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▀█████▓▌ FORSAKEN Proudly Presents ▐▓█████▀
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▓█▀▄▄ Artist : Charlie Musselwhite ▄▄▀█▓
▐▓▌▐█▌ Album : Mississippi Son ▐█▌▓▌
▐▀▄██ Label : Alligator Records ██▄▀▌
▄███▌ Genre : Blues ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2022-06-03 ██▀▄▌
▐▓▌▐█▌ Quality : 592 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 180.79 MB ███▓
▀ ▀█▌ Time : 40:07 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/mississippi-son ███▄▓
▐▓████▌ -mr0005607161 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. Blues Up The River 2:34 ▐██
██▌ 2. Hobo Blues 2:11 ▐██
██▌ 3. In Your Darkest Hour 3:28 ▐██
██▌ 4. Stingaree 2:23 ▐██
██▌ 5. When The Frisco Left The Shed 2:44 ▐██
██▌ 6. Remembering Big Joe 2:59 ▐██
██▌ 7. The Dark 3:05 ▐██
██▌ 8. Pea Vine Blues 3:41 ▐██
██▌ 9. Crawling King Snake 4:10 ▐██
██▌ 10. Blues Gave Me A Ride 2:21 ▐██
██▌ 11. My Road Lies In Darkness 3:19 ▐██
██▌ 12. Drifting From Town To Town 3:06 ▐██
██▌ 13. Rank Strangers 2:27 ▐██
██▌ 14. A Voice Foretold 1:39 ▐██
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▄███▌ ▐███▄
████ With 2010's The Well, Charlie Musselwhite returned to Chicago's ████
████ Alligator Records after a 14-year absence to release what was ████
████ then his most autobiographical album to date. For over a decade ████
████ he issued homegrown projects on his Henrietta label, including ████
████ 2012's Juke Joint Chapel and two dates with Ben Harper (2012's ████
████ Grammy-winning Get Up and 2018's No Mercy in This Land). He cut ████
████ the Grammy-nominated 100 Years of the Blues with Elvin Bishop. ████
████ All these records travel a labyrinthine path to Mississippi Son. ████
████ ████
████ Recorded in Clarksdale, Mississippi -- he was born in Kosciusko, ████
████ and moved to Clarksdale after decades elsewhere -- it features ████
████ eight originals and six covers offering a portrait of life as a ████
████ bluesman. He leads a trio with drummer Ricky Martin and upright ████
████ bassist Barry Bays on several tunes, while the rest is performed ████
████ solo. Musselwhite plays harmonica and sings, but for the first ████
████ time since 2006's Delta Hardware, he plays guitar throughout. ████
████ ████
████ Co-produced by Gary Vincent and wife Henri Musselwhite, ████
████ Mississippi Son is humid and swampy, it rolls rather than rocks. ████
████ Musselwhite's guitar-playing style is reflected beautifully in ████
████ opener "Blues Up the River" -- loose, slippery, and subtle. ████
████ Things get a bit woolier on a reading of Yank Rachell's "Hobo ████
████ Blues." Musselwhite reflects John Lee Hooker's immortal version ████
████ with a simmering, sinister, groove. "In Your Darkest Hour" is a ████
████ paean of personal redemption via the power of love, offered solo ████
████ to an individual during a time of difficulty. He lightens the ████
████ mood for "Stingaree," another solo track. His road-weary baritone ████
████ flows atop harmonica and guitar lines, expressing his devotion to ████
████ the beloved: "She might not sting for you/but she's always ████
████ buzzin' me...." On the solo instrumental "Remembering Big Joe," ████
████ Musselwhite plays the guitar of his late friend, Big Joe ████
████ Williams, and renders two sides of the Delta blues in his ████
████ choogling read of Charley Patton's "Pea Vine Blues" with the ████
████ band, and a sensual version of Hooker's immortal "Crawling King ████
████ Snake." Musselwhite is a canny songwriter, able to relate his ████
████ entire autobiography in a two-minute, shuffling, electric country ████
████ blues. The band grooves under one of the most poignant lines in ████
████ this history of blues poetry: "Blues tells the truth in a world ████
████ that's full of lies...." He counters with the shadow side of that ████
████ identity on the harrowing "My Road Lies in Darkness," and pulls ████
████ out a slide for a deep blue read of the Stanley Brothers' high ████
████ lonesome folk song "Rank Strangers." Closer "A Voice Foretold" is ████
████ a haunting blues spiritual written by playwright/lyricist Lee ████
████ Breuer and pianist/composer Bob Telson for their play The Gospel ████
████ at Colonus. It's a prophetic look into the face of death and ████
████ doesn't flinch. In his laconic Southern drawl, Musselwhite sings ████
████ with acceptance, placing his hope in a loving, merciful God. The ████
████ bookend to the journey he began with Delta Hardware, Mississippi ████
████ Son is an unromanticized testament to living the blues and sounds ████
████ like it came from the soil. As such, it's a late-period ████
████ masterpiece. ████
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