro_vivace-psg.mp38,57 MB
08-allegro_ma_non_troppo-psg.mp39,59 MB