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TEAM UTB ▀▄ ▀█████▓▓▄▄ ▄▄██▓▓▓▓▓▀ ▄█ ▀▀▀▀ ▐██▓▓█▓▓ ▄▀ UNTOUCHABLE
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████ Solomon Burke -Nashville █▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
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██ ██
██ artist....: Solomon Burke ██
██ album.....: Nashville ██
██ label.....: Shout! Factory ██
██ genre.....: R&B ██
██ type......: Album ██
██ album year: 2006 ██
██ rip date..: Sep-10-2006 ██
██ streetdate: 000-00-0000 ██
██ ██
██ tracks....: 14 ██
██ size......: 58,4 MB ██
██ language..: English ██
██ bitrate...: VBR Kbps / 44.1kHz / Joint-Stereo ██
██ source....: CDDA ██
██ ripper/sup: UTB / ██
██ grabb/enco: EAC /Lame ██
██ ██
██ url.......: n/a ██
██ ██
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▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ RELEASE INFORMATION ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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██ Four years after the stellar and eclectic Don't Give Up on ██
██ Me from 2002, which won a Grammy, Solomon Burke returns with ██
██ another surprise. Nashville was recorded in Music City with ██
██ producer Buddy Miller and a slew of guests who include duet ██
██ partners Emmylou Harris, Dolly Parton, Patty Griffin, and ██
██ Gillian Welch, as well instrumental talent that features ██
██ Brady Blade, Byron House, Miller, Al Perkins, Garry Tallent, ██
██ Mickey Raphael, David Rawlings, Sam Bush, Phil Madeira, and ██
██ many others. The set opens with a stripped to the bone ██
██ version of Tom T. Hall's "That's How I Got to Memphis," ██
██ accompanied only by Miller's acoustic guitar. Burke's big, ██
██ crackling throaty baritone makes the song, which has been ██
██ covered by everyone from Bobby Bare, Bill Haley, and Rosanne ██
██ Cash to Scott Walker, Lee Hazlewood, and Ben Vaughn. Miller ██
██ lets the slow, earthy cracks in Burke's voice resonate ██
██ deeply. The duet with Parton on her "Tomorrow Is Forever" is ██
██ deep, soulful country music at its best. Al Perkins' pedal ██
██ steel floats around the pair as they trade lines and ██
██ harmonize. With excellent backing vocals from Ann McCrary ██
██ and Gale West, this is a true melding of the country and ██
██ soul traditions. Bruce Springsteen's "Ain't Got You" is ██
██ utterly transformed from a country blues shouter into a ██
██ roiling, tough, backwoods hard country and near-bluegrass ██
██ meld. Perkins' dobro, the slippery brushed drums that ██
██ shuffle in overdrive and fiddle, and Tallent's standup bass ██
██ take the thing back into the woods and never let it out. And ██
██ it just goes from here. Welch's "Valley of Tears" is another ██
██ stripped to the bone ballad with Rawlings and Welch singing ██
██ and playing and Miller backing on vocals as well. But that ██
██ backing is a bit stiff; it would have worked better without ██
██ any, but it's Burke's killer voice that brings the real ██
██ sadness in the tune to bear at the listener's door. Burke ██
██ can really do the weepers, as further evidenced by his ██
██ reading of Don Williams' "Atta Way to Go" with strings and a ██
██ full countrypolitan band behind him. Here again, Burke ██
██ proves that he can do the tradition without schmaltz. There ██
██ is great power in his voice as he allows the lyrics to ██
██ penetrate him and then projects them as his own. This song, ██
██ too, becomes so rooted in the blues and Memphis soul that it ██
██ might shock Williams to hear it. "Up the Mountain" a Griffin ██
██ song, proves beyond a shadow of a doubt that Griffin and ██
██ Burke were made to sing together. This is a duets record ██
██ that should happen. She can sing anything, and her manner of ██
██ countering Burke's throaty R&B moan brings out the depths of ██
██ gospel. The pairing with Harris on George Jones' "We're ██
██ Gonna Hold On" works less well. Harris does the same thing ██
██ on every single recording she's appeared on for the last ██
██ decade. In addition, the instrumentation feels ragged and ██
