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Artist:Brian Setzer Ripper:jrp
Title:13 Tracks:14
Source:CDDA Storedate:Oct-18-2006
Genre:Big Band
Label:Sony
Quality:VBRkbps 44.1kHz / Joint-Stereo
Release Notes:Throughout his career, Brian Setzer has successfully led
two bands that have explored, and expanded upon, specific
areas of pre-'60s American music: the Stray Cats virtually
created the rockabilly revival of the '80s and the Brian
Setzer Orchestra mined and updated the big band swing and
jump-boogie of the '40s. In both contexts, the prescient
Setzer proved a winner, an inspired and knowledgeable
craftsman armed with truckloads of sizzling, pinpointed
guitar licks and terrific songs. On occasion he's chosen,
with mixed results, to break out of those molds and piece
together solo albums that extend his reach into more
mainstream, albeit still retro-based areas of rock. His
first, 1986's The Knife Feels Like Justice, was a left-
field surprise that seemed to indicate that Setzer was
primed to abandon, at least partially, his obsession with
the past and to try his luck in the modern rock world. That
didn't quite happen, as he returned repeatedly to the more
familiar territory, but on 13 -- so named because it's his
13th studio album of new material -- Setzer once again
branches out, and this time he's got the balance just
right. 13 is stocked with 13 (of course) diverse tracks
gliding easily from straight-ahead rock & roll (among the
best: "Rocket Cathedrals," "Broken Down Piece of Junk" and
the anthemic "We Are the Marauders," which declares that
"American Idol is a bunch of crap") to slick instrumental
blues ("Mini Bar Blues"). That doesn't mean he leaves the
vintage Americana behind, but one of the album's strongest
tunes, the hilarious "Really Rockabilly" (which includes
Stray Cats drummer Slim Jim Phantom) leaves no doubt that
Setzer's fed up with the many poseurs who've co-opted and
diluted the style without having much of a clue about its
origins or rebel spirit. Just to show them how it's really
done, he unleashes a series of short-burst licks that
provide a crash course in rockabilly guitar. "Don't Say You
Love Me" crosses harmonic pop/rock with smooth rockabilly
economy, and "When Hepcat Gets the Blues" walks the
tightrope between Stray Cats and BSO territory. But
although several songs touch on familiar ground, 13 is not
intended to be, not does it feel like, a rockabilly or
swing album. The opening track, the crunching "Drugs and
Alcohol (Bullet Holes)" (it's anything but an endorsement
of said substances) takes a look at the hard life of a
high-schooler who's been through way too much, while
"Everybody's Up to Somethin'," with its stacked Southern
rock-style guitars, casts just about everyone into the role
of no-goodnik. Setzer closes out 13 with the mostly
acoustic "The Hennepin Avenue Bridge," something that might
have felt at home in the early-'60s folk revival. Gotta
keep 'em guessing, after all.
Enjoy this Fine release as always :)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
T R A C K L I S T & I N F O
NR. TRACK TIME
01 drugs and alcohol (bullet holes) 04:57
02 take a chance on love 04:02
03 broken down piece of junk 02:44
04 we are the marauders 02:29
05 dont say you love me 03:19
06 really rockabilly 03:10
07 rocket cathedrals 02:52
08 mini bar blues 02:04
09 bad bad girl (in a bad bad world) 04:29
10 when hepcat gets the blues 02:50
11 back streets of tokyo 04:48
12 everybodys up to somethin 02:47
13 rock your world (bonus track) 04:50
14 the hennepin avenue bridge 03:09
__________
Total Time: 48:30 min
Size: 77,4 MB
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
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