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Presents:
Mos Def - Undeniable BW There is A Way
RiPPER..: -=Team OSC=- GENRE......: Hip-Hop
LABEL...: Geffen SCENE DATE.: 10/02/2006
bITRATE.: VBR/44,1Hz STORE DATE.: 00/00/0000
ENCODER.: Lame 3.903 APS TRACKS.....: 04
SiZE....: 21,2 MB SOURCE.....: Vinyl
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- TRACKLIST
01 Undeniable (Lp Version) 04:12
02 Undeniable (Instrumental) 04:10
03 There is A Way (Lp Version) 03:25
04 There is A Way (Instrumental) 04:13
Total Playtime: 16:00
- NOTES
Initially regarded as one of hip-hop's most promising
newcomers in the late '90s, Mos Def expanded his reach in
the years to come, establishing himself as a serious actor
and also making a bid to reshape the rap-rock genre. His
artistic career began in the late '80s as a television
actor, a profession he began directly out of high school.
By the mid-'90s though, Mos Def turned to rap music as his
new profession, frustrated by how little acting paid
relative to rapping. Based in Brooklyn, he began
affiliating himself with the local hip-hop scene,
appearing on tracks by such esteemed groups as De La Soul
and da Bush Babees. Following these guest appearances and
some singles for Royalty (most notably "Universal
Magnetic"), Mos Def began recording for the upstart Rawkus
label. His first full-length album, Black Star (1998), a
collaboration with Talib Kweli and DJ Hi-Tek, shook the
hip-hop community, which embraced the album and spoke of a
Native Tongue revival. His solo debut, Black on Both Sides
(1999), did much the same a year later. For the most part
though, Mos Def maintained a low profile in successive
years, rediscovering his passion for acting and forming
the rap-rock supergroup Black Jack Johnson.
Born in Brooklyn, Mos Def pursued the arts at a young age,
excelling as a performer. After high school, he began
acting in a variety of television roles, most notably
appearing on a short-lived Bill Cosby series in 1994, The
Cosby Mysteries. He soon grew frustrated with life as an
actor and switched to rapping. Appearances on songs by De
La Soul ("Big Brother Beat") and da Bush Babees ("S.O.S.")
-- both released in 1996 -- began Mos Def's rap career
with much propulsion. A year later, he released a single
of his own for Royalty Records, "Universal Magnetic," and
it created quite a stir. Soon he moved to Rawkus Records,
which was just getting off the ground at the time, and
began working on a full-length album with like-minded
rapper Talib Kweli and beat maker DJ Hi-Tek. The resulting
album, Black Star (1998), became one of the most discussed
rap albums of its time. A year later came Mos Def's solo
album, Black on Both Sides, and it inspired further
attention and praise.
Rap groups such as De La Soul, A Tribe Called Quest, and
Brand Nubian -- loosely known as the Native Tongue
collective -- had set a precedent years earlier for
socially conscious, thoughtful rap music more likely to
celebrate Afrocentricity than gangsta culture. Yet these
artists had fallen out of favor by the late '90s as they
aged. Mos Def, on the other hand, was young and
charismatic, an apparently capable and willing heir. Thus,
listeners, critics, and everyone else who had heard Mos
Def's work for Rawkus championed him as a sort of savior,
a genuine, important MC in an age of flossin' gangstas and
angry thugs. And Mos Def certainly fit the role as newly
crowned king of the new-school Native Tongue artists such
as Common and Kweli. However, for whatever reason -- the
hype, the pressure, the attention -- he shied away from
the recording studio after Black on Both Sides and began
pursuing other interests.
During the early 2000s, he acted in several films
(Monster's Ball, Bamboozled) and even spent some time on
Broadway (the Pulitzer Prize-winning Topdog/Underdog). He
simultaneously worked on the Black Jack Johnson project
with several iconic black musicians: keyboardist Bernie
Worrell (Parliament/Funkadelic), guitarist Dr. Know (Bad
Brains), drummer Will Calhoun (Living Colour), and bassist
Doug Wimbish (the Sugarhill Gang, Grandmaster Flash,
Living Colour). This project aimed to reclaim rock music,
especially the rap-rock hybrid, from such artists as Limp
Bizkit frontman Fred Durst, who Mos Def openly despised.
What made Black Jack Johnson so anticipated though was not
so much the supergroup roster of musicians or even Mos Def
himself, but rather the lack of black rock bands.
Following the demise of Living Colour, there were few, if
any, that had attained substantial success. Mos Def hoped
to infuse the rock world with his all-black band and
during the early 2000s, he performed several small shows
with his band around the New York area. In October of
2004, he finally delivered a second solo album (The New
Danger), which involved Black Jack Johnson on a few
tracks.
Another Quality Release from OSC!!
Enjoy!!
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-NEWS
OSC is still holding it down after more than 2 years in
tha scene. Our dedication to bringing you the best in
ol skool classics is, and always will be, our driving
force. Quality over quantity.
"It's all about the music, fuck the other ish." - OSC
Because of this motto we strive to continue bringing you
releases in the highest possible quality, whether it be
urban, house, latin or any other genre.