██ out of balance. The set ends with Larry Henley and Red ██
██ Lane's "Til I Get It Right," where Burke's vocal comes off ██
██ every bit as haunted and heart-rending as Johnny Cash's and ██
██ he gets it right form the first note. Burke is at a place in ██
██ his long career where he has nothing to lose. His ██
██ restlessness and willingness to stretch himself is far ██
██ different than say Rod Stewart attempting all those ██
██ horrifying volumes of the Great American songbook. Burke ██
██ fully inhabits what he sings. His performances are precise ██
██ in that they bring out every single lyrical nuance as an ██
██ extension of soul. This is a keeper, one of those records ██
██ that you'll still be listening to in ten years. ██
██ ██
██ ██
██ ██
██ ██
██ ██
██ If you enjoyed this REC, BUY IT! otherwise delete it please ██
██ because the Artist deserves your support! ██
██ ██
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▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ TRACK LISTING ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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██ 01.that's how i got to memphis 03:23 ██
██ 02.seems like you're gonna take me back 03:16 ██
██ 03.tomorrow is forever 02:54 ██
██ 04.ain't got you 04:11 ██
██ 05.valley of tears 04:31 ██
██ 06.honey where's the money gone 03:30 ██
██ 07.atta way to go 03:10 ██
██ 08.millionaire 04:17 ██
██ 09.up to the mountain 03:32 ██
██ 10.does my ring burn your finger 03:48 ██
██ 11.vicious circle 03:06 ██
██ 12.we're gonna hold on 03:31 ██
██ 13.you're the kind of trouble 02:56 ██
██ 14.'til i get it right 03:37 ██
██ ██
██ ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ TOTAL: 49:42 mins ██
██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ TEAM INFORMATION ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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▓▓ * We are always looking for: ▓▓
██ - Talented Music Rippers (allyear, allgenre, promo, vinyl ██
██ and radio livesets) ██
██ - prefered 100Mbits affiliated sites (NO! 10mbit bbb!!) ██
██ ██
██ * We are currently looking for: ██
██ - A Dump site ██
██ - iRC BNC Supplier ██
██ ██
██ ██
██ And if you think that U can help us to make a better group ██
██ don't hesitate, contact us! I hope you know how do that =) ██
██ since we are a closed group so... ██
██ - we DON'T have any contact detail here ██
██ - we DON'T have a public irc channel ██
██ - we DON'T offer releases ██
██ - we DON'T have a web page (try http://www.utb.de) ██
██ - we ARE UNTOUCHABLE... ██
██ ██
██ ▄ ▄ ■■ ▄ ▄ ██
██ ▄▄▄▄▄▄▓▓▓▀▀ ▀ ▀■ ■▀ ▀■ ■▀ ▀ ▀▀▓▓▓▄▄▄▄▄▄ ██
▀▀▀▀▀▀▓█▓█▓▓▀█▓▄■ About us: ■▄▓█▀▓▓█▓█▓▀▀▀▀▀▀
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██ Well, now here is a small update of our nfo...blablabla ██
██ 1. Yes we thought about makin a "secure" nfo like other big groups ██
██ but we thought there still should be that flair for our friends ██
██ (And yes we like to look at other nice and creative nfos) ██
██ 2. We are 3 years in this formation in scene now, it's a fucked ██
██ situation in here, but we still love it :) ██
██ 3. We thank everyone who supported and supports us(Rippers, Ops,..)██
██ 4. We hope u enjoyed any of our over !4000! rips ;) ██
██ 5. We will still going on, ever and ever and ever ............... ██
██ 6. Still watch out for UTBDVD for some nice Music-DVDs ██
██ 7. and last -> We love you all! Now go out and listen to our music!██
██ ██
██ Greetz fly out to: ██
██ ██
██ to all ppl and groups ██
██ that support the scene and us ██
██ ██
██ ██
██ and to our friends at: ██
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▐███▀▀▀ ▀▀▀██▄▄:TR::DRUM::JUST::BOSS::KrbZ:uC:::RpM:::▄▄██▀▀▀ ▀▀▀███▌
▀▄ ▄▄▄▄█▓▓██▀▀▀▀:UBE::mbs:YARDVID:CMC:F4G:CK::hbZ:▀▀▀▀██▓▓█▄▄▄▄ ▄▀
▄███▓▓▓▀▀ ----------------------------------------- ▀▀▓▓▓███▄
▐███▓▓▌ ------COPYING KILLS MUSIC - SO BUY THE SHIT----- ▐▓▓███▌
████▓▓▄ ------------------------------------------------ ▄▓▓███▓
▀▀██▓▓▓▄ ascii by lord maxxtro.cro|udated 18-01-06 ▄▓▓▓██▀▀
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