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███▄░ Proudly Presents :: ▄███
▄ ▀███▄ Frank Zappa - Joe's Domage ░▄▓██▀ ▄
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▓ ▄ ▀▓█▌ RIPPER........: JCE ▐██▀ ▄ ▓
█▄▄▄ ▐███ LABEL.........: Vaulternative ███▌░▄▄▄█
▄ ▀ ▄▓██▌ ENCODER.......: Lame 3.92 ▐███▄ ▀ ▄
▀ ▄▓████▌ BITRATE.......: VBRkbps ▐▓████▄ ▀
▓▓████▀ MODE..........: Full Stereo ▀▓████▓
▐▓███▀░ DATE.RiPPED...: Jan-09-2005 ▀████▌
▓███▌▄█▄ DATE.RELEASED.: 000-00-2004 ▄█▄▐███▓
▓███░▀▐█▌ RELEASE.SiZE..: 90,0 MB ▐█▌▀ ████
▐▓██▌▄█▀ TRACKS........: 10 ▀█▄▐███▌
░▀██▓▀ SOURCE........: CDDA ▀██▓▀░
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█ NR TRACKNAME TiME █
▓ ▓
█ 01 When It's Perfect 03:18 █
█ 02 The New Brown Clouds 02:44 █
█ 03 Frog Song 17:23 █
█ 04 It Just Might Be A One Shot Deal 01:57 █
█ 05 The Ending Line 03:12 █
█ 06 Blessed Relief/the New Brown Clouds 05:03 █
█ 07 It Ain't Real So What's the Deal 13:15 █
█ 08 Think it Over (Some) - Think it Over (Some More) 05:20 █
█ 09 Another Whole Melodic Section 01:53 █
█ 10 When it Feels Natural 01:27 █
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▓ TOTAL 55:32 min ▓
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▐████▄ ▄▄▓█████████▀▀ ▀█▌ ▐█ █▌ NOTES ▐█ █▌ ▐█▀ ▀▀▓███████▓█▄▄ ▄████▌
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▓ ▓
▓ After being thrown 15 feet off of the Rainbow Theater ▓
▓ stage in London on December 10, 1971 by unstable ▓
▓ concert attendee Trevor Howell, Frank Zappa spent the ▓
▓ better part of the following winter and spring in ▓
▓ rehearsals for what would become the Waka/Jawaka ▓
▓ (1972) and Grand Wazoo (1972) platters and related ▓
▓ live shows. Joe's Domage (2004) -- the second in a ▓
▓ series of never-before-available material from the ▓
▓ luminous Frank Zappa tape vaults -- gathers 50 ▓
▓ minutes from these closed-door sessions, during which ▓
▓ Zappa was confined to a wheelchair as he recuperated. ▓
▓ The incident left the guitarist with some permanent ▓
▓ damage, with a lower voice from a partially crushed ▓
▓ larynx, and a fractured right leg which ended up ▓
▓ shorter than the left, as referenced in the lyrics of ▓
▓ "Zomby Woof" and "Dancin' Fool." Being off the road ▓
▓ resulted in some of the Zappa's most involved fusions ▓
▓ of jazz and rock. These rehearsals were most likely ▓
▓ not meant for public consumption, having been ▓
▓ sonically remastered from a decidedly lo-fi cassette. ▓
▓ For all intents and purposes, this is an examination ▓
▓ of the modular process that Zappa used when creating ▓
▓ his extended works and intricately detailed ▓
▓ compositions, including contributions from an ▓
▓ impressive lineup of Zappa (guitar/spoken ▓
▓ instructions), Tony Duran (guitar), Ian Underwood ▓
