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F u F F E N S p r o u d l y p r e s e n t s a r e l e a s e w h i c h
i n t e n t i o n i s t o p l e a s e a n d t o e n l i g h t e n t h
o s e l e s s a w a r e o f t h e t r u e m e a n i n g a n d q u a l
i t y o f m u s i c d u e t o d a m a g e s r e l a t e d t o m t v b
u t w i t h o u t f u r t h e r a d o f u f f e n s o f f e r y o u t
o i n c r e a s e y o u r k n o w l e d e g e a b o u t m u s i c a n
d i n t h a t w a y c r e a t e a b e t t e r w o r l d f o r o u r c
h i l d r e n t h e f o l l o w i n g m a s t e r p i e c e o f a r t
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a r t i s t flora purim
a l b u m the flight
l a b e l n/a
g e n r e fusion
r i p d a t e 10.08.2002
s t r e e t d a t e 00-00-0000
o r i g i n a l r e l 1994
s u p p l i e r freund
s o u r c e cd
b i t r a t e 192 kbps
e n c o d e r lame 3.92
r e l e a s e n o t e s
the purim flood still hasnt stopped 8)
AMG about the artist
Influenced by both traditional Brazilian singers and the
improvisations of American jazz divas like Ella Fitzgerald and Sarah
Vaughan, Flora Purim was one of the most adventurous singers of the
1970s. After meeting and marrying her husband, percussionist Airto
Moreira, in their native Brazil, Purim moved with him to the U.S. in
the late '60s. Though she worked with Stan Getz and pianist Duke
Pearson before the decade ended, it wasn't until joining Chick Corea,
Joe Farrell, Stanley Clarke, and Moreira in the original Return to
Forever in 1972 that she became well known in the States. Purim
showed considerable promise on Forever classics like "500 Miles High"
and "Light As a Feather" and lived up to it when she went solo with
1973's Butterfly Dreams. Ranging from superb to passably decent,
Purim's Milestone dates of the mid- to late '70s kept her quite
visible in the jazz world. Purim's work grew erratic and uneven in
the 1980s, and she wasn't recording as often (though she did provide
one album for Virgin and three with Moreira for Concord's Crossover
label). Purim didn't record very often in the early to mid-'90s
either, but she continued to be highly regarded in Brazilian jazz
circles. ù Alex Henderson
...and remember: s t a y f u f f e n s f o r l i f e
t r a c k l i s t
aviao (airplane) 04:13
perfume de cebola (fragrance.. 03:25
my song for you 06:03
maca (apple) 05:15
branco e preto (white and black) 03:39
meu mestre coracao (tutor heart) 04:27
rainha da noite (queen of the night) 05:36
tarde (late afteroon) 05:16
radio experienca (radio experience) 04:47
dois irmaos (two brothers) 03:52
dona olympia (mrs olympia) 05:22
finale 03:54
55:49
MB 89,6
g r o u p n e w s
Now releasing more than the 5 rels per week our good old manifest
said we would. We are growing every day, and we just cannot help it.
h e l p f u f f e n s
We are looking for quality sites in Europe and US, to be afilliated
on. Remember, we┤re not in it for the creds, but for the spreading
of quality music - we just want to get our releases out to the ppl
that wants/needs it. More pre sites fills this purpose.
Contact us on fuffed_up@hotmail.com
g r e e t s
kw sb HiT2000 CMS IGR JUST diss sfE krbZ om NuHS DPS smc
s p e c i a l g r e e t s g o e s o u t t o : SChiZO
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i f y o u l i k e t h i s r e l e a s e t h e n g e t y o u r l e e c
h a s s d o w n t o y o u r l o c a l r e c o r d d e a l e r a n d b
u y t h e s t u f f b e c a u s e t h i s i s m a d e b y r e a l a r
t i s t s a p a r t f r o m t h e m a i n s t r e a m p r o d u c t s
t h a t s i n t h e t o p 2 5 l i s t i n t h a t s t o r e y o u w i
l l v i s i t r i g h t a w a y t o s h o w y o u r s u p p o r t t o
t h e t r u e a r t i s t s o f m u s i c - t h e f u f f e n s a r t
i s t s t h a t s i n i t f o r t h e m u s i c n o t t h e m o n e y
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a l w a y s d o r e m e m b e r : s t a y f u f f e n s f o r l i f e
⌐ FuFFENS 2 0 0 2