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▓▄██ ██▄▓
▓█▀▄▄ Artist : Tedesci Trucks Band ▄▄▀█▓
▐▓▌▐█▌ Album : I Am the Moon: II. Ascension ▐█▌▓▌
▐▀▄██ Label : Concord Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2022-07-01 ██▀▄▌
▐▓▌▐█▌ Quality : 811 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 218.47 MB ███▓
▀ ▀█▌ Time : 36:23 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/i-am-the-moon-i ███▄▓
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▄██▀ ▀██▄
██▌ 1. Playing My Emotions 4:10 ▐██
██▌ 2. Ain't That Something 5:28 ▐██
██▌ 3. All The Love 9:03 ▐██
██▌ 4. So Long Savior 2:39 ▐██
██▌ 5. Rainy Day 4:47 ▐██
██▌ 6. La Di Da 4:10 ▐██
██▌ 7. Hold That Line 6:06 ▐██
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████ Ascension is the second album of four in the Tedeschi Trucks ████
████ Band's I Am the Moon project of monthly releases over the summer ████
████ of 2022. Each album's release is preceded by a different film ████
████ premiere from documentary director and creative arts polymath ████
████ Alix Lambert. The concept behind I Am the Moon is the 12th ████
████ century poem Layla and Majnun by Persian poet Nizami Ganjavi. It ████
████ also provided title inspiration for Derek and the Dominos' 1970 ████
████ album Layla and Other Assorted Love Songs. TTB issued their own ████
████ interpretive version of that classic in 2021. ████
████ ████
████ I Am the Moon was written collaboratively; each member of this ████
████ 12-piece collective read the work and contributed to its ████
████ interpretation. Ascension deliberately picks up where Crescent ████
████ left off. Whereas the former explored attraction, infatuation, ████
████ insecurity, and fear, Ascension outlines and underscores love and ████
████ pain as inseparable. More R&B-centric than its predecessor, it ████
████ kicks off with the funky soul of "Playing with My Emotions." ████
████ Susan Tedeschi -- who is one of the great R&B singers of this era ████
████ -- sings both gender roles with authority and empathy. The horns ████
████ and backing chorus buoy her, adding emphasis and emotional depth ████
████ to each line, as Derek Trucks delivers stinging, bluesy fills. ████
████ Organist Gabe Dixon handles the lead vocal on "Ain't That ████
████ Something," a slippery, NOLA-inspired R&B groover about being ████
████ abandoned. The intricate horn charts intersect with his Hammond ████
████ B-3 along with Trucks' slide and Tedeschi's elevated vocal ████
████ leading the chorus. "All the Love" is a nine-minute, jazz-tinged ████
████ ballad about humanity's careless regard for love. Trucks' modal ████
████ leads intersect with muted horns before they gel, swell, and ████
████ drift under Tedeschi's vocal. "So Long Savior" is a short, ████
████ choogling Delta-inspired gospel-blues that moves from acoustic to ████
████ electric. Tedeschi and chorus soar above guitars and drums in ████
████ equating spirituality and desire. "Rainy Day" begins with Trucks ████
████ in raga mode before Dixon's B-3 and the Muscle Shoals-inspired ████
████ horn section expand the frame toward progressive R&B. They ████
████ outline Tedeschi's probing, emotionally resonant lyric that ████
████ offers commitment and steadfast faith; she proves love's patience ████
████ in the face of fear and doubt. It's followed by the rootsy, ████
████ soul-drenched Americana waltz "La Di Da," and the record closes ████
████ with "Hold That Line." On the latter, Trucks enters with relaxed ████
████ blues as Tedeschi and drums slide in unobtrusively. She sings ████
████ with quiet conviction about love's holistic, interdependent ████
████ nature; it holds us tight in its grasp alongside those we've ████
████ loved and lost, and those who've loved and lost us. Flutes and ████
████ horns join Trucks in dialogue, framing the deeply poetic lyrics. ████
████ Ascension is more laid-back than its predecessor. It more ████
████ prominently features Tedeschi and Trucks as focal points, in ████
████ contrast to the band's more prevalent presence on Crescent. That ████
████ said, TTB expertly and profoundly frame this more intimate ████
████ dialogue. Collectively, they extend the source poem's inspiration ████
████ as well as its allegorical ████
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