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▓▄██ ██▄▓
▓█▀▄▄ Artist : Sonic Youth ▄▄▀█▓
▐▓▌▐█▌ Album : In/Out/In ▐█▌▓▌
▐▀▄██ Label : Three Lobed Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CDEP ▐███▀
▐▄▀██ Street Date : 2022-03-18 ██▀▄▌
▐▓▌▐█▌ Quality : 843 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 278.99 MB ███▓
▀ ▀█▌ Time : 44:45 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/in-out-in-mr000 ███▄▓
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▄██▀ ▀██▄
██▌ 1. Basement Contender 9:34 ▐██
██▌ 2. In & Out 7:35 ▐██
██▌ 3. Machine 3:37 ▐██
██▌ 4. Social Static 11:41 ▐██
██▌ 5. Out & In 12:18 ▐██
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▄███▌ ▐███▄
████ In the 2000s, Sonic Youth seemed to find the perfect balance ████
████ between the challenging and accessible poles of their music. As ████
████ they ranged from Murray St.'s contemplation to The Eternal's ████
████ formidable rock, they sounded in touch with their past and eager ████
████ to push forward, a feeling that extends to In/Out/In. Released by ████
████ Three Lobed -- which issued many projects from the band's members ████
████ over the years -- this collection of largely unreleased tracks ████
████ reflects all the different kinds of music they made in their ████
████ final decade. Recorded in 2008 at Kim Gordon and Thurston Moore's ████
████ home in Northampton, Massachusetts, "Basement Contender" is a ████
████ mellow, rolling showcase for Moore and Lee Ranaldo's guitar ████
████ interplay with a pastoral warmth that becomes a blaze of ████
████ distortion in the final moments of its nine-minute length. By ████
████ contrast, "Machine," also recorded during The Eternal sessions, ████
████ is crunchy and tense, packing as much feedback and fractured ████
████ atonal riffing into its three and a half minutes as possible. The ████
████ band's chemistry sounds especially potent on "Out & In," a ████
████ hypnotic churn recorded with Jim O'Rourke in 2000 that resembles ████
████ the intro of Daydream Nation's "Candle" exploded into a 12-minute ████
████ epic. "Social Static," another 2000 track recorded with O'Rourke, ████
████ dives into the group's noisiest territory with thick slabs of ████
████ fuzz, plunging guitars, and squealing effects; that the most ████
████ chaotic track here was also the score to a film is pure Sonic ████
████ Youth. On moments like this, In/Out/In resembles the SYR series ████
████ (which the band also revived in the 2000s), but those releases ████
████ sometimes felt like a more conscious effort for the group to ████
████ return to their experimental bona fides in the wake of their ████
████ mainstream success. The ease that Sonic Youth display on every ████
████ track here is particularly appealing on 2010's "In & Out" (which, ████
████ like "Out & In," originally appeared on the Three Lobed box set ████
████ Not the Spaces You Know, But Between Them). No single element of ████
████ the track is especially flashy, but the combination of Steve ████
████ Shelley's delicately galloping stickwork, the heat shimmer guitar ████
████ textures and harmonics, and Gordon's stream-of-consciousness ████
████ crooned whispers is magnetic. The next best thing to sitting in ████
████ on a Sonic Youth jam session, In/Out/In distills the band's ████
████ essence so brilliantly that fans will fall in love all over ████
████ again. ████
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