▓ (organ), Sal Marquez (trumpet), Malcolm McNabb ▓
▓ (trumpet), Kenny Shroyer (trombone), Tony Ortega ▓
▓ (baritone sax), Aynsley Dunbar (drums) and Alex ▓
▓ Dmochowski (bass) -- the latter often credited under ▓
▓ the pseudonym Erroneous. Granted, the fidelity is ▓
▓ distorted and typical of what a cassette from 1972 ▓
▓ might sound like. However, tucked into the otherwise ▓
▓ grungy audio and the incessant start/stop methodology ▓
▓ of these preliminary run-throughs, Zappa's hands-on ▓
▓ involvement becomes exceedingly evident to the lay ▓
▓ person. He methodically teaches his highly advanced ▓
▓ rhythms and time signatures with a definite and ▓
▓ well-thought-out sense of the bigger picture. ▓
▓ Fragments and in-progress snippets of "The Adventures ▓
▓ of Greggery Peccary," "Big Swifty," "It Just Might Be ▓
▓ a One-Shot Deal," "Blessed Relief," "Grand Wazoo" ▓
▓ [aka "Think It Over"] and an "Interlude" that ▓
▓ Zappaphiles refer to as "Twinkle Tits" are among the ▓
▓ songs that would eventually surface from the music ▓
▓ heard here in their primordial forms ▓
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▐▓██▓▀ ▀▀▓█████████▄▄ ▄▓▌ ▐█ █▌ GROUP·NFO ▐█ ▓▌ ▐▓▄ ▄▄▓████████▓▀▀ ▀▓███▌
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█▓██▄ So you think you can contribute ? Then read below ▄▓██▓
▄▓▀▐▓█▓▌ ▐███▌▀▓▄
▐▓▌▄ ▓███ ▓███ ▄▐█▌
░▀█▀▐███▓ - Supplying linux bnc shells to the group (for free). ████▌▀█▀
░▄▓███▌ They should have 2mbit MINIMUM link. ▐███▓▄░
▄▓████▓ We are only interested in NON-HACKED/LEGAL shells. █████▓▄░
▐▓████▀ ▄ ▄ ▀█████▌
▐██▓▀ ▄ ▀ - Looking for Pre/Tues Rippers. ▀ ▄ ▀███▌
▓█▌ ▀▀▀█ █▀▀▀ ▐█▓
▐▓█▄ ▀ █ - Supplying 100mbit+ Sites. (10mbit+ Internal). █ ▀ ▄██▌
▀▓██▄ ▀ ▀ ▄██▓▀
░▀██▓ - Legit Hardware Suppliers. ▓██▀░
▄ ▀█▌ ▐█▀ ▄
██▓▄ ░▐█ ▓▌░ ▄▓██
▐▌▀██▄█▌ Remember, we do this just for FUN. We are against any ▐▓▄██▀▐▌░
▄█▄ ▀▓▀ profit or commercialisation of piracy. We BUY all our ▀█▀ ▄█▄
▐█▀██▄▐▓ own releases with our own money, as we love all music. █▌▄██▀▓▌
▓▌ ░▀██▌ The orignal is always the Best! And if you like this ▐██▀ ░▐█
▐█▄ ▀ release, BUY it. We HAVE! ▀ ▄█▌
▓██▄ ▄██▓
▄ ▀███▄ ░▄███▀ ▄
█ ▄ ▀▓█▌ CONTACT: ▐██▀ ▄ █
█▄▄▄ ▐██ ▓█▌ ▄▄▄█
▄ ▀ ▄██▓▌ There are always ways to contact us. ▐███▄ ▀ ▄
▀ ▄█████▌ ▐▓████▄ ▀
▓████▓▀ juicy@hush.com ▀▓▓████
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▐▓██▓▄ ▄▄█████████▓▀▀ ▀▓▌ ▐▓ █▌ GREETINGS ▐█ █▌ ▐█▀ ▀▀██████████▄▄ ▄████▌
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▐█▀██▄▐▄ GROUP GREETS: ▄▌▄██▀█▌
▓▌ ░▀███ ███▀ ░▐▓
▐█▄ ▀ To all the Funkatiers & Hip Hop Junkies. ░▀ ▄█▌
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BORNHOLME ▀██▓▀ ▀▓██▀ REMORSE
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