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▓█▀▄▄ Artist : Drive-By Truckers ▄▄▀█▓
▐▓▌▐█▌ Album : Welcome 2 Club XIII ▐█▌▓▌
▐▀▄██ Label : ATO Records ██▄▀▌
▄███▌ Genre : Rock ▐███▄
▀███▌ Source : CD ▐███▀
▐▄▀██ Street Date : 2022-06-03 ██▀▄▌
▐▓▌▐█▌ Quality : 880 kbps / 44.1kHz / 2 channels ▐█▌▐▓▌
▓█▄▀▀ Encoder : FLAC 1.3.1 ▀▀▄█▓
▓███ Size : 280.05 MB ███▓
▀ ▀█▌ Time : 42:36 min ▐█▀ ▀
▓▄███ Url : http://allmusic.com/album/release/welcome-2-club- ███▄▓
▐▓████▌ xiii-mr0005642530 ▐████▓▌
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▄██▀ ▀██▄
██▌ 1. The Driver 7:00 ▐██
██▌ 2. Maria's Awful Disclosures 3:50 ▐██
██▌ 3. Shake And Pine 3:45 ▐██
██▌ 4. We Will Never Wake You In The Morning 5:37 ▐██
██▌ 5. Welcome 2 Club XIII 3:22 ▐██
██▌ 6. Forged In Hell And Heaven Sent 4:45 ▐██
██▌ 7. Every Single Storied Flameout 3:55 ▐██
██▌ 8. Billy Ringo In The Dark 3:45 ▐██
██▌ 9. Wilder Days 6:37 ▐██
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████ The Drive-By Truckers have always been interested in social and ████
████ political matters, even in their early days when they wanted to ████
████ be the bastard child of Lynyrd Skynyrd and the Replacements -- ████
████ their breakthrough album, 2001's Southern Rock Opera, found room ████
████ for songs about race, class, and the burdens of the legacy of the ████
████ American South even as they obsessed over a band they called ████
████ Betamax Guillotine. But it was 2016's American Band where the ████
████ group dove headfirst into open and impassioned editorializing as ████
████ political, cultural, and racial division gripped the United ████
████ States, and by fate as much as by design, their next two albums, ████
████ The Unraveling and The New OK (both released in 2020), would also ████
████ look deep into the heart of a damaged nation. This extended ████
████ contemplation of America's flaws seems to have worn on the DBTs a ████
████ bit, and 2022's Welcome 2 Club XIII represents a detour, an ████
████ opportunity to focus on the personal rather than the political ████
████ for a while, and most of the songs are rooted in memory, a look ████
████ into the past as a filter into the present. If one hoped this ████
████ would mean the Drive-By Truckers were going to start kicking up ████
████ their heels and seriously rocking again, it looks like they're ████
████ going to have to wait a little while longer. While the title song ████
████ is a rollicking and sometimes hilarious tale from Patterson Hood ████
████ of playing a sleazy state-line bar where cheap beer, bad cocaine, ████
████ and ridiculous cover bands rule the roost, most of Welcome 2 Club ████
████ XIII feels somber and reflective, and the opening track, "The ████
████ Driver," full of foolish, youthful misadventure and brushes with ████
████ death, more accurately reflects the tone of the album. The bulk ████
████ of Welcome 2 Club XIII was recorded live to tape in just three ████
████ days during what was meant to be a demo session, and for a band ████
████ that has largely been sidelined for the better part of two years, ████
████ the Drive-By Truckers sound tight and now, as always, Brad ████
████ Morgan's drumming is soulful and steady enough to carry them ████
████ anywhere -- even the most downbeat songs crackle with a sense of ████
████ purpose and focus that reminds us why they've been one of the ████
████ most reliably strong American bands since the early 2000s. With ████
████ the exception of the title track and Mike Cooley's meditation on ████
████ right-wing misinformation, "Maria's Awful Disclosures," the songs ████
████ that truly define Welcome 2 Club XIII are the final two, "Billy ████
████ Ringo in the Dark" and "Wilder Days," both of which weigh the ████
████ memories of past misadventures against the baggage the characters ████
████ have to carry in the present day. Once again, the Drive-By ████
████ Truckers have made a strong album well worth your time and ████
████ attention, but Welcome 2 Club XIII suggests they're having a ████
████ problem embracing uncomplicated joy in 2022 -- but then again, so ████
████ do most people. ████
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