Marshall_Jefferson_Presents_Dancing_Flutes--Do_The_Do-(DJINT_10)-VLS-1989-mbs

Section
MP3/FLAC
Group
mbs
Size
31,58 MB
Files
4
Date
2006-10-07

NFO

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   ││││││├┐││ ─────────────────────────────────────── music for body and soul
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   └┐└──────┘                                         06.10.2006
    │play in.
        artist: Marshall Jefferson Presents Dancing Flutes
         album: Do The Do
         label: Westside Records Ltd.
           cat: DJINT 10
          year: 1989
         genre: House
     sub-genre: Chicago Deep Acid House
        source: Vinyl
       grabber: Eac
       encoder: LAME 3.90 --Alt-Preset Standard
       quality: VBRkbps / 44,1kHz / Joint-Stereo
          size: 31,6 MB
          link: www.myspace.com/housemusicgodfather
   ─┐└───────────────────────────────────────────────────────────────────────
    │tracklist.
     no. time   track title
     A1  04:22  Do The Do (Got 2 Mix)
     A2  06:17  Do The Do (Do The House)
     B1  03:47  Do The Do (Do The Flutes)
     B2  06:25  Do The Do (Dub The Do)
                total time: 20:51 min
   ─┐└───────────────────────────────────────────────────────────────────────
    │release notes.
     Classic house anthem with the coolest 303!!..
     by the masta ...Mr. Marshall Jefferson.
     About Marshall Jefferson:
     There are a handful of men who have the title of "Godfather" of
     house music, and while many have legitimate claims to the title,
     because of seniority and being there at the beginning, one stands
     out from the crowd as being the one that actually defined not only
     House music, but dance music itself as we know it today.
     His name is Marshall Jefferson, and when in 1986 he played piano on
     a house record for the first time ever, the idea was so innovative
     that record companies told him that it wasn't even house music.
     That record was the platinum "House Music Anthem", and today you
     rarely hear a house record without piano.
     Since then, Marshall's list of accomplishments in House music read
     like no one else; in 1987 he produced the first ever "Acid House"
     record "Acid Tracks" using the TB 303, and simultaneously launching
     the successful career of DJ Pierre. He also produced the first
     house records incorporating old time soulful spiritual vocals,
     launching the successful careers of Ten City, Kim Mazelle, and CeCe
     Rogers. All those early songs are blueprints for what we recognise
     today as deep house, garage music, techno music, and the TB 303 is
     the most sought after instrument for techno artists and producers.
     It seems like almost every song Marshall produced turned into
     another form of music, but he was often oblivious to this at the
     time; -I just wanted my songs to sound different from each other,-
     he says. Marshall also became A and R of Trax records in its
     "golden years" signing some of dance music's most influential
     Artists alongside whom he was also the headline act in the worlds
     first ever House music tour stopping in Europe and the UK in 1987.
     The list of careers that Marshall has helped or launched reads like
     a who's who of dance music; Roy Davis Jnr, Felix Da Housecat, Lil
     Louise, Frankie Knuckles, Steve "Silk" Hurley, and many others, not
     including the thousands of producers and DJs that have been
     influenced by him.
     The most impressive thing about Marshall however is what separated
     him from all the others; his ability to consistently write the
     classic song combining emotional lyrics and timeless melodies. He
     is far and away the most covered songwriter in the history of
     dance, with his back catalog containing more than two hundred
     covers and sample licenses.
     Despite his meteoric rise to success he was not without his
     setbacks. In 1990 after over half a decade of global hits Marshall
     was to receive what at the time seemed like the greatest
     opportunity of his career. Big beat records offered him an
     unprecedented million-dollar budget to produce an album on singer
     Vikki Ryan who was tipped to be the next big thing in dance music.
     The project gave him the chance to work with some of the greatest
     musicians the world had to offer including full orchestral backing
     by the entire Chicago symphony orchestra on every track. But sadly
     in a strange twist of fate half way through the monumental project
     the A and R man at big beat was fired and all works in progress on
     the entire label were shelved. Having spent over a year of his life
     recording putting his heart and soul into the project Marshall
     became depressed and despondent losing all faith in the music
     industry and its messy politics. In that moment he decided to
