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││││││├┐││ ─────────────────────────────────────── music for body and soul
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└┐└──────┘ 06.09.2006
│play in.
artist: Chris Montez
album: Time After Time
label: A&M Records
year: 1966
genre: Easy Listening
source: Vinyl
grabber: Eac
encoder: LAME 3.90.3 --Alt-Preset Standard
quality: VBRkbps / 44,1kHz / Joint-Stereo
size: 37,10 MB
link: n/a
─┐└───────────────────────────────────────────────────────────────────────
│tracklist.
no. time track title
side A
01 02:21 Time After Time
02 02:02 I Wish You Love
03 02:40 Sunny
04 02:26 Keep Talkin'
05 02:42 Our Day Will Come
06 03:33 The Girl Form Ipanema
side B
07 03:27 Lil' Red Riding Hood
08 02:33 Goin' Out Of My Head
09 02:02 What A Diff'rence A Day Made
10 02:01 Elena
11 02:26 Yesterday
12 02:25 Just Friends
total time: 30:38 min
─┐└───────────────────────────────────────────────────────────────────────
│release notes.
Chris Montez Time After Time album was a quick follow-up to his The
More I See You/Call Me LP in 1966, the singer's entry into the
world of easy listening music. Here, Tommy LiPuma, Herb Alpert, and
Marshall Leib all produce the 23-year-old singer, Alpert and LiPuma
collaborating on the title track, a Top 40 remake of Frank
Sinatra's 1947 Top 20 hit from the film It Happened in Brooklyn.
With arranging by Nick DeCaro and engineering from The Doors' Bruce
Botnick, the album is more intriguing and listenable than one might
think after reading KSFO DJ Jack Carney's liner notes about singing
in the shower. Beating Ferrante & Teicher to the punch by recording
both Little Anthony's "Goin' out of My Head" and Bobby Hebb's
"Sunny" on the same disc, the singer takes "Goin' out of My Head"
and makes it even more gut wrenching than the 1964 classic. It has
its own life and is one of the LP's highlights. When Montez is on,
as he is when taking Dinah Washington's "What a Difference a Day
Makes" (strangely retitled "What a Difference a Day Made"), he is
exquisite. When he is off, on display with the pointless rendition
of Blackwell's "Lil' Red Riding Hood," charting at the same time as
this release by Sam the Sham & the Pharaohs, one can see how the
formula Herb Alpert devised had its limitations. The Beatles'
"Yesterday" works great in this setting and his "Sunny" is so much
fun that it was included in the compilation Sunny Part 2: A
Collection of Various Interpretations of Sunny. Everything, with
the exception of "Lil' Red Riding Hood," makes the grade, but one
wonders what would have happened had the producers struck a balance
with the rocking 1962 Chris Montez of "Let's Dance" fame -- his
biggest hit -- and the cocktail lounge boy singer who landed four
hits four years after the world first heard him. These recordings
don't fully display the singer who engineer Dinky Dawson in 2004
said is a great guitarist and absolutely incredible live.
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