     retire on the fortune his success had granted him and Marshall
     slipped out of the limelight to live a quiet life with his close
     friends and family. To this day that unfinished album has never
     been released or even heard by anyone other than Marshall and his
     production team.
     In early spring of 1993 however after a 3yr absence Marshall
     Jefferson was coaxed back to the roots of Djing in which he had
     left behind in the early eighties to perform a charity gig in
     London's Cafe de Paris in a special surprise performance. Such was
     the response that night and the massive demand that followed to
     bring him back he felt some of his passion and love for the music
     return and soon after decided to come out of retirement. That as
     they say is history and now nearly ten years on he is one of the
     most prolific DJs to come out of Chicago having played at every
     major club and event across Europe and the world.
     His sets subtle blend of deep house, tribal beats and New York
     style Garage Music have seen him in constant demand ever since. He
     capped off a five-year residency for the tribal gathering and big
     love events with a Major CD release. Joining forces with co
     residents Gayle san and James Lavelle to blend their differing
     styles charting the events diverse roots and history the 3
     collaborated to make the album a solid gold 50,000 selling success!
     Off the back of this his constant touring of the world continued
     but it was not until a collaboration in 2001 with milk and two
     sugars at London's "The End" yielded his next DJ album. This
     release "Welcome to the world of Marshall Jefferson" coincided with
     a major UK Network television documentary "Pump up the volume" on
     Channel four, which charted the history of house music from its
     earliest beginnings. Marshall's major contribution to this program
     and the recognition it gave him on screen strengthened his legacy
     to the younger generation and created a fabulous new wave of young
     fans for Marshall who cherished the new Album and its inclusion of
     rare house music classics that many of them had never heard.
     This new demand for retrospectives and a growing trend towards
     retro club nights across Europe eventually led Marshall to spawn a
     project that would give this new generation a chance to learn about
     the music that led to the creation of this "house music" that seems
     to have changed the worlds youth culture so much. In October 2003
     he will release a double album spanning the key years that inspired
     the birth of this global phenomenon showing the links between such
     early artists as Isaac Hayes, The Pockets and Inner Life  and how
     they had a direct effect to pioneering house legends such as
     Fingers inc, Jamie principle,  Joe smooth and of course Marshall
     himself. "Move your Body <The Evolution of Chicago House>" will
     become a memorable and collectable artefact from one of dance
     music's most enduring and durable movements!
     Althrough this period since his return to Djing still scarred by
     the experience of the Vikki Ryan fiasco his producing has taken an
     almost non-existent back seat in this phase of his career. In fact
     he has rarely recorded any lone Marshall Jefferson Productions in
     the past ten years except perhaps less than a handful of
     underground offerings usually known only to specialist collectors
     and other DJs. Despite this all is not as it seems. Marshall is
     finally preparing a return to producing some time in the near
     future as his long sabbatical has given him time to collect new
     ideas and inspiration to begin the writing phase of what will
     become a monumental return for one of House music's most revered
     living legends. Whatever way dance music has progressed through the
     years you can be sure he has been part of that, so we ask one
     question? In what direction will he take it now?
     Enjoy!.
   ──────────────────────────────────────────────────────────────────────────
     mbs is a free music's lover association on the net.
     we only share the music we love, with the people we like.
     keep your mind, your body and your soul open...
                                                    peace.
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   nfo materialized by gucci!                                        *nov2OO5




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Files

PathSize
a1-marshall_jefferson_presents_dancing_flutes--do_the_do_(got_2_mix)-m6,52 MB
a2-marshall_jefferson_presents_dancing_flutes--do_the_do_(do_the_house9,37 MB
b1-marshall_jefferson_presents_dancing_flutes--do_the_do_(do_the_flute5,79 MB
b2-marshall_jefferson_presents_dancing_flutes--do_the_do_(dub_the_do)-9,91 MB